Search Results for "senegalese"

After being expelled from France for his subversive communist activities, the Senegalese Maoist activist and artist Omar Blondin Diop (1946-73) returned to Dakar, where he joined the Fundamental Institute of Black Africa and, with his incendiary speeches against colonialism, challenged the power embodied by Léopold Sédar Senghor, president of Senegal.

The Senegalese man of the film’s title is Léopold Sédar Senghor, the poet and first president of Senegal, who is remembered by his neighbors in Normandy.

A little galago needs to learn how to hunt, but his fear of falling out of trees stops him. The main themes of the short are the fear of failure and the chance to turn failures into opportunities.

Keur Simbara is an intimate, lyrical short documentary that follows a group of women community organizers in a rural Senegalese village as they build and sustain systems of health, finance, agriculture, and domestic infrastructure. Amid water scarcity and environmental challenges, they articulate their hopes for the future and the legacy they wish to leave behind. Keur Simbara is a tribute to communal wisdom and the power of local organizing.

Samba migrated to France 10 years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burnout. Both struggle to get out of their dead-end lives. Samba's willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.

Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage.

Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.

A man planning to commit suicide hires a taxi driver to take him to his jumping-off point.

Dembe died of an overdose in the distant metropolis of Dakar. His father refuses to bury him in the family graveyard in the village, believing that his soul has become “impure”. Dembe’s mother decides to take matters into her own hands.

Senegalese director Djibril Diop Mambéty, one of the greatest figures in all of African film, died in 1998. In this behind-the-scenes documentary, shot during the making of his final work, The Little Girl Who Sold the Sun / La petite vendeuse de soleil, Mambéty speaks with his technicians, prepares the actors, talks with his young star, and, in voiceover, shares his thoughts on cinema and life.Mambéty doesn't differ significantly from the stock "behind-the-scenes" documentaries that adorn most DVDs nowadays, except that Mambéty's films have scenes you actually want to be taken behind. Because of the kind of attention that gets paid to African cinema, there's an initial intrigue to Mambéty, but that interest is sustained by Mambéty's own lyrical insights into his aesthetics.

Ivory Coast, the Democratic Republic of Congo, and Senegal – when it comes to love and sex, these African countries are caught between tradition and modernity.

Once upon a time there was a morning, noon, evening and night when the inseparable shadows of man told us about memory... Interview with Ousmane Sow, life sculptor, for the first part of a series entitled Black Memory.

This is the story of time passing, at the slow pace of Ousmane Sow, and of time rushing by, from the birth of a work to its unveiling one spring day in Paris on the Pont des Arts. For a year, while preparing the exhibitions in Dakar and Paris, Béatrice Soulé witnessed the creation of Two Moon, Sitting Bull, Chief Gall, and Crazy Horse by Ousmane Sow—Sioux and Cheyenne chiefs who, gathered along the Little Bighorn River, won the most important Native American victory against the American army in 1868, a victory that led to the death of General Custer. In the intimacy of the sculptor's home in Dakar, a home itself a place of creation, she shares with us her emotion at seeing works emerge from the sand, works that seem to journey from death to life.

Each year, the pilgrimage of the Muslim brotherhood of the Mourides takes place in Touba. From all over Senegal (and even from all over the world) pilgrims flock to take part in this religious event which will last three days and two nights. Grand Magal in Touba evokes the black Islam, promotes peace and tolerance, born of syncretism between Islam and the blackness of the Sufi brotherhoods in Senegal.

African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.

The story of four Senegalese youths from the suburbs of Dakar who are about to set their country ablaze in 2011, via the grassroots movement called Y’en a marre (We’re fed up).

Follow Joseph, a passionate Senegalese chef, as he embarks on a culinary journey in Ottawa. From discovering diverse flavors to blending Senegalese and French influences, witness the birth of his ghost kitchen, the Thieb Factory. This documentary celebrates cultural unity through food, inspiring perseverance, creativity, and the power of cuisine to bridge divides.