Search Results for "self-portrait"

Kawamoto's animated self-portrait.

This is a sort of documentary made by Vilgot Sjoman about Vilgot Sjoman as a sort of cinematic autobiography aired on Swedish television originally in 1992.

A contemplation of life.

This extremely brief film was Osamu Tezuka's answer to a challenge presented to the leaders of the international animation community to create animated self-portraits.

Hailed in France as a national treasure, Serge Gainsbourg was beloved both for his music and for being the country’s favorite ’enfant terrible’. This poetic documentary presents Gainsbourg entirely in his own words, accompanied by carefully selected archival footage, including musical performances and Gainsbourg’s previously unreleased personal films.

​A camera-less portrait of the artist. Super 8 cartridges placed inside a black cotton bag, the film advanced via a hand crank. The tiny gaps in the fabric weave make for dozens (hundreds? thousands?) of tiny pinholes.

An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

Grieving photographer Lu Rile moves into a run-down artists' warehouse in 1990s Brooklyn, where she befriends Katherine, an accomplished painter who lives downstairs. When Katherine suffers her own tragic loss, Lu unknowingly captures the incident in one of her self-portraits, creating a sublime but terrifying image. Consumed with their mutual grief and intensifying relationship, the women discover that they are haunted by a demonic force intent on shaking their reality.

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

Self-Portrait is a 1969 film made by the artist Yoko Ono. The film consists of a single 42 minute shot of the semi erect penis of her husband, John Lennon.

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The film uses an alternative shooting method, the so-called staring camera, two years before the same method used by Andy Warhol and two years before the use of similar methods at the GEFF in Zagreb. The tape is connected in a circle, like an endless tape.

A 1972 short film by Latvian body and performance artist Andris Grinbergs, is both a singular artifact of Cold War-era Soviet dissident culture and an addition to first-person quasi-documentary cinema's experimental vein. Hailed by filmmaker-critic Jonas Mekas as ‘one of the five most sexually transgressive films ever made,’ Pašportrets is a selfie avant la lettre and a prototypical sex tape. It shares similarities, both in editing style and visual content, with certain films of the so-called American underground, Western European auteurs and various East European New Waves, although Pašportrets lacked their access to audiences. Narrowly escaping confiscation by the Komitet gosudarstvennoy bezopasnosti (KGB) shortly after its completion, Pašportrets remained hidden until 1994–1995, when it was restored and premiered at Anthology Film Archives in New York City.

The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.

In "Self-Portrait", Federica Foglia (re)constructs her dislocated immigrant identity through the home movies of others, enacting a search for the self and creating a work of striking filmic autopoiesis.

Experimental short by Harumi Fujii.

Entirely comprised of unlocked surveillance footage from across the globe, Self-Portrait is an abstract look at ourselves through the things we've chosen to point our cameras at.

Footage of the gradual installation and deinstallation of a private exhibition of calligraphic self-portraits hung on the gate of a cramped backyard is intercut with a short shot cut from a family film showing a close-up of a child's face in an open landscape. In contrast, the face of the adult artist is not visible; even his body gradually disappears under the layers of sketches.

In an age of social media, where the boundaries between private and public are constantly being redrawn, 50 people come together to reveal some of their most intimate thoughts. Director Danic Champoux (Mom and Me) returns to Hot Docs to bring us this inventive story that bends the boundaries of documentary cinema. The ensemble cast appears to bare all for the camera, openly discussing a multitude of subjects, from the funny to the heartbreaking, in this unique portrait that celebrates the diversity of human existence.

Brian Yuzna's debut amateur movie is, in his own words, about an artist who blows his brains out against a canvas for art and becomes a protagonist as a hologram.

A short film with dialogue for Eason Chan's Cantonese single "The Code" 盲婚哑嫁 (also included in most recent album "Chin Up") which was produced as an extended backstory for the music video. Starring Eason Chan himself as a passionate portrait photographer whose wife (played by Cecilia Choi) has passed away. During his grieving process, he oddly encounters the lives of another young couple with a tragic yet optimistic romance tale.

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An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

Some people collect family albums. Sarmīte Sīle, an accomplished arts scholar, takes a nude photo of herself every ten years. Behind this unique series of nude photos that span a lifetime, is her story.

One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?

Follow Untitled.10 (Tyson Schultz & Levi Sternburg) as they prep for their 4th pop-up art gallery in Sioux Falls, SD.

After 40 years, Tom Cruise continues to push the envelope in film. Exposing one's heart to the world through their work is not only risky business, as far as Cruise is concerned, it is the only way to achieve an end that feels complete.

Artist/filmmaker Faith Hubley drew a self-portrait in her journal every day for the last decades of her life. Years later, her daughter revisits specific memories and dreams, and considers a relationship altered by death.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

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"Mestre-espenya" is a self-portrait of Guillermo Amengual where he talks and thinks about his childhood and all the themes that have always been present in his life and films: death, family and innocence.

A self-portrait seen through the lens of overwhelming shame that hits you hard... with boxing gloves. Learn how to embrace the constant struggle and turn it into a dance.

15 seconds a day for 365 days. This is the basic premise of the "Year Feature" challenge taken on by filmmaker Scotty Leonard. But within this challenge, Scotty creates a visceral self-portrait, exploring what it takes to be an underground filmmaker, cat-owner, boyfriend, and low-level assistant in New Mexico's film industry in the year 2021. Get ready for psychedelic dreamscapes, caffeinated mania, eccentric soundtracks, Japanese-speaking cats, street art, and more as Scotty explores what routines and detours make his troubled existence so unique.

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Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.

Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.

Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Stefano Miraglia's Self-portrait, also part of the same commission.

As we follow the wandering of a young father and his son through the Valley of Ganga, in India, we listen the issues which across the story of a couple: from the unexpected birth of their child and the joy of the beginnings to their common decision to separate.

Audiovisual view for decisive days in a life of a lightly hearing person.