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32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.

To finish his script, Jonas is ordered by his producer to work with a talented Parisian scriptwriter, whose arrival at his home effects his life in unimaginable ways.

One of the most outstanding personalities in the Danish film industry is Mogens Rukov, co-writer of Thomas Vinterberg's dogma-film The Celebration (Cannes, 1998, winner of the Jury Price) and head of the Department for Scriptwriting at the Danish Filmschool. Flemming Lyngse has made a film with rather than about Mogens Rukov. This is a film with a moving man - professionally as well as personally.

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Alice (Carolina Zanella) is an award-winning screenwriter, but her job demands much more from her than she imagines. Frustrated at not being able to come up with an innovative story, she asks for help from two friends who are actors, Jorge (Guttho Lekan) and Júlia (Rebeca Knopf). However, their strong personalities result in more problems. With existential crisis and depression, she needs to consult with her psychologist Gustavo (Vinicius Daza), who advises her to have more experiences than she has already had. With the great problems that this advice brings her, she discovers that the greatest story was right in front of her.

David Goyer knows how to bring comic book heroes to kicking, screaming, vengeful life, as he did in The Crow: City of Angels, the Blade series, and Batman Begins. In this wry and surprising dialogue, he reveals his tricks of the trade, how to hook an actor's ego, and why fear can pay the bills.

Documentary is about the life and work of American screenwriter Waldo Salt who won two Academy Awards and was put on the Hollywood blacklist in the 1950s. The story is told through interviews with collaborators and friends such as Dustin Hoffman, Robert Redford, Jon Voight, John Schlesinger and with clips from Salt's films, chiefly Midnight Cowboy.

With over 23 years in the business, Bruce Joel Rubin has done it all. From his Oscar-winning screenplay for the romantic-comedy-drama Ghost, to the psychological thriller Jacob's Ladder, the family-friendly adventure Stuart Little 2, and the tearjerker My Life, which he also directed. In this in-depth interview, Rubin delivers some insightful stuff: his carpet-laying theory about writing, the story behind the Jacob's Ladder gut-wrenching opening scene, and which of his screenplays came about thanks to a burrito that didn't digest well.

Hollywood screenwriter extraordinaire Peter Tolan gives a compelling and candid interview about what it's like to live and write in Hollywood, working on such groundbreaking TV shows as Murphy Brown and films such as Analyze This. Confessing to his penchant to procrastination and other entertaining revelations, Tolan offers an insider's look into what it really takes to work and thrive as a scribe in Tinseltown.

Two screenwriters must finish a screenplay in less than 24-hours.

Ed Solomon, screenwriter for blockbusters such as Bill and Ted's Excellent Adventure and Men in Black, sits down for an in-depth interview about life in the Hollywood fast lane, from breaking into the business to having a script produced. Entertaining, informative and candid, Solomon reveals what the life of a working industry screenwriter is really like in both television and film.

Oscar-winning writer, director and producer Paul Haggis (Crash) reflects on his remarkable journey from television to feature film in this lively conversation conducted in the same spirit as "Inside the Actors Studio." The program is part of a series of in-depth talks between industry professionals and more than two dozen successful screenwriters, who candidly discuss their careers and their varied approaches to the writing craft.

Few screenwriters can concentrate for more than a few hours, let alone sustain a career in Hollywood for over 30 years. But the blockbuster comedy writing team of Lowell Ganz and Babaloo Mandel has been making television and film audiences laugh for decades. In the early '70s, Ganz was writing for The Odd Couple while Mandel was receiving his first paychecks for work on M*A*S*H and Busting Loose. In total, Ganz and Mandel have written an astonishing 18 produced feature screenplays, including City Slickers, A League of Their Own, Mr. Saturday Night, Forget Paris, Where the Heart Is, Robots, and Fever Pitch, while also maintaining a "secret career" of un-credited rewrites on studio comedies.

After ditching his law career, Jonathan Hensleigh (Die Hard: with a Vengeance, Armageddon) went on to become a widely respected and successful action-adventure screenwriter. In this candid interview, he reveals his approach to his craft. With unwavering honesty, he talks about developing action series, discloses his real feelings on screenwriting classes and discusses how being an attorney has influenced his writing process.

Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.

This documentary premiered at the Kennedy Center in Washington, DC. Explore the challenging world of the screenwriter with renowned industry writers.

A naive young screenwriter begins crafting a cliche-ridden horror masterpiece- but he soon discovers that putting the final girl through hell has its consequences...

Paul Attanasio's nuanced screenplays for Quiz Show and Donnie Brasco earned him Oscar nominations, and he recently wrote The Good German for Steven Soderbergh. In this intense dialogue, Attanasio describes how he transformed himself from "snotty" Washington Post film critic to master of adaptations for Oscar-winning directors Robert Redford, Barry Levinson, and Soderbergh.

BILLY RAY has written or co-written the screenplays for Color of Night, Volcano and Hart's War and also created the sci-fi series Earth 2. In 2003, Ray wrote and directed Shattered Glass, which was based on the true story of fraudulent journalist Stephen Glass. Most recently, he found himself back in the writer/director role for Breach, a story based on real-life FBI agent-turned-Soviet spy Robert Hanssen. In this intriguing interview, listen as Ray touches on his inspiration from movie soundtracks, taking acting classes, genius by osmosis and writing for the Jetsons.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

A violent screenwriter and a female neighbor fall in love after she clears him of murder, but she begins to have second thoughts.

A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.

Two lifelong friends bond whilst vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.

The career of screenwriter Dalton Trumbo is halted by a witch hunt in the late 1940s when he defies the anti-communist HUAC committee and is blacklisted.

A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

Rick is a screenwriter living in Los Angeles. While successful in his career, his life feels empty. Haunted and confused, he finds temporary solace in the decadent Hollywood excess that defines his existence. Women provide a distraction to his daily pain, and every encounter brings him closer to finding his place in the world.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Hotel employee Lisa develops an obsession with her co-worker Lance, a struggling actor who has appeared in several films as an extra.

Two gay men are possibly, probably, stumbling towards love. Maybe. They're both very busy.

A young man meets and instantly falls in love with an engaged woman.

A few years ago, a mysterious serial-killer caused panic on Crippen High School. The killer was never caught. A movie company, Cosmic Pictures, has decided to make a feature movie about these events - on location, at the now abandoned school. Since members of cast and crew disappear without a trace, it seems as if history is repeating itself...

A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.

Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. Trumbo was one of several writers, directors, and actors who invoked the First Amendment in refusing to answer questions under oath. They were blacklisted and imprisoned. We follow Trumbo to prison, to exile in Mexico with his family, to poverty, to the public shunning of his children, to his writing under others' names, and to an eventual but incomplete vindication. Actors read his letters; his children and friends remember and comment. Archive photos, newsreels and interviews add texture. Written by

Four stories intersect in this violent film parody. Exterminators dress as hit men and try to protect the wife of their boss, Montello. Meanwhile, the strippers at Montello's strip club, dressed as nuns, attempt to rob him. Tag-team wrestlers steal Montello's briefcase, thinking its contents are valuable. Finally, Bumpkin, running to deliver a script, loses a lot of the pages.