Found 22 movies, 0 TV shows, and 0 people
Can't find what you're looking for?

Water, land, silence and nature. It is Sardinia, an ancient land, crossed by uncertain religions and deserts swept by the mistral.

Jennifer West won a 35mm film print of Michelangelo Antonioni’s film Red Desert (1964) on Russian Ebay and dragged it along the Pink Beach off the coast of Sardinia, Italy, where some scenes of the film were shot. Fragments of coral and crushed shell create pink-hued sand that mark the surface of Antonioni’s first color film. Grains of sand and rocks coalesce upon and scratch the surface of the film, which was then transferred to HD frame by frame.

Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Six years after stopping a multi-national arms deal that would have wiped out Los Angeles, Agent Enrico Costa (Franco Columbu) is tracked down at his home halfway around the world. Through revenge and deception, from Sardinia to Beverly Hills, Costa must ready for a final showdown by finding his way through an intricate web of double crosses, while meeting up with old friends and enemies. If Costa wants to survive and save his home, and island, he will have to fight his way out!

After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.

A tale of banditry in Sardinia. Considered a "lost" film but a print was located in 2013.

Special Forces Captain Aldo Paccione must pull together his former world team Delta Force and go deep within the mines of Sardinia when it is discovered that a vengeful band of mercenaries are developing deadly biochemical weapons.

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.

Against the background of flocks of sheep at pasture, mules walking down unpaved roads, tractors in the fields, and isolated figures in a deserted village, a caption explains that Barbagia is a vast region in Sardinia; Orgosolo, Oliena and Mamoiada are villages of shepherds and the men spend most of the year far away, with their flocks. This is why the houses and the children are entrusted to the women, who cut the wood, work the fields and prepare bread, shepherds’ bread.

Chronicles the intertwined lives of characters set in the picturesque landscapes of Sardinia, Italy, exploring human connections, emotions, and personal journeys.

No description available for this movie.

This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.

Based on the story of real life Sardinian bandit Graziano Mesina.

Alice and Niklas are a young couple who's biggest wish is to have a child of their own. After several failed attempts they decide to go on a holiday in Sardinia to clear their minds. There they meet a family from Austria that seems to have everything they ever wished for. But appearances can be deceiving...

Franco Armando - code name Beretta - is forced out of retirement to avenge the cold-blooded murder of a cop. The killer's trail leads to Franco's hometown on the beautiful island of Sardinia, where drugs are turning the peaceful village into a hell hole. The sinister druglord has a sadistic welcome for Franco: the kidnapping of his best friend's beautiful daughter.

The 1990s. The story of the longest Anonima Sequestri kidnapping, that of Giuseppe Vinci, whose family supermarket chain was spread all over Sardinia.

To discover the truth behind the mysterious objects her uncle brought back from the Far East during her childhood, filmmaker Francesca Lixi embarks on a journey to those places through archival footage.

A beautiful secret agent recruits a local sculptor to aid her in rescuing a presidential candidate's kidnapped mistress.

Gallura, the mid-1800s. The feud between the Vasa and Mamia families – historically documented – is causing bloodshed in the region. Bastiano Tansu, a deaf-mute since birth, is one of its protagonists. Mistreated and marginalized since his childhood, after his brother Michele was murdered he joined forces with one of the two leaders of the factions, Pietro Vasa, and put at his service his fury and his amazing aim, becoming a highly feared assassin. The State and the Church try to stem the wave of terror and only after more than 70 deaths, the peace of Aggius arrives. At first, Bastiano finds peace in his love for a pastor's daughter, but in a violent and superstitious world that already labeled him the devil's son when he was just a boy, someone like him cannot be found innocent. Thus, he chooses to confront his own destiny.

No description available for this movie.