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Ossi Viola and Lo Selbo have bet it all on one card: as ITACA they make Italo pop music for the 21st century. Their big dream: performing at the music festival in San Remo. An Italian tour could bring them to the next level. The days go by acrimoniously in rundown roadhouses; at night the duo plays dives along the Italian rustbelt. Not quite their image of bella Italia. Suddenly, this gamble seems completely insane. A 9 to 5 life would be so much easier. The crisis culminates when an unwelcome hitchhiker stumbles into their universe. As the dream threatens to shatter, the adventure begins.

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![[San Remo]](/placeholder.png)
San Remo is a silent travelogue of unknown production, dated circa 1920, preserved in a tinted 35mm nitrate print (3'25", 75 m at 20 fps) with French intertitles, held by CNC – Centre national du cinéma et de l’image animée in Bois d’Arcy. As noted by Renato Venturelli in the 44th Pordenone Silent Film Festival catalogue, the film offers a visual journey through Sanremo, led by a young woman in a headscarf. She ascends the narrow streets of the old town, gathers flowers among palm trees and prickly pears, and reaches the shrine of Nostra Signora della Costa. The tone then shifts from devotional to sensual, culminating in her playful gestures at the monument. An intertitle reads, “It’s never wrong to be flirtatious,” as she adorns herself and enjoys food and scenery. The final scenes depict her barefoot on a cliff and fishermen at sea. Though incomplete, the surviving footage is of good quality. The intertitles use the historical spelling “San Remo,” referencing Saint Romulus.

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A story about inventor who invented a cool bike and goes on racing competition but has a lot of problems on his way.

A DEA agent provides former Marine Tim Kearney with a way out of his prison sentence: impersonate Bobby Z, a recently deceased drug dealer, in a hostage switch with a crime lord. When the negotiations go awry, Kearney flees, with Z's son in tow.