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In a family of sheep rustlers, a 15-year-old must go up against his domineering father to help his younger brother keep the lamb left orphaned by their latest slaughter. Rustling touchingly presents an alternative masculinity instilled not with machismo, but with empathy.

“When 28-year-old Tomomi is dumped by her boyfriend she seeks solace in the arms of 20-year-old student, Takao. A relationship develops through which Takao comes of age sexually and Tomomi discovers a side to love she has previously not known.”

Luka leaves for the countryside unhappy with the way his girlfriend Katarina has treated him. She follows him hoping that they could sort out their relationship. Despite the beauty and tranquillity of their surroundings they go through twists and turns that only intensify their crisis. When Katarina befriends the happy-go-lucky soldier Primoz, new dimensions and choices open up for her. Ultimately all three must decide where their own life will take them.

A chronicle of the three points of a political triangle — the legal left, the illegal (armed) revolution, and the enemy which threatens them both: the armed reactionary right. It is 1987. The dictatorship of Ferdinand Marcos has just been overthrown. Newly elected President Corazon Aquino struggles to wrench control of the country from her own military. A Rustling of Leaves poses the key question facing the revolutionaries and the Filipino Left: Should the People’s Movement continue the guerilla war, or do they dare enter legal politics and reveal the hidden face of the revolution?

A collapse of multiple lifetimes into pieces of amnesia; us, experiencing itself in dreams of life and death. A direct expression of the slow vibration as it currently is; you, a brief movement in the vestiges of nothingness.

An unemployed farmer convinces a geologist friend to quit his university job to seek fortune illegally mining moldavite.

The Insane Clown Posse heads back to the Wild West in this prequel to BIG MONEY HUSTLAS. Nothing happens in the dusty town of Mud Bug without the approval of gambling magnate Big Baby Chips (Violent J), and the locals turn and run when his henchmen come out to play. But when swaggering sheriff Sugar Wolf (Shaggy 2 Dope) teaches the locals to fight back, Big Baby Chips and his gang head for the hills in a hail of gunfire.

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

In the shadow of the COVID-19 pandemic, a writer embarks on a deeply personal journey to heal a family wound, seeking answers in his Indonesian ancestral roots, where an indigenous agrarian culture centered on traditional palm wine merges with a centuries-old Catholic devotion within the world's largest Muslim-majority nation.

Burrito and Manolin defend their ranch against the cattle rustlers, Lios and Chente. A neighboring pig farmer named Don Inocente refuses to join their cause in the name of neutrality. In disguise, the cattle rustlers befriend Don Inocente, rob him of his pigs, and then use his farm as a means to sneak into the undefended side of Burrito and Manolin’s ranch. Once again, Burrito and Manolin stop the villians and come to the rescue of the unsuspecting neutral character. In this clip, Lios and Chente spy on their intended victim, Don Inocente.

A cartoon about funny rustling creatures living among the fallen autumn leaves.

28-year-old Kyoko return to her hometown of Ureshino in Saga Prefecture from Tokyo after a stint as an actress. It is here that she “runs” into Nahoko, her half-sister. Nahoko is secretly stalking Kyoko. Things get a lot more complicated when another half-sister is revealed.

The complex twist of love and hatred, birth and death, between two couples who struggle to find happiness.

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Kent wants the Allen ranch. So he has Steve and his men rustle their cattle using Pete as an informant. When the Trigger Pals Lucky, Stormy, and Fuzzy fight back, Kent frames Stormy for the rustling.

Eddie Dean is a Cattlemen's Association agent investigating a serious rash of rustlings along with sidekicks Soapy (Roscoe Ates) and Waco (Lee Bennett. The latter bears a striking resemblance to Lawrence ranch foreman Bert Ford (also Bennett), who has been the target of several assassination attempts. Rancher Lawrence (Lee Roberts) and Eddie decide that Waco shall impersonate Ford, who is hiding out in a hotel room.

Raton Pass is a curious western based on the rules of Community Property. Dennis Morgan and Patricia Neal portray a recently married husband and wife, each of whom owns half of a huge cattle ranch. Neal is a tad more ambitious than her husband, and with the help of a little legal chicanery she tries to obtain Morgan's half of the spread. He balks, so she hires a few gunslingers to press the issue. In a 1951 western, the greedy party usually came to a sorry end; Raton Pass adheres strictly to tradition.

Tom Hilton and Stub Macey are heading to the Jergenson ranch to buy his cattle. But Jeckyl and Sheriff Slater control the cattle market forcing the ranchers to buy at their price and they intend to keep the newcomers out.

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

Bob Tyler has rustler trouble while driving a herd of cattle to the new owner, but he refuses to turn the herd over to Frank Kellogg. He has a run-in with Jean Polk, discovers she is the owner of the cattle, and is fired. With his friend, Barney McCool , Bob snoops around and discovers that Kellogg is behind the rustling.

Supernatural events on the range prompt an investigation by cowboy Brown in this western.

Hoppy goes undercover as a gambler from the East when Bar 20 cattle are stolen by unknown rustlers. Brennan/Talbot are twin brothers (one a casino owner, the other a rancher) and Hoppy believes they provide alibis for each other while one is out committing crimes. Hoppy gets a job in the casino to learn more but is exposed when a gambling gunslinger notices him.

Roy is a government man assigned to a case of cattle rustling in the part of the country where he grew up, unaware that the leader of the gang is a woman, in fact an old flame.

Clint Turner is arrested for the murder of his girlfriend Judy's father, a rival rancher who was an enemy of his own father, and his best friend, Sheriff Buck Gordon sets out to find the real killer in the face of pressure for a quick lynching of Clint.

Hoppy, California and Johnny come to the ranch of a friend and his daughter, disguised as dude detectives from the east, to investigate the disappearances, without a trace, of several herds of cattle.

Notorious shootist and womanizer Quirt Evans' horse collapses as he passes a Quaker family's home. Quirt has been wounded, and the kindly family takes him in to nurse him back to health against the advice of others. The handsome Evans quickly attracts the affections of their beautiful daughter, Penelope. He develops an affection for the family and their faith, but his troubled past follows him.

Sunset of Power is regarded as one of Buck Jones' more meritorious Universal westerns. The heavy of the piece, grim-visaged cattle baron Neil Brannum, drives everyone around him mercilessly, including his own granddaughter Ruth. In retaliation, a caped-and-masked Spanish bandido stages nightly raids on Brannum's spread.

Buck Peters arranges for Hoppy, California, Johnny and other cowboys to go to the aid of friends whose cattle are being rustled. Hoppy and California locate the rustlers' hideout and join the gang by posing as outlaws themselves, but must find a way to let the rest of the posse know where they are.

Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.

Gene responds to cattle rustling by stringing barbed wire all around his range.

In this western, a lonesome cowpoke trots into a town and helps clear his pardner's name. The trouble began when the friend was framed by the leader of the Cattlemen's association who made it seem like he was a rustler. Because the friend was an ex-con, the evidence against him seems airtight. The wandering hero must work extra hard to prove his friend's innocence.

A Western-genre narrative, loosely woven from old clips from B-Western features.