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Mykola is an eccentric pacifist who wants to be useful to humanity. When the war begins in Donbas, Mykola’s naive world is collapsing as the militants kill his pregnant wife and burn his home to the ground. Recovered, he makes a cardinal decision and gets enlisted in a sniper company. Having met his wife’s killers, he emotionally breaks down and arranges “sniper terror” for the enemy.

A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.

As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.

Sean Penn and Aaron Kaufman’s documentary, shot just before and after Russian invasion of Ukraine on 24th February 2022, and featuring several interviews with Ukraine President Volodymyr Zelensky.

The story of three Czechs who doubted the reality of the war in Ukraine. Together with the film crew, they went from Prague to Kharkiv, and then to the Donbas. The Czechs were under fire, saw the wounded, mass graves and underground schools.

Pulitzer Prize-winning conflict photojournalist Lynsey Addario reflects on a career working in some of the world's most dangerous war zones, including the Russian invasion of Ukraine.

The city of Mariupolis is by the Azov sea. It is also on the river Kalmius. Most of the city’s residents, half a million according to the last census, are working for the steel factory and do fishing, for leisure or food, in between shifts. The orthodox church towers above the city and its newly build bronze domes are sitting next to it, waiting to be donned. A tent near by is sheltering a crying icon, which receives a steady flow of visitors.

The story of trust and its absence against the background of events unfolding in Eastern Ukraine in early 2014. The main topic is revealed through the prism of the Luhansk border base, whose fighters the separatists and Russian special services tried unsuccessfully force to betray their country.

Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.

A woman struggles with the isolation of being confined as a prisoner in a war-torn country.

As war ravages their homeland, Ukrainian children flee their homes out of fear. Across the country, young lives are uprooted and transformed overnight. But even amidst devastating loss, the children's resilience and optimism shine through. The original version of the film was 15 minutes long, and it was the one that had the initial festival distribution and screenings. Then, for the release of the film on VOD, the running time was increased to 52 minutes.

Based on a true story. Two fighters of 'Donbas' Volunteer Battalion get locked inside city of Ilovaysk after regular Russian army enters Ukraine and shells the surrounded divisions of Ukrainian Army in the infamous would-be 'green corridor'. The fighters survive thanks to the help of the locals and manage to break out through the front line to reach the freed territory. Taras Kostanchuk who is playing himself as 'Beshoot' is that same Donbas commander who is the prototype of the story. Half of the actors and extras are real 'Donbas' volunteers who survived the battle.

The story of a Ukrainian family living on the border of Russia and Ukraine during the start of the war. Irka refuses to leave her house even as the village gets captured by armed forces. Shortly after they find themselves at the center of an international air crash catastrophe on July 17, 2014.

Over 93 days in Ukraine, what started as peaceful student demonstrations became a violent revolution and full-fledged civil rights movement.

When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.

Tatiana is forty-two years old and she is a stylist for one of Kyiv’s women’s magazines. She is ironic, self-confident, Tatiana lives in a large house on the suburbs of the Ukrainian capital and she enjoys the freedom that her recent divorce gave her. Her quite successful life is interrupted by the outbreak of the war. Friends and acquaintances come to her house, including her ex-husband and colleague who has a crush on her. Together, they watch how Russia destroys their city. After a few days, almost everyone tries to get out of Kyiv and persuades Tatiana to follow. But she can’t make up her mind.

The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.

Lugansk region, May 2014. The Novozhilov family, by chance, finds itself in the thick of events in Lugansk. Vlad Novozhilov is a former participant in the war in Afghanistan. He knows firsthand what war is. Having seen enough of the horrors of war in his time, in principle he does not even want to touch a weapon. In a situation, he sees only one way out - to leave the country. But you can't run away from the war, the border is already closed. To save his family, he will have to make difficult moral choices.