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Diane Li, a graduate student in communication at the University of Stanford, was permitted for five weeks to visit the People’s Republic of China with her husband, a professor of Chinese law at Stanford, and a team of medical experts. Together they investigated and documented the training and work of China’s peasant paramedicals, the ‘barefoot doctors’. One of the first films about China made by an American of Chinese descent, Li’s documentary provides a rare glimpse of village life in the PRC at a time when Cold War tensions were easing between the United States and China.

Examines how the privatized market economy in southeastern China has paradoxically led to the emergence of a new public spirit as peasants and merchants donate money to nongovernmental organizations. The NGOs examined here include a lineage association, a deity temple, a private school, old people's association and a Catholic church. Includes interviews with a wide range of Chinese, as well as contemporary scenes of daily life, a rural market and a factory (UC Berkeley Library).

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.