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After a long absence, Max returns to Paris and settles in with his father in the lively Belleville district. He wanders the streets, curious about others, eager to meet new people, but soon finds himself confronted with a profound malaise.

A still drawing film on the personality of Robespierre and the French Revolution.

Robespierre is a hand-drawn animation originally created in 2007 by Italian artist, Andrea Mastrovito. Through a series of refined graphite self-portraits, the artist comes to life and is liberated from the paper page.

Collective film of Etna on the arrival of the association in Montreuil, at 71 rue Robespierre.

The story of the transformational Maximilien Robespierre is of a man fueled by a burning passion for revolutionary ideals that eventually engulfed him in their flames.

From April to July 1794, Robespierre forms a triumvirate with Saint-Just and Couthon. He plans to instate his ideal based on virtue and in times of revolutionary crisis, on terror. In May, he establishes the Cult of the Supreme Being. However, he still has numerous enemies...

This film is not exceedingly well acted, but has the additional charm of being taken from the actual history of the man whose personality dominated the Committee of Safety in the early days of the French Revolution. It's tragic but enthralling, and full of the atmosphere of those more than troublous times of the French Revolution, when blood was shed like water and men seemed turned to beasts.

In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.

One minute costume drama from the Lumiere company.

No description available for this movie.

No description available for this movie.

A history of the French Revolution beginning from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. Part one spans the event until August 10, 1792 (when the King Louis XVI lost all authority and was imprisoned). Part two carries the story through the end of the terror in 1794.

A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.

Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.

Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.

The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.

A man yearns to go into the ocean across the street from his house, but suffers from an illness that prevents him from doing so.

After the cult success of Dariuss, director Guerrilla Metropolitana is hired by a dying woman with a fake name and a powerful televangelist husband. Her one demand is to appear in the film via video link. What follows is a descent into cinematic depravity, as a seemingly virtuous charity worker becomes the face of a film driven not by art, but by obsession, control, and the twisted desires of an unseen patron. The film blurs the line between performance and possession-where fiction becomes a weapon.