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In the 17th century, two Portuguese Jesuit priests travel to Japan in an attempt to locate their mentor, who is rumored to have committed apostasy, and to propagate Catholicism.

When Maria's father sends her a valuable icon that he stole, she must decide whether to collect the reward or protect her father.

Antonio, a filmmaker running out of ideas, has a vision of the city's patron, St. Nicholas, who asks him to make a film about his true story. So Antonio sets out on a journey in the myth's footsteps, crossing all the countries where the saint is revered. Turkey, Belgium, Holland, France, Russia, all the way to the United States, where he is better known as Santa Claus, i.e., Santa Claus. A journey in the midst of a melting pot of popular cultures and traditions, with all their contradictions, a journey through colors and religious rigor mixed together giving life to a sacred figure who is, at the same time, a consumerist model.

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Fragments retrieved from Archives 76 & 77 have recently been digitized. They appear to document a divine corpus with no known equivalent in mythological, historical, or religious records. The exact origin of these materials remains unclear. No official trace has been found in any consulted database to date. Independent researchers are currently investigating their content.