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Postmodernism also has to be seen as a system, one that is acknowledged, one with which one can create houses, locomotives, films, everything... That has nothing to do with art. That is just a parlour game. - Vlado Kristl

Ye Rutang, a single-living woman in her late fifties, struggles to maintain a dignified life amid the dangers of Shanghai.

A mockumentary about Hımbılgil. A famous poet of 'Kirve'. A grease monkey. An honorable student. Persona grata. Master...

A 14-years-old girl begs for money on the street with her mother. A guy about the same age gives them a coin every day he passes by, pushing his bicycle. Days are passing by, all the same, the call of the mosque scans time. One day the mother dies. The girl now begs alone for money and wears her mother's burka. The young guy passing by this time gives the girl a flower instead of a coin.

The film takes us to the not-so-distant future, to a language laboratory where researchers analyze human bodies – people who have fallen into a coma while reading bilingual art books. It is a strange phenomenon that has led intellectuals, artists, curators, and exhibition visitors into physical paralysis and a coma. Attempting to track the phenomenon, researchers resort to a range of analytical procedures, with the presumption that the language of the books the afflicted bilingual bodies are reading causes the coma.

Swing with this inventive musical collective as they transform pop hits into the styles of the past. Creating gramophone music for a smartphone world, PMJ has gone from viral sensation to worldwide phenomenon by putting music in a time machine.

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

In his early twenties, Sam Cagnina, oldest son of a Mafia hit man, meets Steven, a handsome 19-year old college student and they fall in love. Then, after a few years Sam offers Steven a "visionary" idea. What if they could find a woman who would fall in love with both of them and agree to live in a "trio" relationship? They spend the next 7 years dating and looking for that special woman. Finally, they meet Samantha, a young, struggling actress. THREE OF HEARTS explores this very unique trio union as they negotiate their living arangements, fall in love and open one of the hottest wellness centres in New York City. Everyone who comes in contact with them is never quite sure how the relationship works. But the one thing which seems certain is their love for each other.

Somewhere in stoic, rural Russia, at the edge of mapped time and memory, a snowbound airport idles in stillness. Six Weapons of Post-Modern Time Travel indifferently observes as time stretches beyond the runways. Absence hums under old fluorescent lights as the ordinary turns spectral. This film documents the weight of a place coming to terms with silence, holding it's breath as departures have outlived arrivals.

Produced six months prior to the earthquake that shook the SF Bay Area on October 17th, 1989. Meant in reference to the legendary earthquake on April 18th, 1906, its prophetic statement is reminiscent of both fateful days.

after the unfortunate crash landing of one drone a pair of film students set out to investigate mother nature's harsh methods of revenge.

Featuring dubbz/poet/at/large Clifton Joseph, "Postmodern Minstrel" uses the pontifical diatribe of Joseph's "Reverend Swami" and his church of "conscious" slickness to illustrate the regressive race, class and gender stereotypes celebrated within the talk-show circuit -- specifically that of Jerry Springer.

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Western Spoof - shot on iPhone 7S Written & Directed by Daniel J. Davies Cast (In order of appearance) Daniel J. Davies Harry Locker Fennell George Walker Ewan Peacock Jake Cowley Annie Denton Lewis Wright

Walking through a dark cave. I met a man. He handed me a gun and said, "You can have this. You can shoot me and run away, but if you really want to escape you have to shoot yourself."

“Postmodernism represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.” – Gilbert Adair

A Minion artist finds himself cast aside when the art world's attention shifts to the next big thing. Determined to regain the spotlight, he embarks on a series of increasingly outlandish and chaotic attempts to prove his artistic worth. In the process, he accidentally stumbles upon an entirely unexpected career path. A playful exploration of creativity, reinvention, and the Minions' signature brand of accidental brilliance.

In the 1970s, music critics and military personnel meet in a recording studio at NATO's European Command to discuss a final music program for Central Europe.

No description available for this movie.

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

The stage emulates life and compresses it, setting free skills learned over lifetimes in brief but dazzling displays for the amusement and judgment of others. For the performers, it is the ultimate risk, and some will rise while others must fall. Nowhere is this truer than at the Seisho Music Academy, where music, dance and real weapons all come into play in the creation of the next great Star. Karen and Hikari’s destinies have been linked since a childhood promise, but their journeys here have taken very different paths. Now, after Hikari leaves, Karen must discover who she is without her opposite, while Hikari must rediscover her own course. Nor are they the only girls who must reassess and change if they want to achieve their dreams, as the dance, magic, and swordplay continue!

Chronicles three years of a middle-class family seemingly caught up in their daily routines, troubled only by minor incidents. Behind their apparent calm and repetitive existence, however, they're planning something much more sinister.

In a surreal meeting filled with countless individuals from a variety of backgrounds, nine people recount how sex and sexuality have been used to exert control over their lives. Regardless of race, sexual orientation, nationality, social class, religion, or gender, all are equally shattered and all are equally victims. Those that recount their experiences show that the power / sex dynamic can come in many forms. Whether the power is taken away by physical or psychological means, and regardless of whether it is perpetrated by an individual, institution, or society, the results are equally devastating.

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

A teenage orphan and delinquent rebels against her evil family during a global virus outbreak.

A performative criminal is unable to find a valuable bag; instead, he finds a suspicious man who may be in the wrong place at the wrong time.

An average company employee is thrust into a delirious night after a mugging and faces a world of lost souls that he had not considered before.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Ajo Kawir is a fighter who fears nothing, not even death. His raging urge to fight is driven by a secret: his impotence. When he crosses paths with a tough female fighter named Iteung, Ajo gets beaten black and blue, but he also falls head over heels in love. Will Ajo’s path lead him to a happy life with Iteung, and, eventually, his own peace of mind?

A comedy short mocumentary about student filmmaking. Twatter follows the exploits of Writer/Director Quentin Tarantino (No Relation) as he attempts to create his masterpiece.

In this episode of HIUWTS, Hana’s birthday goes wrong! Mom throws the perfect party, but Dad spoils all the fun… Watch as the TV crew invades the family’s home and the show distorts their reality!

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.

Two people attempt to create a film for a local film festival, but the clock is running because they have 52 hours to write, direct and release a film.

Hamlet and Ophelia reckon with their doomed narratives against the backdrop of the similarly doomed pre-Wende Germany and 2020s United States. A short-film adaptation of the 1977 East German Heiner Müller play of the same name.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded