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A young, politically liberal, Iraqi Muslim immigrant struggles to find her footing in a neighborhood of well-to-do conservative, Iraqi Christians while battling her family's fears of deprivation and demands of loyalty to Muslim traditions.

The story of a friend lost in hell.

An unstable woman with burgeoning clairvoyant abilities returns to her estranged younger sister’s house, only to be confronted with her sister’s new life and fiancé.

A short animation on improvisation and transformation.

A mother comes to terms with her Post-Natal Depression

A mother comes to terms with her Post-Natal Depression, using a pomegranate as a metaphor for her child and her feelings.

this is about the fear that some people might hold thinking that they will always end up being what they were made to be no matter how many times they try to change their narrative.

A group of families gather for their annual getaway at an Italian villa, but when an accusation circulates, it tests the bond of a group of friends.

You can't change what you were made to become no matter how far you run from it.

An exploration of the contrast between appliqué and bricolage in creation of Khayamiya.

When an immigrant family is subjected to a daily horror from their past, what will it take to break this cycle and give them a future?

In this highly theatrical TV production, Monteiro again draws on the world of folklore – and, more precisely, on the widespread sexual connotation of the pomegranate – to tell a tale of love, envy, treason and mistaken/double identities.

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

Comedy-drama about university tennis players.

chinese film

Shot on the streets of Kabul, Granaz Moussavi’s (My Tehran For Sale) outstanding new feature is in the tradition of the great child-centred works of the 1980s when filmmakers such as Kiarostami, Panahi and Amir Naderi (to whom this film is dedicated) were putting Iranian cinema in the forefront of world production. 9-year-old Hewad is an irrepressible, street-smart kid who is energetically working every angle, hustling everything from pomegranate juice to amulets to protection from the evil eye. His real ambition is to be a movie star, and this comes a step closer when he meets an Australian photographer. But in a city where every family has a member who has been “martyred,” the streets are as perilous as they are vivid. Australia’s recent involvement with Afghanistan has been mixed, to say the best. The deeply-felt humanism of this film might just be our most effective contribution to that troubled country.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.

Noa (Achinoam Nini), a popular Israeli singer of Yemenite descent, prepares for a concert in Jerusalem. She is interrupted by an old Arab man who claims to have been a close friend her great grandmother. He tells her about Mazal, a Jewish child-bride (Hadar Ozeri) from Yemen, who preserves her religion, culture, family and her unique art, surviving the harsh, violent conditions of Jerusalem and the Holy Land in the late 19th through the mid-20th centuries. She becomes the mother of two, a young widow (Galit Giat), and the family's breadwinner through her skills as a jeweler in gold and silver. In time, a woman of property (Timna Brauer) and an ardent patriot, she prevails through the unfolding bloody decades while living in the Old City of Jerusalem. She heads a family of extraordinary, unforgettable characters and grows old in strength and determination, remaining true to her traditions and ideals.

“The Pomegranate” tells the story of a woman; seeking her own justice. “The Pomegranate” questions the justice of four people with different beliefs in a house, in half a day and in their own realms of faith. Asuman is a fortune-teller with uncanny psychic powers who lives in the suburbs of Istanbul but tells fortunes of the rich at their own luxurious places.

A woman suffering silently decides to wage war on the miracle in her backyard.

Based on the Persephone myth, this film follows Poppy as she struggles in a cycle of being pulled between her homophobic, addict mother and her girlfriend, Harper.

Our bonds and connections to one another. What is our suffering when confronted with others suffering? This film aims, through movement, to explore that and our bonds of friendship.

A collaborative short dance film by dancers Michael Angelo Turner-Lee and Mohan Welstand-Keryk. Made with the intention of combatting the prevailing tendencies in modern society of supressing emotion, hypermasculinity, and percieving oneself as isolated from all else.

A short stop motion animation taking us in to a ocean world made from the deep dark contents of your work bag