Search Results for "philippine cinema"

Joe is a telewriter for GM8's biggest regional soap opera, Sa Pagtila Ng Ulan. Nearing their series finale, Joe is at odds with the soap opera showrunner, who wants a cliché ending for the show. A battle of external and internal conflicts arises as Joe tries to deal with the pressures of catering to the general audience's taste and his own creative fulfillment.

Mother gets a visit.

Arouse your curiosity. Take off your inhibitions. Disrobe your desires. Soak up in the most steamy scenes ever to scorch the screens. Revel on Rosanna, Sizzle with Sunshine. Jack it up with Joyce. Risk it with Rica. Mash it with Maui. Pant over Patricia. Go booba over Rufa. This is raunchfest at its best with the flaming femmes of the Philippine moviedom.

The fourth installment of the hottest video anthology. Featuring the sexiest and most beautiful goddesses from Philippine cinema, in their most memorable and daring roles.

This is the 3rd volume of the sought after flesh fest video. Hosted by Jobert Sucaldito the video features the ultimate Filipino sex goddesses in their most memorable and daring roles.Details here

A one-of-a-kind legacy project produced by TBA Studios, Habambuhay is a homage to the centennial anniversary of Philippine cinema–an insightfully entertaining documentary series, revisiting the personal experiences of those who work in front of or behind the cameras, those who have shaped the film industry of the Philippines for the longest time.

An unfinished documentary by the late great film critic and historian Agustin "Hammy" Sotto. Hammy passed away in 2001 at the age of 51

A Collection of collections of erotic scenes from Philippine cinema.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

Film: American Beginnings of Philippine Cinema is the second episode in Deocampo's evolving saga of the country's history of Philippine cinema. Based on his recent book, Film: American Influences on Philippine Cinema, this 3D-animated documentary ventures from Escolta through Avenida as we discover how film came to be in the Philippines.

It’s twice the hotness and double the pleasure with Joyce Jimenez, Aya Medel, Maui Taylor, Rica Peralejo and more. Take a peek as radio host Jobert Sucaldito presents a sensual array of clips highlighting the most sought-after temptresses in Philippine cinema.

Based on Nick Deocampo's award-winning book, Cine: Spanish Influences on Early Cinema in the Philippines, this digital documentary traces the beginning of cinema in the Philippines in 1897 when two Spaniards showed the first moving pictures in Escolta. Against the backdrop of war and revolution, film developed to become the emerging Filipinos' dominant form of public entertainment. The documentary further explores the elements of Spanish culture found in Filipino films as evidenced through the classic films made by three National Artists - Eddie Romero, Lino Brocka, and Ishmael Bernal. This is Deocampo's homage both to Philippine cinema and the Filipino nation that is its twin.

A self-centered influencer on his way to a gig finds himself babysitting a lost, loud-mouthed, 9-year-old girl who snuck into his van to find her way back home.

Employees and customers are trapped in a supermarket while, outside, a typhoon ravages the country. It's time for confidences and revelations. Zombies, they say, in a society that is not easy for any of them. In a limited space, they try to discover their stories. And that could be their last day.

In this heartwarming ensemble comedy, Mary’s adoptive gay mother’s last dying wish was to reunite their all-queer volleyball team. Even with the challenges that she is faced with, including her own personal affairs, and financial troubles, Mary tries to fulfil the wish. She must convince her disjointed chosen family to join the one day volleyball league, with hopes of winning the cash grand prize to pay for a proper funeral for Mary’s mother.

Six individuals from different generations recall the golden age of Cebuano cinema, modern Cebuano cinema, their experiences, and discuss their aspirations about the future of Cebu’s film scene.

In the midst of the Japanese occupation of the Philippines, a group of five disgraced and imprisoned Filipino soldiers, led by Sergeant Sanchez, are offered a pardon in exchange for a near-suicidal mission. They must intentionally get captured and sent to a brutal Japanese prison camp to rescue two American officers who hold a vital, secret message from General MacArthur. Once inside, they discover the camp is run by the cunning Major Hayashi and that a traitor among the Filipino prisoners is feeding him information, foiling all escape attempts. Realizing their own plan to tunnel out is compromised, Sanchez and his allies devise a new, more audacious strategy: to tunnel directly into the commander's office. The mission culminates in a violent and desperate breakout, where they must secure the message, capture the enemy commander, and fight for their freedom and honor.

Inspired by true events, a gifted yet rebellious high school student transfers from a prestigious academy to a notorious "cursed section" in a public school. There, he befriends a group of misfits known as "The Boys at the Back" and embarks on a mission to help them graduate, showcasing the transformative power of unity and friendship.

A tailor named Ricardo, a classic Filipino film enthusiast, embraces these toxic masculine ideas, cultures, and behaviors from the films he watches. His wife Linda and their worker Jun will soon face the consequences of these behaviors.