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The father tends his large garden with the utmost precision. The mother irons shirts and regrets that the father never wears T-shirts. The father likes order, always knows best, and has everything under control. The mother prays and talks of her loneliness. The two are fundamentally different, have opposing views and interests, and have been married for 62 years. Closely knit yet poles apart: this is the ambivalent standpoint from which Peter Liechti turns his lens on his elderly parents and the story of their marriage. Alongside conversations that shift from slapstick to insanity and observations of daily life in his parents’ cramped, lower middle class apartment, a puppet theatre is also established as a second location. This forms the stage for scenes between mother and father to be reenacted by rabbit puppets; as a puppet, the son can also react in explosive fashion.

Aging parents of disabled adults, they worry about their child's life after their disappearance. A moving insight into the daily life of a family home in the Vendée region, which offers them the prospect of a peaceful future.

All-American couple who try to bridge the generation gap with their free-spirited son on a trip, frisky business and misunderstandings galore ensue, all funny, vibrant and charming.

Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.