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The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

Year 1936. As villages across Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe and some arriving with nefarious Zionist-colonial ambitions, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

After a Palestinian teen gets swept up into a West Bank protest, his mother recounts the family story of hope, courage and relentless struggle that led to this fateful moment.

Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.

A film director from Israel interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

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14-year-old Zain, a Palestinian swimming champion, faces war and man-made famine. He becomes the sole caregiver to his little brother. When aid drops into the sea, desperate for food, Zain is forced to swim - not for passion, but for survival.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.

Palestine, 1948. After the withdrawal of the British occupiers, tensions rise between Arabs and Jews. Meanwhile, Farha, the smart daughter of the mayor of a small village, unaware of the coming tragedy, dreams of going to study in the big city.

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.

In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.

When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.

Using only rare archival and newsreel footage, this film tells the story of Palestine from the nineteenth century through current times.

The story follows a day in the life of Ismail, a Palestinian photographer whose American upbringing was shaped by his grandfather’s displacement during the 1948 Palestine Nakba. When Ismail’s mother gifts him his grandfather’s keffiyeh—a traditional Palestinian scarf—it triggers an internal struggle between shame and pride in his cultural identity, all unfolding against the ominous backdrop of rising violence against Palestinians.

Return to al-Ma’in chronicles the multiyear collaboration between Forensic Architecture (FA) and Palestinian historian and Nakba survivor Salman Abu Sitta on the reconstruction of his birthplace, the lost village of Ma’in Abu Sitta (or al-Ma’in). Guided by the work and memories of Abu Sitta, FA-researchers reconstructed al-Ma’in’s occupation by Israeli forces on 14 May 1948, its subsequent demolition, and the settlements constructed on its ruins. The movie looks to the present moment and the connections between Israeli military’s conduct and appropriation of Palestinian land during and after 1948, and today in Gaza. The project looks back at the sophistication and sensitivity with which the Abu Sitta family cultivated their land, and the rich agricultural diversity that was lost when Israeli settlements were subsequently constructed over this landscape.

The last Station is a personal experience of Exile, Return and the Dream of a Homeland. This journey between the Dream and the Reality contains lots of happiness, hope and yet disappointments.

Letter to My Tribe started with a question: Why don’t more Jews and Israelis speak out about Palestine? Over many years my mother, who represents a more messianic perspective, and I have had numerous arguments, some recorded, some not. These form the backbone of this video essay in which Israelis and Jews, journalists, activists and a rabbi are interviewed, and in which documentation of actions on the ground, in the West Bank, are woven with more personal family histories and journeys to Iraq and to Poland.

Palestinian writer and journalist Hamza Salha recently reached Ireland from Gaza, where he endured two years of relentless bombardment and famine under Israeli genocide. Just a few weeks after his arrival, Hamza sits down with Palestine Deep Dive's Omar Aziz to recount his experience and document what he witnessed. From being buried under the rubble to experiencing first hand the latest technology in AI-assisted automated killing and surveillance, Hamza's personal account of resilience and resistance to Zionist erasure traces his family’s journey from the Nakba of 1948 to today’s ongoing genocide. Host / director: Omar Aziz Editor: Dhruv Haria Assistant Editor: Sam Mathias-Stanley

3 CM LESS (the title comes from projections that the Palestinian children of today will grow up on average three centimeters shorter than their parents, thanks to the deprivations of occupation) is a complex, highly personal look at the impact decades of war has wreaked on families and friendships.