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About the adventures of the hero of Kazakh fairy tales.

Two perfectly rational gingerbread men, Crispy and Chewy, are out strolling when they’re caught by a fox. Instead of simply eating them, he decides to put their friendship to the test with a cruel dilemma. He’ll ask each gingerbread man whether he’d opt to Spare or Sacrifice the other. What should they choose? Lucas Husted dives into the classic game theory scenario: the Prisoner's Dilemma.

Ex-government operative Bryan Mills finds his life is shattered when he's falsely accused of a murder that hits close to home. As he's pursued by a savvy police inspector, Mills employs his particular set of skills to track the real killer and exact his unique brand of justice.

Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

Max Keeble, the victim of his 7th grade class, plots revenge when he learns he's moving; it backfires when he doesn't move after all.

Big Bad Wolf and his nephew create a club for rabbits, Club del Conejo, to try to catch Bugs Bunny.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.