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The story explores the daily lives of a married couple during Ramadan, capturing how they navigate fasting, work, worship, household responsibilities, and parenting. Through their challenges and small victories, the couple learns to balance tradition and modern demands, highlighting the spirit of Ramadan within family life.

This lighthearted Kuwaiti operetta takes audiences on a nostalgic journey back to old Kuwait, capturing the charm and simplicity of life in a bygone era. Through lively musical numbers and comedic sketches, the operetta showcases beloved children’s games, bustling traditional cafes, and the lively alleyways of Kuwait's neighborhoods. As characters relive their joyful memories, "What a Time!" celebrates the unique cultural heritage of Kuwait, offering a playful, heartfelt glimpse into the community spirit and everyday joys of the past.

Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms wearing the Claude Rains 1943 Phantom of the Opera costume.

A killer stalks chorus girls.

This Kuwaiti comedy operetta follows newlyweds Rashid and Amina as marital tensions arise. Frustrated by Rashid’s modest income and his complaints about her father, Amina directs her anger at Rashid’s mother, leading to a cascade of humorous conflicts.

A musical TV show dedicated to the 100th anniversary of the birth of the Hungarian composer Imre Kalman. The performance is based on excerpts from the operettas "Silva", "Maritza", "Circus Princess", "Ball".

A ghost appears from a laundromat dryer seeking vengeance against her husband for leaving her for another woman.

"It's a little raw and crude right now, but I want this to be 'My Rotten Life' as a dessert, not as a liver pill." Cult film actress Susan Tyrrell (Fat City, Forbidden Zone, Cry-Baby) performing her one woman semi autobiographical musical show at La Cage, Los Angeles, 1992.

Everything is true: everything has happened and has been filmed as it was happening. A screenwriter at the top of his career, tired of his work and burdened by unescapable life choices, decides with an acquaintance to sail back to Rome from the small island where he spent last year's lockdown. During this journey, unexpected events overlap with a verbal outburst about his tangled life. A flow of words comes out, a naked and unabashed confession about cinema, the directors he has worked with, family, love, grief and his past. As unstoppable and digressive as a jazz solo.

A TV movie variation on Shakespeare's Hamlet. The movie is a part of Carmelo Bene's multi-medial project on Hamlet, also including the theatrical movie "Un Amleto di meno", a stage drama and the experimental video "Amleto di Carmelo Bene (Da Shakespeare a Laforgue).

The angels have given the Captain of the Sea Butches the holy assignment to travel to a lesbian bar on Venus to get hold of the strongest vibrator in the whole universe – the weapon needed in the fight to destroy the phallic tower of the evil gentrifiers.

In a miserable and obscure future, the democratically elected super-president gives to the entitled the state pussy: every head of the family is entitled, free of charge, at the age of eighteen, to a suitably lobotomized real domestic woman to marry.

Why would Gilded Age audiences flock to theaters in American cites to see a Viennese operetta that celebrated German nationalism and militarism? A team of University of Tampa faculty and students from the disciplines of history, music, and musical theater set out to answer this question. Local filmmaker Steven Nye followed the project, which culminated in a live performance of songs from Carl Millöcker’s The Black Hussar. Filmed at the historic Tampa Theatre, the reenactment uses the libretto, stage manager’s notes, and the conductor’s score from the original American production to bring this forgotten work back to life, and commentary from the UTampa research team explains why the musical comedy spent over a decade at the center of U.S. popular culture.

Johann Strauss Gala - An Evening of Polka, Waltz, and Operetta

Amechiyo (the banished prince) falls in love with Tanukihime (a princess of raccoon dog disguised as human). This is an operetta which includes comedy, singing and dancing, and a love story.

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

A shy young man with a passion for opera has his world turned upside down by a con artist who really does have a heart of gold.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.

La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.

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No description available for this movie.

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

Live television version of the classic musical.

Zurich Opera House production of Franz Léhar's operetta, with Dagmar Schellenberger, Rodney Gilfry, and Ute Gfrerer in lead roles. Baron Zeta is desperate that the fabulously wealthy widow Hanna Glavari marry a Pontevedrian man so that her fortune remains in the country. He attempts to match her and his handsome attaché, Danilo. It turns out that Danilo and Hanna had had a love affair in years past. Nevertheless, Danilo now refuses to love her because he doesn't want to appear like he is only interested in her money...

No description available for this movie.

No description available for this movie.

Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.

Film is about conflicts between neighbours and a celebration of love.

In the Temesvar Province, a landowner returned from exile marries a gypsy girl who is revealed to be the daughter of a Turkish Pasha and the rightful owner of a hidden treasure. Next to "Die Fledermaus", DER ZIGEUNERBARON is Johann Strauss’s most popular operetta. The libretto gave Strauss the chance to revel in such contrasting musical forms as the Csárdás and the Viennese waltz. The style of the lied forms and ensembles is so original and finely balanced that the "Gypsy Baron" can truly be called a comic opera. Among the leading names of the stellar cast in this exuberant 1975 film of the operetta are Wolfgang Brendel, Ivan Rebroff, Janet Perry, Ellen Shade, Martha Mödl and, in the role that launched his career, Siegfried Jerusalem as Sándor Barinkay.

Kálmán Imre's beloved operetta comes to the screen in this comedy of music, marriage and class set in Budapest and Vienna before the outbreak of the First World War, recorded at the Budapest Opera in 1963.

A story of three struggling artists: a painter, a poet, and a composer, living in a bohemian Montmartre district of Paris. They help a poor flower girl, Violette, to find shelter, when she is thrown out by her landlord.

Young Austrian Archduke Paul "Gustl" Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.

A young and wealthy widow, Maritsa, is a tempting prize for fortune hunters in search of a rich bride. To scare off all the suitors once and for all, Maritsa randomly invents a fiancé’s name. But it turns out that a man with that exact name actually exists—and now he’s happily rushing to meet his “bride.”

Based on the operetta of the same name by Isaak Dunayevsky. The port town of one of the small southern countries. After the Nazi occupiers left, the port's berths were empty, the steamers did not smoke, cargo cranes stood. Fearing retaliation for collaborating with enemies, port owner Georg Stan fled the city. After waiting a while and securing the support of local authorities, Stan nonetheless returns - and loading operations begin in the port. While loading oranges, the sailor Yango and the beautiful Stella are preparing for the wedding. Suddenly, Stan makes a proposal to the girl and tricks her into agreeing. Upon learning of the deception, the girl runs away to Yango. Having discovered weapons intended to support fascism in the drawer of the hold, the heroes do everything possible to make the boxes fall to the bottom of the sea.

Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.