Search Results for "opera"

A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.

Pablo and Marina wake up in a hotel room and then travel the country together, she accompanies him while he is in the process of writing a traveler's guide. Pablo is a married man with two daughters, while Marina is a college student. During the journey they pass through different points in the relationship, sometimes in full disagreement.

The history, structures and rhythms of human history are seen through a glorious, massive pyramid.

A Peking Opera troupe performs at North America for the first time. Xutian, Maomao, and Chengyuan have different feelings about their upcoming performance.

No description available for this movie.

No description available for this movie.

The second teaser trailer for My Chemical Romance's 2025 North American tour.

Prolific expert of the occult and whiskey, Reverend Conte, accompanies a ragtag group of military rejects to a remote South Pacific Island to investigate the disappearance of Marines units stationed there in 1944, said to be at the hands of the Japanese Imperial Army. Upon speaking with the island’s inhabitants, they soon discover the Marines had actually been massacred by a group of Lycanthropes, known to most as WEREWOLVES.

Extraordinary soprano Lise Davidsen stars as the volatile diva Floria Tosca for the first time at the Met. David McVicar’s thrilling production also features tenor Freddie De Tommaso in his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse baritone Quinn Kelsey as the sadistic chief of police Scarpia. Met Music Director Yannick Nézet-Séguin conducts the electrifying score, which features some of Puccini’s most memorable melodies. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Mozart’s allegorical fairy tale has charmed audiences and inspired artists, for more than 200 years. A few weeks before this telecast, the Met unveiled a new production of the opera featuring the colorful designs of acclaimed artist David Hockney. His bold colors and vivid images enchanted audiences and seemed to inspire the striking cast, led by James Levine’s affectionate conducting. Francisco Araiza is the young prince Tamino, who finds himself in a strange land, forced to undergo mysterious tests so he can rescue, then marry, the woman he loves, Pamina, played by Kathleen Battle. Kurt Moll is the compassionate Sarastro and Luciana Serra is the Queen of the Night.

After a celebrated career as a composer of lighthearted operetta, Jacques Offenbach turned his hand to more serious fare—only to die before his one true opera was completed. That work, Les Contes d’Hoffmann, was based on a play that strung together a collection of stories by E. T. A. Hoffmann and cast the famed poet as the protagonist of his own tales. In this performance from the 2024–25 Live in HD season, French tenor Benjamin Bernheim stars as Hoffmann, four times unlucky in love. Alongside him as the objects of his affections, soprano Erin Morley is the high-flying automaton Olympia, mezzo-soprano Clémentine Margaine is the Venetian courtesan Giulietta, and soprano Pretty Yende is both the diva Stella and the ill-fated songstress Antonia. Bass-baritone Christian Van Horn portrays the four nefarious Villains who outwit Hoffmann at every turn, and mezzo-soprano Vasilisa Berzhanskaya is Hoffmann’s Muse and his companion Nicklausse, conducted by Marco Armiliato.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Celebrate the tenth anniversary of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD. The broadcast of Donizetti's Roberto Devereux will be presented live on Saturday, April 16 in select cinemas nationwide. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elina Garanca and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, directed by Sir David McVicar and conducted by Donizetti specialist Maurizio Benini.

Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

François Girard, whose revelatory 2013 take on Parsifal set the recent Met standard for Wagner stagings, now unveils a spellbinding new vision of the composer's tale of a cursed sea captain doomed to sail the open ocean for eternity. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. Valery Gergiev conducts a brilliant cast led by bass-baritone Evgeny Nikitin as the Dutchman, with German soprano Anja Kampe making her anticipated Met debut as the devoted Senta, whose selfless love is what the Dutchman seeks. Bass Franz-Josef Selig is her father, Daland, and tenor Sergey Skorokhodov is her deserted former lover, Erik. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to more than 2,200 theaters in more than 70 countries worldwide.

At her christening, Princess Aurora is granted all perfections and qualities by her godmothers. The old Fairy Carabosse, who was forgotten as guest to the festivities, casts a terrible spell: Aurore will prick her finger with a spindle and die. Fortunately, the Lilac Fairy lessens the curse. Instead of dying, the Princess will fall into a long, deep sleep that will last a hundred years.

In 2008, the Opéra national de Paris honored the legendary Jerome Robbins. Though the general public may remember him primarily for his staging and choreography of Bernstein’s West Side Story, Robbins was also a brilliant ballet choreographer. In this production, we discover three of his works of classical ballet—En sol, In the Night, and The Concert—paired with Benjamin Millepied’s Triade.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Brian Anderson, Chany Jeanguenin, Marc Johnson, Mike Carroll Video #10

This story took place during World War II. A group of Italians living in London are raising funds to rebuild a Catholic cathedral that was bombed by the Nazis. To this end, they organized a concert, the proceeds of which would go toward the construction. The project was led by journalist Carlo Scala. He faced and overcame many difficulties in organizing the event, but he handled them with honor, and the performance by leading Italian singers took place. He was assisted in this by the incomparable Dora Scala.

In the mid-aughts, Dateline NBC’s To Catch a Predator drew millions of weekly viewers to watch sting operations: men planning to meet minors for sex would instead be confronted by polished host Chris Hansen, then by the police — all on hidden camera.

Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.

Princess Leia is captured and held hostage by the evil Imperial forces in their effort to take over the galactic Empire. Venturesome Luke Skywalker and dashing captain Han Solo team together with the loveable robot duo R2-D2 and C-3PO to rescue the beautiful princess and restore peace and justice in the Empire.

Follow the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, Paul endeavors to prevent a terrible future only he can foresee.

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.

Peter Quill, still reeling from the loss of Gamora, must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.

A scientist's obsessive jealousy about his wife, a professional opera singer, endangers their marriage.

When the renegade crew of Serenity agrees to hide a fugitive on their ship, they find themselves in an action-packed battle between the relentless military might of a totalitarian regime who will destroy anything – or anyone – to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space. But... the greatest danger of all may be on their ship.

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.

Cio-Cio-San, the young Japanese bride of American naval officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return.

With its hilarious hijinks and vocal virtuosity, Rossini’s madcap comedy always proves a delightful treat. For this 1988 telecast, the Met assembled a cast capable of tackling both the musical and physical challenges of this bel canto farce, seen here in a whimsical production by John Cox. From the moment he takes the stage with Figaro’s iconic aria “Largo al factotum,” Leo Nucci combines winning charm with a robust baritone. Soprano Kathleen Battle tosses off one glittering vocal display after another as the feisty Rosina, while tenor Rowell Blake makes for an ardent Count Almaviva. Ralf Weikert conducts the lively performance, which also includes the comic duo of Enzo Dara as Dr. Bartolo and Ferruccio Furlanetto as Don Basilio.

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Anakin Skywalker, a young slave strong with the Force, is discovered on Tatooine. Meanwhile, the evil Sith have returned, enacting their plot for revenge against the Jedi.

When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

Paris, 1982. Franck and Serge are police investigators in charge of making a good catch in the Parisian porn industry. In order to infiltrate the mafia, they take over a peep show in Pigalle riddled with debts. In attempt to jump start the business, they begin to produce short porn films.

No description available for this movie.

In Singapore in 2020, a drag performer named Opera Tang makes her debut in a pink dress as people cheer her on. She has her drag performance, through which she finds a best friend, and her lover, but the world surrounding her is not always pleasant. The conservative beliefs of her Catholic family, the ban on gay sex, and the system of conscription are harsh realities that she must face every day.

Witness an epic, heart-rending journey of the soul, as Opera North, Phoenix Dance Theatre, Jazzart Dance Theatre and Cape Town Opera combine for a powerful performance. Filmed at Leeds Grand Theatre, this unforgettable contemporary dance staging of Mozart’s great choral lament is choreographed by Dane Hurst and conducted by Garry Walker. Featuring soloists Ellie Laugharne, Ann Taylor, Mongezi Mosoaka and Simon Shibambu alongside the Chorus and Orchestra of Opera North.

No description available for this movie.

No description available for this movie.

No description available for this movie.

For Lauren Daniels, life is good. She is happily married to her husband, Tommy, whom she watches excel in the practice of law. But, after learning about his casual fling with his alluring assistant, Cassandra, everything changes. Triggered by Tommy's deceitful actions, Lauren's emotions become unstable and her behavior escalates from bitterness to pure rage. Her plan is to get rid of Tommy, whom she blames for ruining her life. Her scheme takes a dramatic turn when she comes face to face with the killer.

The film is set hundreds and hundreds of years ago. The viewer will be transported to distant Sakha, where brave warriors will go to the Lower World to save the beautiful Aikuo. What obstacles will our heroes face? Who is the truth behind — a human or a demon? Everything can turn out differently than they say in the legends. Everything is possible, because the boundless North is as unpredictable and mysterious as it is cold and harsh.

Since it's premiere in a tiny suburban theatre in Vienna, Die Zauberflote has delighted audiences young and old for over 200 years. Mozart's Singspiel seamlessly alternates seriousness and jollity, and combines philosophical ideas with a fairytale world of wondrous animals and magical musical instruments. Emanuel Schikaneder's original production was theatrically inventive, and this new interpretation from director Simon McBurney emulates that in fresh and current terms. Fusing music, technology and stagecraft, this exciting production gives Die Zauberflote a refreshing new treatment that is both thrilling and simple in it's approach. Following an overwhelming success on stage, McBurney's unique production received five-star reviews in the Dutch press: 'a feast for the eyes and the ears' (Het Parool) and 'Delicious!' (Trouw).

A story about three children struggling in a depressed neighborhood with their means of survival arriving from the package given to them by their parents who works abroad.

Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.

Il sangue e la parola (Blood and Words) “Not the sword but words illuminate the way” is a cantata by maestro Nicola Piovani with lyrics freely adapted from Aeschylus' The Eumenides. Performed by the orchestra and choir of the Teatro dell'Opera di Roma with Andrea Pennacchi as narrator. The concert also includes performances of symphonic suites from La notte di San Lorenzo (The Night of San Lorenzo) and La vita è bella (Life is Beautiful).

Opera in one prologue and one act. Music and libretto by Luigi Dallapiccola. Mattia Olivieri in the title role, Ángeles Blancas Gulín as La Madre. Orchestra and Chorus of the Teatro dell'Opera di Roma conducted by Michele Mariotti. Directed by Calixto Bieito.

From the Teatro dell'Opera in Rome, The Fiery Angel, with music by Sergei Prokofiev. Orchestra and choir of the Teatro dell'Opera in Rome, conducted by Alejo Pérez in a visionary production by Emma Dante. Ewa Vesin gives voice to Renata and her tragic obsession with Madiel, her guardian angel.

Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wright’s sensitive staging and John Macfarlane’s designs, which beautifully contrast the human and supernatural worlds – mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House

Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.

Tchaikovsky's The Sleeping Beauty is one of the best loved of classical ballets, combining in a single work all the enchantment and virtuosity that ballet has to offer. The royal court, the panoramic journey of the Prince to the overgrown castle, and the great celebratory dances of the happy ending (in which other famous fairy-tale figures appear) are all brought to life by the luscious designs of this celebrated production, created in 1946 for The Royal Ballet. The inspired performances of its revival for the 75th anniversary of the Company in 2006, together with a magnificent High Definition recording, make this a superb tribute to The Royal Ballet's unique style and visual splendour.

Offenbach's popular comic opera poking fun at Greek mythology in english translation, staged for television by Christopher Renshaw.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.

Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.

José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.

No description available for this movie.

Pyotr Ilyich Tchaikovsky's 1879 opera, adapted from Alexander Pushkin's novel. Performed by the Finnish National Opera. Filmed on 20 December 2024 and streamed by Operavision.

Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.

Swan Lake performance featuring Agnes Letestu, Jose Martinez, Karl Paquette, and Muriel Halle The story is adapted from an old Russian folk tale. Princess Odette (Gillian Murphy) is captured by the evil sorcerer Rathbart (Isaac Stappas) and cursed to be changed into a swan. Young Prince Siegfried (Angel Corolla) is being pressured by his mother (Georgina Parkinson) to find a bride. Irritated, he runs out into the woods and finds Swan Lake, where Odette has become queen of the swans. He learns that only by someone swearing eternal love to her can the spell be broken, and he does so. At a ball, numerous princesses are paraded before the prince, who shows little interest. But when Rathbart, in human form (Marcelo Gomes), arrives with his daughter Odile (Murphy), enchanted to resemble Odette, Siegfried is deceived. Swearing love to Odile, and betraying Odette, he may have condemned her to spend the rest of her life as a swan.

Destined for the convent, the young Manon falls head over heels in love with a handsome stranger and decides to flee with him. Yet aspiring to a life of wealth and luxury, she ends up throwing herself into the arms of a rich nobleman. Can she forget her true love? Puccini’s adaptation of the novel by Abbé Prévost had a complicated gestation. An alarmingly long list of librettists succeed each other in trying to satisfy the composer’s demands in terms of dramatic structure and fine verbal detail. Was Puccini struggling perhaps to make his opera sufficiently different from Massenet’s on the same subject? Puccini probably never reached a ‘definitive’ form of this opera but it was his first international success and arguably the first in which the composer found his voice as a musical dramatist. Opera Poznań has entrusted their new production - streamed live on the opening night - to a former winner of the European Opera Directing Prize, Gerard Jones, and conductor Marco Guidarini.

Seen only once in 1981, this is a live national broadcast of the 10th anniversary production of MASS. Directed for the stage by Tom O’Horgan of “Hair” fame, the cameras were directed by Emile Ardolino. The work that opened the Kennedy Center is conducted by John Mauceri and produced for PBS by WQED, Pittsburgh.