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This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

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In 1829 the naturalist Alexander von Humboldt attempted a russian-siberian expedition. Humboldt travelled to obtain a clear view of nature, people and life in this immense country. 2019 naturalists and humanists attempted a transdisciplinary expedition on the trails of Humboldt. To capture the events various cameras were taken along. A non-chronological narration.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

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A stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts, and documents the various ways the inmates are treated by the guards, social workers, and psychiatrists.

Shot in the immediate aftermath of Hurricane Katrina and bound by elements of fiction, this unexpected documentary short is a glimpse into faith-based sentiment and inexplicable loss. While a man searches for his kitchen appliances in the bushes, elsewhere a grinning preacher takes souvenir snapshots for his congregation, and a woman with a disability journeys to a quieter place.

The innocent lines of a young girl’s diary recount the visit of her father’s colleagues, the games played in the garden, and the weight of the summer heat through her naïve perspective. Yet, when a “snowflake” falls onto her notebook, it slowly begins to reveal traces of another, unseen reality. What starts with childhood innocence and joy gradually touches upon a far heavier truth of our time.

Virginia Woolf's 1928 novel "Orlando: A Biography" follows the centuries-spanning life of a young nobleman who awakens to find that they are a woman. Almost a century after its publication, Paul B. Preciado claims that fiction has become reality and Orlando's story lies at the root of all contemporary trans and non-binary life.

A cinéma vérité look inside Paris' Crazy Horse, a club that boasts the greatest and most chic nude dancing in the world.

A lonely man falls in love with his ChatGPT companion, challenging the boundaries of love and what it means to be human.

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

Alone in the cosmic sea, a voice cries out to you.

In a quiet Rajasthani village, young Ali clings to his cricket bat as his friends chase it. What starts as playful mischief reveals a film crew struggling to finish their shoot, blurring childhood and the fragile magic of cinema.

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Shots from a trip in Maine both distorted and regular. Whether it be the wild or modern places

Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

They pass each other everyday, obscured by the crowds. They will always be there, always crossing paths, alone.