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Shot over three years on the borders between Iraq, Kurdistan, Syria and Lebanon, the film depicts the everyday struggles of people attempting to rebuild their lives amongst the devastating effects of civil wars, dictatorships, foreign invasions, and the deadly presence of ISIS.

Depicts the final years of the life of 19th century Austrian composer Franz Schubert. This is the shortened theatrical version of the miniseries, released in 2006 as a DVD in the series The Austrian Film.

Musante plays a man blackmailed and forced to assassinate a highly guarded KGB official. Two British agents have kidnapped his daughter and want him to do what they tell him. Why him? He has the ability to see in darkness and is a sharpshooter. Will he get the job done, get his daughter back, and escape from the Russian and British agents that pursue him?

No description available for this movie.

I have always looked for evidence of a lived time in a shaky shot or in unusable queues, or in the temporal dilation of a fragment. With Notturno this research continues within the image, penetrating it, running the pleasant risk of getting lost within it.

A group of blind women talk and tell stories, showing their own way of seeing through sensory memory, singing and dreams: an imaginary landscape bordering darkness and reconstructed through their voices.

"The film was made by painting directly onto 16mm film, in the tradition of artist-filmmakers who often mix handmade approaches and out-of-date equipment to create unusual film experiences. As with other films by Warren, Notturno forgoes a language-based narrative in favor of a staccato sequence of images, emphasizing feeling over storyline." - Chief Curator Mark Scala, Frist Center for the Visual Arts

A famous composer has to prove his innocence when his wife, who has mysteriously disappeared, is shot dead in the street one day.

No description available for this movie.

When a member of a group of occultists is violently slain, the rest repair to the woods, where they are haunted by an apparently supernatural force.

Valerio Mastandrea is Franz, a night bus driver on the airport route who owes a lot of money from poker debts. He's stumbled upon by the variously named Leila, a thief who has accidentally become wrapped up in a secretive blackmail deal involving the President. As the film unfolds, a secret war between factions of the Security Services, a series of confusions among the various criminal fraternities whose activites have been touched upon by the deal, and Leila's past all complicate the situation.

A man works as a night porter in a hotel. He spends his shifts spying on couples engaged in their sexual acts with hidden cameras until one day he witnesses the taken hostage of a woman, deciding to go and rescue her.

A study of the concept of noise intended not only as an unpleasant sound but also as a visual artifact. The so-called high sensitivity in digital cameras allows us to see in the dark by adding an artificial grain to the video, sacrificing its quality. In these night shots, noise is not avoided but rather enhanced, thus creating abstract, hypnotic images that pulsate slowly.

In this video performance, I did not think or look for pleasant sounds or musical origins, but only a performative action carried out in the darkness of the blind person, of the diviner who moves in uncertainty, looking for a contact or a creative event with the material.

A little cat must take his sick father's place as night watchman, but is bullied by a tough mouse and his gang, leaving the rest of the mice free to eat all the food and stage a musical floor show.

Wes Anderson (Fred MacMurray) is caught cattle rustling and promptly jailed. The public is outraged, but, since Wes always worked at night, they don't know what he looks like. Still, they break into the prison and lynch a hobo they think is Wes, while the actual culprit sneaks off to see his old flame, Rela (Barbara Stanwyck), who has recently taken up with his straitlaced brother, Tom (William Ching). But Tom is envious of his outlaw brother, and he decides to join Wes in a life of crime.

The enigmatic but vivid imagery of this loosely plotted film is based on a similarly evocative novel by the Italian author Antonio Tabucchi, Noturno Indiano. An old friend of the hero's has been living in Bombay with a prostitute. His friend Peter Schlemihl (Otto Tausig) is a concentration camp survivor, who went to India after being captivated by a photograph he saw there. When the prostitute writes to him in Europe asking that he rescue his friend from a mysterious malaise, he flies into India to try and help. When he gets to Bombay, he discovers that his friend has disappeared. Following the clues left behind by the friend, and based on his acquaintance with him, he journeys to Madras to speak to a Theosophist dignitary there, and then journeys on to Portugues Goa. With each step of his journey, the hero (Jean-Hugues Anglade) becomes more identified with his friend, and re-enacts in his own person the transformations he must have experienced.

After breaking up with her boyfriend on Valentine's Day, Jenny shares a red-eye flight from Los Angeles to New York with a love-damaged group of passengers-- a pilot with anger management issues, some oversexed flight attendants, a hip-hop superstar trying to keep it real in coach and a handsome young professor who's been unlucky in romance.

In 1940s Los Angeles, when womanizing composer Keith Vincent is found dead, the inquest concludes it was a suicide but police detective Joe Warne isn't so sure.

For cynical tabloid journo Richard Dees, facts are always stranger than fiction. Every headline is a dead-line. Serial killers, UFO abductions, tales of molestation, mayhem and murder. To some the tales are mere sleazy fantasy – but his faithful readers believe. And now there's a new story: The Night Flier. What is it that travels by night in a dark-winged Cessna, lands at secluded airfields and murders local residents? Dees begins to track the unknown killer in a Cessna of his own, uncovering clues that reveal a pilot more terrifying than he could have ever imagined.