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The 60s was the birth and ascension of the French New Wave. Characterised as an avant-garde film movement and created by directors like Godard and Varda, it give birth to iconic actors such as Bardot and Belmondo.

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The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.

At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.

The X-rated cartoon animations of Emmy award winning director/animator Merrill Aldighieri add a comical edge to this intense documentary with Lydia Lunch, a second collaboration after their first success, ""The Gun is Loaded."" Highlights from 5 concerts are accompanied by a live music score performed by composer JOE BUDENHOLZER & horn player TERRY EDWARDS (from MADNESS) during their travels to MARSEILLE, LYON, EVREUX, & NANTES. Bonus clips include rare on-the road interview footage with Lydia and composer Joe B., and an exclusive reading done at the Père Lachaise Cemetary.

Special agent Mott McCampbell has a mission, escorting a Japanese dignitary from JFK airport to the United Nations. A gang of stewardesses has a different plan, kidnapping! Will Mott be able to stop them in time? Find out, see 4 O’CLOCK, the underground, film-noir comedy.