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Once a young woman gets a man to fall in love with her, he must prove himself financially stable and meet her dowry requirements.

Pablo returns to the neighborhood where he spent the early years of his life, searching for Juanito, but he does not find him. His sister Delia tells him that Juanito has lost his job and, in his desperation, has turned to crime. It is considered as the first Venezuelan and Latin American neorealist film.