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During a bizarre chapter of WWII, Nazi propaganda minister Joseph Goebbels decided to make a movie based on the sinking of the Titanic. This epic film was so large in scale that the Nazis were forced to divert men, material and ships from the war effort in order to complete it. Titanic was filmed aboard cruise ship SS Cap Arcona in the Baltic Sea. The movie’s director Herbert Selpin was arrested by the Gestapo over comments he made about the ship’s crew and he was questioned by Goebbels. Selpin was found dead the next day in his cell. The Gestapo’s verdict was suicide. Titanic never received the impressive premiere that Goebbels intended, being first shown in Nazi-occupied Paris in 1943. We reveal this little known but fascinating story by looking at the making of the film, as well as the fate of the German ship Cap Arcona.

Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.

After being expelled from Beecher Prep for his treatment of a classmate with a facial deformity, Julian has struggled to fit in at his new school. To transform his life, Julian's grandmother finally reveals her own story of courage of her youth in Nazi-occupied France, where a classmate shelters her from mortal danger.

In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.

After many years in Africa, a man returns to his village in East Prussia to marry his intended bride. However, he finds himself drawn to another girl and contemplates running away with her.

As Minister of Propaganda, Joseph Goebbels creates films and pictures used to prepare the Germans for Total War and the Holocaust. When the war is lost, he conceives his last staging, the most radical propaganda act still possible to him.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

Propaganda short film about the construction of the German Autobahn.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

Even high Nazi leaders like Joseph Goebbels and Hermann Göring were almost contemptuous of this party comrad, and yet he was one of the most influential figures in the Third Reich: Julius Streicher, publisher of the anti-Semitic weekly "Der Stürmer", responsible for the worst propaganda and infamous for his corrupt and violent regime as Gauleiter of Franconia. By the Allies he was considered a symbol of Nazi hatred of the Jews. In 1946 he was sentenced to death in Nuremberg and executed.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

Nazi propaganda film based on the life and death of Hitler Youth Herbert "Quex" Norkus – in the film, renamed Heini Völker – who was killed while distributing flyers in a Communist neighborhood.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.

In front of television crews and thousands of spectators, Spaceship-1—commanded by Commodore Hardt, inventor of the powerful rocket fuel "Neotan-X"—blasts off on the first flight to the Moon.

An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.

Follows the Fifth Nazi Party Rally (Nuremberg, 30 August–3 September 1933) and shows the then close relationship between Adolf Hitler and Ernest Rõhm.

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Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.

In this film, the wife of a renowned doctor becomes ill with multiple sclerosis. Trying to spare her beloved husband the ordeal, the woman turns to a family friend, Dr. Lang, to help end her life. When this doctor declines to help with the assisted suicide, however, she is forced to turn to her husband. After much soul-searching, Dr. Heyt, her husband, assists in her suicide. The act, however, is witnessed by a chambermaid, who reports him to the police. Dr. Heyt is put on trial for murder and, at first, Dr. Lang testifies against him in court. Soon, however, Dr. Lang is faced with a similar case in his professional practice and this, along with Dr. Heyt’s impassioned performance in court, convinces Dr. Lang that, in some instances, mercy killing may be the right thing to do.

This documentary examines how Adolf Hitler and the Nazi regime made use of ancient mysticism, occultism, and mind-control techniques in their efforts to win the war.