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Two isolated strangers find an unexpected connection in this pungent short. Immersive handheld camerawork draws us into a world of rural desolation before dropping the hammer blow.

A lost spirit wanders in the woods eternally, searching for the answer of his existance, he finds it by becoming one with the forest.

In a dirty and abandoned factory, a group of bored young people explore the degraded environment in search of something to do.

A schoolboy finds himself struggling with his identity and masculinity in a grey, conventional world. After finding out about his upcoming school talent show, he sees it as a potential way for him to finally be able to express himself in front of his school. However, pressures from his family to act a certain way lead him to spiral and eventually run away from his home in the middle of the night.

Nausea is a short film that follows a young man's exploration of loneliness, angst, and the fundamental absurdity of life. Based on La Nausée by Jean-Paul Sartre.

Inspired by Jean-Paul Sartre's La Nausée.

Ana, beset by surreal nightmares, seeks help from her mother, who is unable to see what this nightmares represents. Hopeless, this lonely girl is forced to take a drastic action.

In 1997, while attending the San Francisco Art Institute, I made a 1 hour video of myself reading from John-Paul Sartre's book Nausea while drinking an entire fifth of Jack Daniels. My prediction came true, in spades. -Brian L. Frye

Nausea is a synthesis of text and image that draws inspiration from Impressionism, On Kawara, Barnett Newman and the existential diary of Jean-Paul Sartre from which it adopts its title. The video footage is a journal of observations shot entirely on a mobile phone. Crudely low resolution, it retains a fuzzy warmth and familiarity rather than the cold and impersonal qualities of much digital technology, challenging a ‘certain end-point in cinema, wherein we only ever imagine and receive mediated images.’

A schoolboy finds himself struggling with his identity and masculinity in a conventional world. Through his school talent show, he sees an opportunity to finally be able to express himself in front of his school.

'Kewpie' manifest themselves as symptoms. A twisting body cannot accept errors.

A lonely, eccentric man becomes obsessed with a woman he sees in a bar. He follows her home, observing her every move.

A sick woman wanders the streets of Buenos Aires in search of someone to stay with.

Ahmet, who had recently lost his wife and little daughter in a traffic accident while he was away with his lover, is a prominent person dealing with "head work". As someone who does not care for anybody and does not knuckle under anything, he moves on quite unaffected. Yet some things start to change in himself and his life without any apparent reason.

The deterioration of Medea and Jason's relationship begins while they are waiting for their first child to be born.

This film has never been in distribution, and it’s arguably not a true Brakhage film, as it was made as a commission for a 1961 public television program on KRMA-TV in Boulder (but aired nationally), called Self Encounter: A Study in Existentialism, created and hosted by Hazel Barnes, an acclaimed scholar on the subject. This film was featured in an episode entitled “To Leap or Not to Leap”, originally broadcast on April 19, 1961. I’ve included Sartre’s Nausea in the main body of the filmography because despite its origin as a commissioned work to be incorporated into a show on existentialism, and even having no main title or credit on the film, Brakhage came back to this piece a few years later and used it to produce his 1965 film Black Vision. Black Vision was made by Brakhage from the print he had struck of Sartre’s Nausea, re-editing it and embellishing it with ink and scratching.

The title is taken from the song Genova per noi by Paolo Conte © Universal Music Publishing Ricordi S.r.l. Six words from a famous track by Paolo Conte, six stories of Ligurian boys and girls, who try to build up their lives in Liguria, dwelling among the difficulties in finding a way that may not be precarious works and uncertainty. The bottleneck imposed by the crisis coexists with the spreading vitality, despite all.

Two adult film stars become crippled with doubt, quit the business and go shopping.

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Ivan is sad because his partner, Meri, has broke with him. Alex has put up with him all night while they were at a party. With the sun rising they decide to go home, but an unexpected event waits in the car.

A short experimental film by Japanese underground filmmaker Shozin Fukui. The film follows a young woman on the Tokyo subway, who may be possessed.

In Brignogan-Plages, thirty-year-old Zoé works with her father, Guy, at his bar "Les Bigorneaux". Since the premature death of her mother, she wears herself out by taking everything into her own hands. One morning, Zoé starts suffering from dizziness and nausea, which disrupt her daily life.

No description available for this movie.