Found 22 movies, 7 TV shows, and 5 people
Can't find what you're looking for?

Ji-min is married to Hyeon-soo, a married man with a child. However, Woo-yeong wasn't Hyeon-soo's own son either. The age difference is so small that she feels uncomfortable in her relationship with Woo-yeong. On the other hand, Woo-yeong falls into a sense of self-doubt that she feels love from Ji-min and that feeling from her mother, but accidentally finds out that she is an adopted child and confesses her heart to Ji-min.

Ryuzaki, an editor of Muscle Magazine, which features photographs of men with sculpted bodies, becomes involved with a man named Kitami; their affair soon becomes dominated by sadomasochistic games, with a horrid result. Jump ahead one year, Ryuzaki is released from jail and goes in search of Kitami, perhaps to make amends.

Princess Darenanda and Arenanda were on their way to Japan on the maiden voyage of the luxury cruise ship Rosebud to deliver Muscle Carrot, a secret elixir that is said to dramatically power up superhumans, to the righteous superhumans. However, a cruel superhuman army targeting the Muscle Carrot appears and takes over the Rosebud. Arenanda escapes alone and asks Mantaro, Kid and the others for help in rescuing the captured princess. Mantaro is the only one who hates scary things and tries to refuse, but when he notices that the princess is exceptionally beautiful, he is motivated! The group infiltrates the Rosebud in a Cessna! Will Mantaro and his friends be able to rescue the kidnapped princess? And what is the purpose of the evil superhumans who are targeting the princess?

Nude Bodybuilders, Naked College Hunks, Sexy Studs and Gorgeous Centerfolds all compete for the title of America's Hottest Naked Bachelor. The swimsuit competition turns into the no-swimsuit competition as these buff guys vie to show off all their assets and go on to perform the rest of the events completely nude. A grueling tug-of-war shows off their straining, muscular physiques. They pour on the charm in a series of mini-dates. The finalists resolve their conflict in an all-out-bare bodied brawl. And each stunning competitor finds the time to perform privately for your inspection.

After a surprise phone call interrupts his daily workout, beefy body builder Naoto agrees to meet his photojournalist ex-girlfriend to help with her research on haunted houses. Accompanied by a professional psychic, they visit an abandoned house once owned by Naoto's father. But inside the house a dark secret lingers and they find themselves trapped and tormented by a relentless ghost with a 30 year grudge.

Anders - a rather tall 30-year-old - finds out that the rest of the world is under the impression that he is a gnome.

In the year 2009, a young policeman must collapse a Yakuza family whose members make a large profit with a new drug.

Probably the film in which more people are kidnapped in the shortest amount of time than any other film in cinema history. The antics and light-heartedness that run throughout the film, including the storyline, make it worthy of being called a 'violent film', despite the fact that there are no violent scenes at all. It is also a 'hero film' in that the protagonist has style and sticks to it whether he is hurt or not.

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

Muscle Man, the world’s cleanest superhero embarks on a thrilling battle against a giant robot determined to reduce the city to rubble. But his obsession with order will lead to his downfall.

A pain management specialist in a Berlin hospital laments how difficult it is to see if black skin has turned blue. The patient, 15year old Arlette, doesn’t understand German. Her knee was injured in the war, and unknown wealthy Germans have helped pay for her trip to have surgery in Europe. The camera follows Arlette on her journey, from her worried family in Central African Republic to the desolate rooms of the hospital and the rehabilitation centre. The girl’s gaze is captivating but impenetrable, and the easily bored teenager surrounded by adult strangers is only cheered up by an interpreter who knows her mother tongue. The story takes a gloomier turn when it transpires that rebel forces have taken up arms in Arlette’s home country.

Kim Man-sul who is released from prison after serving time for illegally smuggling and manufacturing methamphetamines turns up missing. Police investigator Pak Geo-ryong infiltrates the headquarters of a cult religious group called Baewon-gyo after learning that their general director, Pak Sang-gyu and Kim were associated. Geo-ryong exposes the secrets of Baewon-gyo with the help of Kyung-ah, the daughter of the high priest. He plans to escape and rescue Wu-ryong whose cover is blown as a cop. Geo-ryong and Wu-ryong are captured after trying to stop the Baewon-gyo from taking over the methamphetamine sweat house. But they make a narrow escape and take over the criminals in a mountain villa.

The spectre of American cultural imperialism haunts the aesthetic and performative ethos of contemporary Japanese spaces; the artifice of cultural replication and appropriation bleeds from the flesh of a Japanese economy in decline. Collaged videos of Japanese deathmatch wrestling are plundered from abandoned internet junkyards, their digital identity existing on the margins of accessibility, on the brink of unretrievable nullity. An ouroboric process of digital manipulation, bitrate stretching, perpetual downloading, uploading and redownloading transmute the wrestlers bodies into heraldic effigies to a cultural identity in flux with its celebration and abstraction. The bruised, burnt and scarred flesh is ripped apart through the pastiche of artificial, digital replication; the violence echoing both the threatened and realised violence of American cultural imposition.

Explores the sexualisation and objectification of bodies through images of naked female and male figure. Explicitly and indirectly erotic scenes are followed by at first sensual and later noise music with narration. Black-and-white and colour photography exchange. Merely material perception of the body is additionally stressed with images of a car and a fish, which are forced in the very end of the video.

A buddy series of "Dukgyu," a 68-year-old making weird poses in front of the gym mirror, wearing a sleeveless t-shirt, and his grandson "Donghyun," who just doesn't get him.

Mike, an experienced stripper, takes a younger performer called The Kid under his wing and schools him in the arts of partying, picking up women, and making easy money.

He built a supplement empire by devouring raw meat on social media. And he had the muscles to prove it. But, really, how did the Liver King get so huge?

In the cold streets of Charlotte, where murder is on the rise, a drug deal gone wrong has now created a who done it in the city with the cops chasing the city's notorious Thugs.

Jushin Thunder Liger is having fits of dizziness and headaches, as he recalls childhood memories of being chased by demons. Helping him is a woman photographer named Miki Aizawa While Liger copes with his childhood fears, he gets ready for the three-way wrestling match. When the big fight begins on that night, the fight seems tough for Liger as he realizes that there's something very peculiar about Bounty Viper. He has demonic powers, similar to the demons that persecuted him as a child. In the course of the fight, Viper displays his wickedness by violently maiming Riot Orff. Liger eventually becomes violent, and when he and Viper tear into each other, both wrestlers begin to pulsate and glow with energy. In light speed, they dash out of the ring into a deserted street where they transform into demonic versions of themselves.

With a career spanning well over a decade in the bloodiest, most violent subgenre of pro wrestling, David "Gweedo" Brown reflects on his time as a deathmatch wrestler.

A young man obsessed with body image is thrust into a world of drugs, crime, and deception.

A stewardess is taken hostage by a gang of drug smugglers.