Found 13 movies, 1 TV show, and 0 people
Can't find what you're looking for?

Young man in his 20's Mentally ill, goes onto the Journey of Death as he Plans his own Demise.

This hybrid of diary and documentary was shot on Jamie Nares’s first trip home since her arrival in New York three years prior. While the cultural upheaval of the 1970s has a presence (not least in its title), Suicide? No, Murder! shares the formal lyricism of the artist’s experimental short films. Super-8 imagery of moments shared with family in and around Nares’s English family home is replete with playfulness and a meditative quality that oscillates between tender and somber. The everyday is subject to formal and metaphysical questioning in a portrait of a young artist along a personal journey. Unfinished at the time, this screening premieres the artist’s own digital restoration of this rarely seen and evocative work. Back in New York, the short Waiting for the Wind is an energetic study of the artist's body in motion in his sparse apartment. This accomplished production was described by critic Amy Taubin as a “technical tour-de-force."

A potential suicide attends psychotherapy only to discover that it is too late to prevent his own death and, incidentally, a murder for which he will also be responsible.

No description available for this movie.

As the definitive sex symbol of all time, Marilyn Monroe's life continues to mystify us even today - over 30 years after her tragic death the question remains: Suicide Or Murder? Her private life has been probed and investigated more than once, but the cloud of mystique surrounding the life and death the most loved and envied goddess in history has never been completely unveiled until now.

When Rebecca Zahau and Max Shacknai both die in mysterious circumstances at the same mansion, their families search for answers—and the truth.

A young couple travels to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish menu, with some shocking surprises.

After a doctor kills his mistress and himself while researching the mysterious previous owner of his Boston home, his colleague, Dr. Norman Boyle, takes over his studies and moves his family into the Boston mansion. Soon after, Boyle's young son Bob becomes plagued by visions of a young girl, who warns him of the danger within the house.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

When a self-help writer's advice goes wrong, she finds herself in the crosshairs of an obsessive young woman with a thirst for vengeance.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

Cataract follows Mia, as she accompanies her girlfriend, Dani, and Dani’s ghost-hunting friends, as they investigate a house where just three years prior, a double-murder suicide occurred involving one of their classmates. They try to reach out to their deceased classmate, Ruby, who answers them and reveals the truth about her death. However, Ruby has become vengeful from her unjust death, and seeks her revenge on anyone who tries to enter the house, taking them one by one.

Traumatized after witnessing her parents' murder-suicide, Amy spends a weekend away with her unfaithful boyfriend and realizes she shouldn't have stopped taking her medication.