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Fifty-two scenes. Sixty men. Forty-two women. One actor. LAZ ROJAS'S ONE-MAN SHOWCASE.

Archival footage from Centron Corporation and interviews about Carnival of Souls.

Idk, we'll have to see

Chapter One of this anthology embarks on a journey into the world of filmmaking, pulling back the curtain to reveal the complexities, passions, and human connections that fuel the creative process. Through a series of interconnected narratives, the film follows directors grappling with creative block, writers striving to capture elusive inspiration, actors navigating vulnerability and self-doubt, and crew members whose unseen efforts bring visions to life.

As The Trialside Studios Movie: Behind the Camera moves closer to its final chapter, Chapter Two shifts its focus to the deeply personal and emotional side of filmmaking. This chapter weaves together raw, heartfelt narratives from directors, cinematographers, and storytellers who have dedicated their lives to the art of cinema. Through intimate interviews, behind-the-scenes moments, and untold stories, Chapter Two explores the sacrifices, struggles, and triumphs that shape a filmmaker’s journey. From moments of creative doubt to career-defining breakthroughs, this chapter paints an honest and unfiltered portrait of what it truly means to be a filmmaker.

The final chapter brings everything full circle, weaving together the emotional core of filmmaking with the personal journeys of those behind the camera. As the curtain closes, filmmakers reflect on their struggles, triumphs, and the sacrifices made to bring stories to life. Through raw, heartfelt narratives and breathtaking cinematic visuals, this chapter explores the spiritual and artistic connections that shape the creative process. Worship, faith, and storytelling intertwine, creating a deeply moving farewell to the journey that started with a single idea. Though this chapter concludes, the passion for filmmaking remains eternal—etched into every frame, every story, and every dream yet to be told.

FLIP THE FROG, who is basically a walking, talking, white glove, bow- tie & short-pants wearing little black frog. In this outing, Flip is introduced to us as he is reading up on how to become a movie director, which essentially comes down to dressing up like Charlie Chaplin!

This is a “Movie in a Movie” like no other ever before. Kyoei, a historical film studio in Kyoto (Modeled on Toei), is asked by NHK to make a new samurai era program using the most advanced technology. While the elderly filmmakers at Kyoei are struggling with the high-tech equipment, their skills at creating choreographed sword battles are undiminished. The NHK project will dramatize the Ikedaya incident, which was a raid launched by the Shinsengumi against Imperial loyalists gathered at an inn called Ikedaya in Kyoto during the twilight years of the Tokugawa shogunate. A series of problems occur and the climax they reach after overcoming difficulties is an unprecedented attempt at a 360° one-cut scene involving the world’s most advanced high-speed camera and wire action for a scene where Kondo Isami will fall down the stairs at Ikedaya. Can they succeed in filming the single greatest swordfight scene in samurai movie history?!?

The Tramp, a film Johnnie (someone who loiters near theaters or studios to meet stars or get a job), attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?

Documentary filmmaker Genya Tachibana has tracked down the legendary actress Chiyoko Fujiwara, who mysteriously vanished at the height of her career. When he presents her with a key she had lost and thought was gone forever, the filmmaker could not have imagined that it would not only unlock the long-held secrets of Chiyoko’s life... but also his own.

The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

The Chipmunks work in an amusement park attraction. After Alvin drives a crazy tour group, they miss their next performance and are locked in the park after closing time. Little do they know that the real Dr. Frankenstein has been hired in a new attraction called, "Frankenstein's Castle"; figuring that the castle isn't scary enough, the mad scientist recreates the real Monster.

By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.

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This humorous Pete Smith Specialty short looks around various studios on a film lot.

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Film producer Reggie Wilson is worried he may have a dual personality. Fleeing Hollywood, he finds himself in England and married to the studio boss's daughter after which he quickly rises through the studio ranks. Then the letters begin to appear from a lovesick American actress who wants to know why he has thrown her over.

A documentary about the glorious history of Metro-Goldwyn-Mayer Studios and its decline leading to the sale of its back lot and props. By extension this provides a general history of Hollywood's Golden Age and the legendary studio system.

A group of tourists is given a tour of a movie studio lot. They see the various permanent sets that are used for different types of movies, and they appear to watch the filming of several productions in progress. Musical numbers from several previous Warner Bros. Technicolor shorts are edited into this short to create the illusion.

Daffy Duck convinces Porky Pig to quit the cartoon biz and try his luck in the features. Porky's adventures begin when he tries to enter the movie studio.

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

During the troubled shooting of several movies, David, the prop man's assistant, meets an aspiring actress who tries to find work in the studio. Things get messy when the stagehands decide to go on strike.

Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.

Two tour guides take visitors on a promotional tour of Warner Bros.' studios.

Richard Dreyfuss hosts a celebration of the 80 year history of Universal Studios. Founded as IMP by Carl Leammle to oppose Edison's Motion Picture Tust, it soon grew under the leadership of 21 year old production head Irving Thalberg with classic silents from artists like John Ford, Erich Von Stroheim, and Lon Chaney and prospered further in the Sound Era under the leadership of Carl Leammle Jr. with such classics as "All Quiet on The Western Front," "Showboat," and the studio's signature monster franchises, "Frankenstein" and "Dracula."

When master monster make-up man Pete Dumond is fired by the new bosses of American International studios, he uses his creations to exact revenge.

Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.