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An eclectic mix of students wake up on a cold bus, knowing only they are about to start an internship at a remote hotel. They understood it would be difficult, but little did they know just how hard it would be.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

The clacking of heels on the floor, to the rhythm of a measured walk, accompanies the movement of a camera that scrutinises a man in close up. Slowly, the camera turns around him, from his feet on the floor to the top of his head. The man doesn't move a muscle, with his arms lying straight by his side, as though he has become an object under a woman's eye, identifiable by the sound of her footsteps. The closeness of the camera fragments and fetishises the body. There are no wide shots at any point that might enable the man to be identified. The fragments glimpsed by the camera do not provide any identifying markers, rendering the overall view disproportionate. Like a "monument", the figure is presented to the audience.

A selection of monologues describe the lives of individuals: normal people. Who are they and what connects them? As the narrative progresses we learn that something has happened. There's been an event, something that has changed everything. But when did it happen... and where? There are suggestions; talk of bankers bonuses and bombs but nothing is specified. Has it happened? Will it happen? Then we see that the subjects of the narrative are from dedications on memorial park benches that are very real; covered in moss and graffiti, heightening the confusion between what is real and what is not. Monument appears as a low budget doc about park benches but its narrative poses powerful questions about memory, memorial and the way of things...

The documentary depicts monuments and heritage artwork that have been closely related to the history of the Republic of Estonia. Estonian sculptors, former political prisoners, social scientists and art historians share their memories in the film. Why do we need our monuments? What kind of attitude has been towards Estonian monuments and heritage artwork during the changing times in local history? Memorial columns can be victims of ideology. Estonia has been governed by several state authorities during the 20th century, all of them have left their own monuments. The destiny of numerous military monuments in East-Europe has become a current issue.

A statue, with outstretched arm pointing “forward,” is unveiled to thunderous applause. Then one day it points the other way. Once again, thunderous applause!

William Kentridge’s Monument is a captivating short animated film about the unveiling of a statue dedicated to the South African work force. This monument comes to life, and continues to suffer under the elite white regime. This celebration and memorialization of past injustices fails in its goal to silence or normalize these injustices, as the statue breaks the cinematic third wall and its breathing fills our ears.

A film of a dreary, empty campus and all that comes with it.

The film, which can be seen as a preliminary study for Motion Picture, is 16 mm black / white footage of Torben Ulrich during exercise in HIKs tennis club in 1969. It wound back and forth during filming, made double exposures and filmed at various speeds. The film was shown mixed with Super-8 color recording from Copenhagen and from highways.

Monument captures rocks in motion to create a dance to the unseen life of the natural world. This 1 minute 30 second piece questions the presumed permanence of stone's materiality, and imagines nature's visceral reaction to culture, in a momentary liberation from the laws of physics.

Monument is an experimental documentary that pairs hand-processed and chemically-altered Super 8 footage of the decaying monuments of Presidents Park (Croaker, VA), with original and community-sourced video footage captured on Monument Avenue (Richmond, VA) between 2020 and 2025. Themes of registration and re-calibration, and metaphor and analogy, are explored through form and content and the distinct features of the media employed.

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out-of-shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world’s artistic masterpieces from Nazi thieves and return them to their rightful owners. With the art hidden behind enemy lines, how could these guys hope to succeed?

An old gardener tends for the flowers during the war. Nazis ask him for flowers for their dead.

Set during World War I. An Austro-Hungarian expedition sets an archaeological site in the ancient city of Apollonia. The experts of this expedition want to steal ancient monuments, but the villagers of the area oppose them.

The film is about the monument erected with the participation of M. Anikushin in honor of the heroic 900-day defense of Leningrad.

In an alternate universe, bizarre events occur near various monuments around the world, most commonly in the United States.

In 1943, critical developments in the Pacific War have placed Japan at a disadvantage, although the fiery breaths of war hadn't yet reached Okinawa Normal School for women. Nothing seemed the least bit out of the ordinary, as Kazuko and her friends enjoyed a day of sports. A year later the war takes a devastating turn, as US forces plan an amphibious attack known as "Operation Iceberg" on the Ryukyu island.

A remake of the 1953 film of the same name.

A rural high school takes part in a mountain-climbing exercise and are caught in a sudden typhoon.

In a dying town in Serbia daydreamer Marko is on the verge of divorce from the love of his life, Ljubinka. When an old communist-era monument is removed from the Main Square, he comes up with the idea to build a monument to Michael Jackson in order to save his town and seduce his wife again. But the town’s mayor has his own plans.

On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.

A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.

The story of the Navajo, at work and play, in the Southwestern United States, and in particular, in scenic Monument Valley. The film focuses on a typical Indian family, its daily life, struggles, and folkways, as every aspect of living is governed by Navajo gods and legends.

Button Gwinett Brown is a freshman congressman on a mission to rid Washington of corruption. He quickly runs afoul of the powerful Senator Norton...

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

The Gateway Arch: A Reflection of America chronicles for the first time the complete story of this great American symbol… from Thomas Jefferson, Lewis & Clark, and St. Louis’ role in westward expansion; to the eventual construction of the largest stainless steel structure in history.

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The construction of the Obelisco in Buenos Aires, Argentina.

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

A young, cynical French film student comes to London for the weekend to make a film project for his course. Disillusioned by his London experience, he's befriended by a stranger who shows him a side of the city, and himself, that he never would have seen. The story unfolds through his Super 8 film footage, and his voice-over narration gives us an insight into his thoughts and feelings throughout the journey.

Frederick is a young medieval French prince with magical powers, turned into a frog by his evil sorceress aunt, who kills his father in a bid to seize the throne. After being pursued by his aunt, the prince is saved by the Loch Ness Monster, who indebts herself to him, and hides out with a colony of anthropomorphic frogs for a time. After ultimately deciding to accept his fate and fight evil using his powers, Freddie grows to the size of an adult human, travels to the future, and becomes a French secret agent with a sentient car.

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

The notorious and mysterious criminal Furax steals France's famous monuments, replacing them with replicas.

When her brother is killed by sabotage, Irene Eaton (Sally Eilers) joins the secret service and goes undercover to unroot the culprits.

Share your Washington DC visit and learn about our nation's capital with this, a complete Washington video tour. Outstanding cinematography and an original music score enhance this rich tour of the city's great historical and cultural treasures

Atlanta History Center explores the controversial history of the Stone Mountain carving through a documentary film and online resources.

One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.

Two young men journey across the U.S.A to honor one's mother by spreading her ashes at monuments she always dreamed of visiting. Along the way they encounter interesting characters and dangerous situations that force them to question their own character and their life-long friendship. Marital strife, jail time, car chases, old secrets and a demolition derby all threaten to derail their trip and their lives.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.