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After having broken up with his girlfriend and left his job, Simon has come back to his small hometown in the countryside, where he meets up again with his old friend Julien. The two thirty-year-old, unemployed and idle men decide to reinvest in an old dream from their teenage years: hitting the road for an adventurous journey. They buy a huge motor-home, but the trip is delayed by various troubles, and they decide to start their journey right where they are. Through this first motionless stage of their trip, Simon and Julien are confronted with themselves and what they wanted to run away from.

A pregnant sex worker takes her chance to escape when she realizes her son might be taken away from her.

In forgotten towns along the American border, a young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.

Shea, a young artist, is fighting for habitants of a trailer parking to have access to essential public commodities.

Mobile Homestead is a public artwork by Mike Kelley consisting of a full-scale replica of his childhood home in the Detroit suburb of Westland, built upon a complex of secret subterranean tunnels and rooms. Located on the grounds of the Museum of Contemporary Art Detroit (MOCAD) in Downtown Detroit, the sculpture functions as a community gallery with a removable, street legal façade that is mobilized periodically to provide various public services in and around the city. Three Mobile Homestead videos document the maiden voyage of the mobile façade’s journey from MOCAD to Kelley’s childhood neighborhood and back again in 2010. What emerges is a poignant portrait of the post-recession Motor City, speaking to the city’s cultural diversity, history, and socioeconomic stratification, and detailing local establishments that run the gamut from a motor-themed strip club to the Henry Ford Museum.

Animated short set to the song performed by The Popticians.

A family's road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked killers pay them a visit to test the family's every limit as they struggle to survive.

A Korean American family moves to an Arkansas farm in search of its own American dream. Amidst the challenges of this new life in the strange and rugged Ozarks, they discover the undeniable resilience of family and what really makes a home.

Ji-so, a young girl who doesn't have a house because of her bankrupted dad. In order to get money to buy a house she plan to steals wealthy people's dogs to earn reward money when she returns them.

A family's camping trip at Big Rock National Park becomes a terrifying fight for survival.

Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.

Sheldon Bart (Fred Ward) is a drifter, and a small-time con man. He meets his old friend, Brother Bud (Harry Dean Stanton), a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene (Cindy Williams), a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.

Best friends, Lucy and Julie, agree to house sit Lucy’s grandma’s mobile home while she’s vacationing on a psychic-themed cruise. Their peaceful summer is interrupted by a mysterious albeit persistent neighbor. Lucy and Julie agree to avoid this stranger by never leaving the house, until Lucy runs out of her antidepressant, and the girls are finally forced to face him.

In upstate New York, two teenage boys are tasked with cleaning out their father's old mobile home on an abandoned property, but the boys are in for a surprise when they discover three crooks on the run have taken refuge in the trailer.

A young widower sidesteps grief, loss, and familial dysfunction when he steals his wife's ashes and sets off on an impulsive odyssey through America's heartland to find something he'd lost long before her death.

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.

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