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After centuries of Western domination, the waterways of the Middle East are now being contested in unprecedented ways. Pirates are roaming sea lanes. Local powers are threatening chokepoints. And the people are rising up to bring their authoritarian rulers down. With no simple solutions for maintaining control of oil flows, the West is facing a crucial decision. Already weakened by extended military interventions, faltering economies, and strained global partnerships, the US and Europe must decide whether violent intervention or benevolent passivity is the best course of action.

Ninko is a virtuous Buddhist monk who’s embarrassed to discover that he’s irresistible to many women (and some men). After a particularly troubling encounter with a masked woman, he undertakes a journey to "purify" himself, hoping that this will equip him to rebuff sexual advances. He meets the samurai Kanzo and hears of a village decimated by the rapacious mountain goddess Yama-onna, who kills men to absorb their energy. Finally Ninko has a quest to fulfill…

Sinbad the Sailor is a Soviet animated short by Valentina and Zinaida Brumberg, released in 1944 by Soyuzmultfilm. The film is based on the Arab fairy tales about Sinbad the Sailor and his incredible adventures in foreign countries.

This documentary discusses how LGBTIQA+ people experience the streets and nightlife of Istanbul in terms of a safe space through the unique, yet common experiences of queers from different backgrounds, and focuses especially on nightlife and the issue of safe space there, which is a very critical area for queers to exist as they are.

A lonely middle-aged woman divides her time between her monotonous job at the supermarket and taking care of her disabled mother and estranged family members. The mysterious murder of the head cashier at the supermarket, sends her on a journey into the depths of her repressed desire revealing her deep longing for warmth and human connection.

Im Hussein and Im Elias decide to start an organization for young Arab Americans with the goal of projecting a positive image of Arabs. Their well-intentioned efforts lead to humorous situations, reflecting on cultural identity and community dynamics.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

In the world of the Ottoman Sultans, a poor child from Jerusalem makes an unimaginable desert journey to Cairo and back to save his mother and siblings from a rapacious aristocrat. He has nine days…

Middle Eastern folktale collection One Thousand and One Nights has been greatly treasured by Western storytellers who are fascinated by the fantastic world within. The exoticism conveyed in Western film adaptations greatly appealed to Cantonese opera and film writer Ma Si-tsang, who adapted The Thief of Bagdad (1924) into Cantonese opera The Prince of Thieves, set in an ancient empire influenced by both East and West. In 1958, director Luk Bong adapted the play into a film, turning the thief of the original film into a Robin Hood-esque hero who poses as a prince to compete for the princess' hand in marriage. Packed with a thrilling treasure hunt and a damsel-in-distress rescue as well as eye-catching special effects, Prince of Thieves is 100% a romantic swashbuckler.

Layla, a young Muslim woman, lives with her husband and their seven year old daughter. As newly arrived immigrants to the US from Egypt, they reside in New York City. Her husband, who is a conservative traditional man, dominates her. She soon begins to question this interference with her liberty, as she sees that women outside of her community have the autonomy and agency to make their own decisions on how to dress and express themselves in public.