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Ten years of war (1910-20), more than one million dead. The struggle for political freedom is gradually transformed into a struggle for land and resources with the appearance of mythical figures such as Pancho Villa and Emiliano Zapata. With the roar of the battlefields silenced, today's Mexico emerges from the ruins left by the first great popular revolution of the 20th century.

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.

After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.

Pulled into the Mexican Revolution by his own greed, Texas gunrunner and pilot Lee Arnold joins bandit-turned-patriot Pancho Villa and his band of dedicated men in a march across Mexico battling the Colorados and stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté

Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.

After her husband leaves during the Mexican Revolution, Ana finds comfort in Rosa with whom she shares many aspects of her life.

The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.

The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.

El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unware of his true intentions.

Mexico 1926. Durazo is an outlaw and a former revolutionary. He is getting at the end of the quest for a coveted treasure. His mission will be interrupted by an unexpected meeting, which will define his life.

In 1912, during the Mexican Revolution, the border between Texas and Mexico is on flames due to savage raids by Mexican bandits who call themselves freedom fighters, so the US government entrusts to General Pershing the capture of General Héctor Córdoba, the most notorious among them.

At the behest of local revolutionaries, a mercenary enlists four specialists in various combat styles to help him rob a Mexican Army train carrying $500,000 in gold.

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

The ruthless and cruel Captain Ramirez hunts down and kills revolutionaries in his search for The Saint, the righteous leader of the Mexican insurrection against the Federales.

A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.

In 1916, during the Mexican Revolution, General Pancho Villa manages to escape from the clutches of General Goyo, his greatest enemy, only to face an even greater problem when he meets McDermott, a mysterious adventurer who promises to get him weapons and ammunition for his troops.

When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…

American arms dealer Kennedy hopes to make a killing by selling to the "regulares" in the 1916 Mexican revolution. American mercenary Wilson favors the rebel faction headed by Escobar, and they plot to hijack Kennedy's arms; but Wilson also has his eye on Kennedy's wife. Raids, counter-raids, and escapes follow in a veritable hail of bullets.

A girl plays at being a pirate when she learns that her father's ranch will be invaded. Convinced that she can help, she goes into the forest, not knowing that she will find something worse.

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.