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What does a bankrupt poet with no desire to live have to say about life?
The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with this Brechtian sentence: "Oil resists the five acts." He describes how difficult it is to make a dramatic adaptation of structures or massive processes that are not bound to biographies.
The camera gets lost in the deserted streets and lonely reflections of the city lights. Without words, it captures the loneliness of souls who, although surrounded by crowds and concrete, remain invisible and disconnected. Every corner, every abandoned detail, every step echoing along tells an untold story, where the silence of the night is the only interlocutor.
A documentary film by Bahman Maghsoodloo about Bahram Bayzaei and his cinema, released in 2019. Maghsoodloo's conversations with Bayzaei in this film were recorded in Tehran in 2002 and Palo Alto in 2017.
Alternating Super-8, digital footage and the correspondence with her brother, the filmmaker evokes their deceased mother and the Portuguese revolution, which she only gets to know through these diffracted memories.
A poetic license allows Samantha (Tetsuo Takita), a soul full of nuances, to experience all the emotions described by Fátima Guedes, our singer and poet, in her poems and songs. Jean Willys was invited to leave the film's final message.
Each person lives a different life, but the hand seemed to be a metaphor for that person's life. In other words, I thought that the life of the person would be determined by what he had. I pick up a fountain pen and stuff the film by hand. This tells my life. I made such a thought into a work.
Created as part of the Yonemotos’ Soap Opera Series (together with Green Card: American Romance), this postmodern tale navigates artistic and sexual crises in Southern California. Boredom and alienation, the banality of fantasies and reality and the need for idealised romance afflict the characters that wander through this narrative representation of the LA art scene. The pervasive cultural malaise is seen as conditioned behaviour — conscious psychological manipulation by the mass media. Against this dominant ideology, the film’s central figure Norman, played by Norman Yonemoto, approaches art as a means to ‘expose the derivative nature of the romantic ideal’ and ‘promote the examination of our personal contexts.’
For more than 50 years, renowned installation artist Donna Dennis builds under-scaled houses to metaphorically honor lost friends. Rich with quotations from hundreds of journals going back to the early 1970s, the film reveals the voice of a poet, searching for meaning and metaphor, questioning what happens to a person when they die and documenting the journey the work takes her on.
Box Metaphor is a compelling dystopian journey where unjust imprisonment unveils societal conformity and defiance’s profound impact. It’s about breaking free from metaphorical boxes and the resilience of the human spirit.
Vidor and Wyeth discuss the influence of The Big Parade on Wyeth and the use of metaphors in art
Based on the hilarious Gilbert and Sullivan classic H.M.S. Pinafore, U.S.S. Metaphor includes such characters as Captain Closeted, his gay son sailor Stephen (in love with sailor Ralph Rackstraw), sanctimonious Reverend Dick Deadheart, the lovable Mister Buttercup, Savoy Network News reporter Anderson Scooper, presidential candidate the Honorable Secretary Josephine Porter, and her travel companion, "Aunt" Shebe. The ship is docked at Boston Harbor as Secretary Porter and her entourage visit to inspect for "homosexual activity." An inevitable happy ending celebrates same-sex marriage and tolls the bell for an end to Don't Ask, Don't Tell.
The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
Documentary about the history of 20th century globalization through the lens of the World Trade Organization's changing art collection; from works of human subjects showcasing the potential of dignified labor, to their replacement with abstract maps and grids for the valorization of the modern trade system.
The artist Bruce Nauman set the corner post of a fence on his ranch in Galisteo, New Mexico, one day and videotaped the process. As the title of Setting a Good Corner (Allegory & Metaphor) suggests, Nauman sees this simple, even mundane, activity as an allegory and metaphor for other areas of life. Maybe we are to see the work as a metaphor for making a work of art, since Nauman has chosen to film it for display in a museum. One of the key elements of the video is Nauman’s decision to show us the entire process. He does not leave out the long digging scenes or edit the piece down to its most essential components.
Life in Metaphors: A Portrait of Girish Kasaravalli is a collection of portraits sketched by colleagues, friends, family, filmmakers, and film critics, providing insights into the intricate layers of Kasaravalli's cinema and exploring the nuances of his films and their metaphors.
An interview with Jean-Luc Godard around the time of his film Notre Musique.
A teenager tries to learn how to skateboard, but not without bystanders watching his every move.
At one level, this is a document of the final hours of Long's Book Store, a victim to both technological change (as books are ordered online or migrate to digital forms) and the pressures of real estate development (as a public-private partnership devours the blocks directly across from the Ohio State campus, nominally in the interest of establishing a new "Arts Corridor"). But the video is also a more general reflection on mortality and ephemerality, resonating with the billboard image of Félix González-Torre's Untitled (for Parkett), which was also destroyed with the building.
Fire as a metaphor, and a worn out linguistic failure, the dead metaphor. Aristotle said, in the Poetics, “Metaphor consists in giving the thing a name that belongs to something else; the transference being either from genus to species, or from species to genus, or from species to species, on the grounds of analogy” Metaphor here can only give way to the real. Felt experience, phenomenological reality seem to be all that is left when grappling a flame. And what is written, in letter and image, seem to go beyond what can ever be spoken and heard.
Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.
Sidney and Dre can attribute their lifelong friendship and the launch of their careers to one single childhood instant... witnessing the birth of hip-hop on a New York street corner. Now some 15 years later, she is a revered music critic at a national magazine and he is a successful, though unfulfilled, hip-hop record company executive. Both come to realize that their true life passions will only be fulfilled by remembering what they learned that day on the corner.
Brian comes under the addictive spell of a parasite with the ability to induce euphoric hallucinations in its hosts.
The idea is simple / A married woman and a single man meet / They love, they argue, fists fly / A dog strays between town and country / The seasons pass / The man and woman meet again / The dog finds itself between them / The other is in one, / the one is in the other / and they are three / The former husband shatters everything / A second film begins: / the same as the first, / and yet not / From the human race we pass to metaphor / This ends in barking / and a baby's cries / In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin." - JLG
In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.
A simple, domestic love story about a man who takes his skin off for his girlfriend, and why it probably wasn't the best idea...
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
The play imitates the Kuwaiti and Gulf society at the moment, and it has the agent of architecture, Abu Sarah, who takes care of people's affairs and is exposed to the problems of people who benefit from interests and influential people.
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.
Award winning animated short film by Fyodor Khitruk.
A routine trick propels a tall, dark, cynical hustler into a series of life-changing encounters in this drama. But this amicable and sexually efficient rent boy begins to look at himself differently when he finds himself lost in a maze-like apartment building. As he wanders through the building, he tricks with a variety of johns; sex is the commonality, but out of that commodity comes raw, unguarded emotions for all.
Sailors want to remain in their small world, which is warm and cozy and full of lies, but their routine life turns upside down when one of them gets mugged and badly beaten.
A teenager's infatuation with the new bad boy at school leads him onto a dark path.
Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice. Over the course of a water polo match ahead of election day, he begins to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.
No description available for this movie.
A young woman tries to overcome her anxiety, which is personified by a crocodile.
A Soul Drifts through heartbreaks wreckage, seeking rebirth on new shores.
A young Woman named Lilith begins to have haunting visions caused by a malevolent being. As these hauntings continue, she slowly loses more of herself.