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Four different women, but bound by a common guilt: the infanticide. Inside a judicial psychiatric hospital, they spend their time expiating a sentence which is mainly inner: the sense of guilt for a gesture what has made useless their existence. From the forced living together, new friendly relationship born and everyone can read the guilty inside the other. From the confessions, born a comfort that doesn’t completely succeed to alleviate the suffering, but that makes appear

Formerly concealed emotions rise to the surface as a son searches for his birth mother, requiring his adoptive mother to reconsider her maternal identity.

Three women are on a quest to become mothers.

Because of the loss of three generations of women in her family during childbirth Ellen Locke is frightened to have kids. Frustrated by her decision, her husband John finds himself drawn to his old love, Constance, now a widow with a child who bears her name. After her sister Marion dies in childbirth, Ellen becomes more obsessed, however one day when Ellen is driving little Constance home they have a car accident. An incident in the hospital changes her perspective leading to a reconciliation with John.

Screenwriter Martyna the first-time mother, in her 30s, stops her career for maternity leave, but when a producer takes an interest in her idea, she tries to manage both: the first-time motherhood and her profession dream to become a director. With her hands 24/7 full with a baby she is trying to work at night, also hoping for help from her own mother. The screenwriter feels desperate because she can not rely on her mother for help as she is struggling with her own diagnosis.

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Maternité is a film about the fatigue of a mother of two small kids. The act of self-sacrifice for the sake of a child that absorbs all the time and leaves no space neither for consumption, nor for satisfactions or vanity, becomes a chance for a devoted woman in a state of the physical and emotional exhaustion to reach the transcendental state close to spiritual ecstasy. Lacking resources for a proper functioning, her organism starts disassociating information and enters into a seeming madness, when the brain is unable to control thought process as usual, and because of a total focus solely on a child, all the rest in the world ceases to be of any importance, freeing her from everything excessive and superfluous.

Lisa doesn’t manage to get to the Perinatal Centre in time, and gives birth in a provincial maternity clinic where conditions fail to provide her with a safe delivery. The child is born with complications. Lisa has only 24 hours to make the most important decision in her life.

Eleven women are invited to audition to read a text composited from anonymous mothering.com forum posts. In turns, they narrate an intimate experience of traumatic c-section birth. The collective reading raises shifting questions about idealized birth, maternal language, reality, performance, public feminism, and private confession.

Sakura Hirota Produce Leave Maternity

Maternity: Broken Trust - Exposure doc exploring the failures in maternity care at the Nottingham University Hospitals Trust (NUH), and the toll it has taken on those fighting for justice.

Living through the COVID-19 pandemic, Hiroshi Atobe created a work that expresses the familiar sense of isolation, fear, and yet—hope.

Forging his own comedic boundaries, Anthony Jeselnik revels in getting away with saying things others can't in this stand-up special shot in New York.

For more than seventy-five years, the Chicago Maternity Center provided safe home deliveries for Chicago mothers. This film interweaves the history of the center with the stories of a young woman about to have her first baby and the center's fight to stay open in the face of the corporate takeover of medicine.

This film is intended to explain to pregnant women whose babies are soon to be born what to expect from the labor and delivery experience. It addresses how to distinguish false labor from true labor, when to pack a bag for the hospital, what procedures will be carried out to prep the woman for delivery, the types of anesthetic a doctor might order, and techniques for minimizing discomfort. Changes in the cervix and uterus are illustrated with animation techniques, while the birth of the baby, including episiotomy and use of forceps, are shown in a real hospital room.

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Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.

After a relapse, 39-year-old Amaro moves back in with his mother — only to confront the inherited patterns that shaped him.

Newly married Kay Dunstan announces that she and her husband are having a baby, leaving her father to come to grips with the fact that he will soon be a granddad.

This student film by the award-winning Helena Třeštíková bears many of the hallmarks of her later work. Made as a graduation piece when she was at the FAMU Film and TV Academy in Prague, we see the director developing the distinctive observational style of filmmaking that she has used so effectively throughout her career. Over the course of several months, she follows a young pregnant woman as she becomes slowly acquainted with the joys and responsibilities of motherhood.

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Violette and Florence are two women with something in common, beyond being neighbours. While one finds herself on an emotional edge during her maternity leave, the other feels nothing at all, and neither can make sense of what’s happening to them. Realising that their suburban lives have left them unfulfilled, Florence begins an affair that kicks off a sexual revolution where having fun is the top priority. But between handyman hookups, chaotic misadventures, and marital strife, is reality destined to come crashing down on them?

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She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn't anyone warn me? Why doesn't anyone ever talk about this?" Un heureux événement, or an intimate view of motherhood, sincere and with no taboos.

Emmett enters into a nightmarish game of therapy with his wife Anya, who has inexplicably taken on the persona of his estranged and recently-deceased mother.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

An expectant couple's intimate weekend turns to terror as they discover their secluded country inn is a haunted maternity home where infants and mothers were murdered.

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Maria is a shellfisherwoman and midwife in a small village in the Illa de Arousa in 1970s Galicia. After an unexpected event, she is forced to flee to Portugal.

Lola (40) enjoys a happy life until an unforeseen pregnancy throws her plans into disarray. Resistant to motherhood and confronted by societal expectations, Lola and her boyfriend, Bruno, deal with the situation. As Lola confronts her inner fears about the repercussions of not embracing motherhood, she embarks on a quest for answers. Unexpectedly, Bruno reveals his desire to become a father, adding further tension and complexity to Lola's search for clarity about her future amidst pressure to conform to societal norms.

Jeanne take her daughter for the week-end in Majorque. While everything goes to rack and ruin, mother’s only concern is to photograph Kiki, the classroom mascot.

That Mothers Might Live is a 1938 American short drama film directed by Fred Zinnemann. The short is a brief account of Hungarian physician Ignaz Semmelweis and his discovery of the need for cleanliness in 19th-century maternity wards, thereby significantly decreasing maternal mortality, and of his struggle to gain acceptance of his idea. Although Semmelweis ultimately failed in his lifetime, later scientific luminaries advanced his work in spirit like microbiologist Louis Pasteur, who provided a scientific theoretical explanation of Semmelweis' observations by helping develop the germ theory of disease and the British surgeon, Dr. Joseph Lister who revolutionized medicine putting Pasteur's research to practical use. In 1939, at the 11th Academy Awards, the film won an Oscar for Best Short Subject (One-Reel).

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A day in the maternity ward from the lens of accepted morals and medical attitudes of 1932. The ward includes women from all walks of life and situations.

Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.