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In the first century, free-spirited Mary Magdalene flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher named Jesus.

Employed as a spy and given the task of investigating the threat posed by John the Baptist, Mary Magdalene is overwhelmed by John's powerful message of the coming of the Messiah. Gazing into John's eyes before he dies, Mary is left with the certainty that her place is at the side of this great man, Jesus Christ.

MARY MAGDALENE is a construct of personal, mythological and political projections of the fluid identity of the individual. This digital representation fragments and layers the profile that is representative of multiple gender identities. These fragments and layers use the reflections of the elements through which gender is culturally established. In the religious community, the name “Mary Magdalene” is the woman as flesh, the wanton woman. This film emphasizes the camera as a weapon for the filmmaker to create her own visual projection.

Secrets of Mary Magdalene strips away the veils of history to reveal the flesh and blood woman who served as Jesus' foremost apostle and possibly the love of his life. Based on the nonfiction book "Secrets of Mary Magdalene" by bestselling authors Dan Burstein and Arne De Keijzer, this documentary special uncovers the latest information on one of the world's most controversial religious figures.

Through the use of historical documents, re-enactments, and interviews with theological experts, this program probes the controversial role of Mary Magdalene in the rise of the Christian faith.

Was Mary Magdalene murdered? Did the Catholic Church conspire to eradicate the Holy Bloodline from existence? To some, Mary Magdalene was the wife or consort of Jesus Christ. The infamous Da Vinci Code has firmly placed this idea into the popular arena along with the idea of a Holy Bloodline descended from Jesus and Mary. In this unique film we journey to places never before researched in connection with this story. We venture into the heart of ancient Lincoln, England, and uncover a tale so mysterious, so at odds with the accepted norm, that we are forced to question everything we previously held to be true.

Melvyn Bragg sets out to unravel the many questions surrounding one of the Bible's most enigmatic and controversial figures: Mary Magdalene.

Examine how history gives a reasonable account of Mary Magdalene's exile in France, including a look at what is generally accepted as her hermit cave in the cliff of St. Baume and how it reveals the spirituality of a woman who truly loved Christ.

The story of Mary Magdalene from being a sinner to follow Jesus Christ.

Refractions tells the story of Talitha Jones, a young woman tormented by seven demons who possess her, twisting her reality and pushing her to the edge of sanity. As visions, grief, and faith collide, Talitha must confront both the darkness within and the light that can set her free.

Friend and supporter of Jesus Christ and his teachings, Mary Magdalene is an often misunderstood Biblical character. Was the first person to see Christ after his resurrection a lady of the evening, or was she a wealthy woman whose financial support played a key role in the survival of Christianity? This biography explores her life and, through ancient texts, art and research, attempts to disprove the possibility that she was a prostitute.

Mary Magdalene's encounter with the resurrected Jesus was the spark that ignited the flame of Christendom. Some argue that had it not been for her, Christianity would not have come into existence. But instead of praise her as one of the founders of the faith, the Gospels tell us hardly anything about her. The church of the early days called her a prostitute, and Western art and literature have constantly reinvented her story over the centuries. She remains one of the most mysterious women in history. This program goes in search of the real Mary Magdalene.

Waldemar Januszczak explores the impact of Mary Magdalene's myth on art and artists. In art all Christian saints are inventions but Mary Magdalene has been the subject of more invention and re-invention than any other.

The documentary ‘Mary Magdalene in Conversation with Lilian Broca’ is a visual and intellectual feast that forcibly confronts and challenges long ingrained historic and contemporary norms of female inequality.

Mary Magdalene is a familiar presence in modern culture. We’ve read about her in the Da Vinci Code. We’ve heard about her in Jesus Christ Superstar. We think we know the story well. Yet in actual fact we don’t know it at all because it’s all a fantasy. For a thousand years, the Mary Magdalene story has been one of art's most tremulous myths. In the Bible, she warrants just four actual mentions. She's the most beautiful of the three Marys’ at the foot of the cross. This extraordinary new film tells her story and how it inspired the likes of Giotto, Caravaggio, Titian, Cezanne and Van Gogh. In the end, perhaps the most remarkable thing about Mary Magdalene is that she appears in all this art, yet we still know so little about her. Instead, the many stories of Mary Magdalene tell us more about the artists who have painted her.

Mary Magdalene, a notorious harlot, must choose between her lascivious lifestyle and the love and affection of her decent-minded brother.

Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.

The filming of a movie about Jesus’ death deeply affects three people — an egotistical director who cast himself as Christ, the actress playing Mary Magdalene who cannot bring herself to leave Bethlehem and a TV journalist whose spiritual doubts start to consume him.

Mary traces the lives of a woman caught in a scandal of adultery, another rejected and ignored because of her promiscuity, a third shunned because of a shameful condition, and a widow cast out from society, mourning the loss of her only son.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Alex Grazioli follows bad-boy filmmaker Abel Ferrara as he spends three grueling years battling obstacles in Italy to direct "Mary," a modern-re imagining of the life of Mary Magdalene. Featuring candid interviews and on-set footage with Forest Whitaker, Heather Graham, Matthew Modine, and Juliette Binoche, "Odyssey," brings to bear an impressive tableau of Ferrara's colleagues as they discuss his unique approach to creating dynamic films.

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No description available for this movie.

Bitch-Beauty is an experimental documentary paralleling the lives of Anne Hanavan, whose experiences as part of the underground scene in the East Village of the 1980s was contemporary with now-deceased actress Zoe Tamerlis Lund, the actor and screenwriter of Bad Lieutenant, who died of a heroin/cocaine overdose in 1999. Using Hanavan's films, performances, readings, and music as well as footage from Lund's work, Bitch-Beauty is an intense seven-minute time capsule of addiction, the perils of street prostitution, and subsequent renewal or revival through cathartic self-expression.

A dark and sensual experimental narrative that explores a skilled technical worker's fantasies during her nights as a femme in the lower east side of New York.

ART PARADE is a meditation on staring and display, and on the ambiguous energies that emanate from both. Much of the film is dominated by the stunning presence of Kembra Pfahler (leader and co-founder of rock-performance troupe The Voluptuous Horror of Karen Black) escorted by a chorus of her Karen Black Girls.