Search Results for "maori"

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

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In March and April 1921 several weeks were spent by Elsdon Best, Johannes Anderson and James McDonald, of the Dominion Museum, at Koriniti, Hiruharama and Pipiriki in the Whanganui River valley. The scenes in this film record games such as skipping and string games, crafts such as dyeing and weaving of harakeke, cultivation and fishing. The making of hinaki for eels and the setting of traps in the weirs are shown in detail.

Nooroa Baker goes out to collect a few ingredients to create a traditional Māori medicine that holds great Mana within and is at risk of being forgotten forever.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

Apirana Ngata, Member of Parliament for Eastern Māori, was keen for the museum group to visit the East Coast to obtain records of his people of Ngāti Porou. In March 1923 the expedition, which included Te Rangi Hiroa (Sir Peter Buck), James McDonald, Elsdon Best and Johannes Andersen, set out for the Ngata homestead at Waiomatatini which was to be their base. From Waiomatatini visits were made to Whareponga, Kahukura, Rangitukia, Te Araroa, Ruatoria and other parts of the district. MacDonald recorded on film traditional skills retained in the area for making fishnets and traps, methods of netting and catching fish, weaving, hand games and music making. Also shown is the digging and storing of kūmara and cooking food in a hāngī.

Aroha depicts a young Māori chief's daughter who embraces the modernity of the Pākehā world (attending university in Wellington) while confronting her place with her own people (Te Arawa) and traditions at home. The NFU-produced dramatisation is didactic but largely sensitive in making Aroha's story represent contemporary Māori dilemmas (noted anthropologist Ernest Beaglehole was the cultural advisor). Watch out for some musical treats, including an instrumental version of classic Kiwi song, 'Blue Smoke' and a performance of the action song 'Me He Manu Rere'.

“He’s precious, and gifted, a Matakite – a wiseman… but really he’s just a child.” A coming-of-age film profiling future leader Ngaa Rauuira, railing against his people’s statistics of uneducated youth, 40% of prisoners, and alarming suicide rates. Ngaa’s story reveals a family of eight on a modest income, committing to a US$35,000 Yale bill; a weighty tribal expectation that he will be the voice of his people AND bring success in war dance competitions; laughing and crying with best friends, approaching adulthood and diverging pathways. What if we could turn back the clock and watch the minds forming of those who would create political zeitgeist shifts in the future?

On the 50th anniversary of the Māori language petition, this documentary unpacks the history of te reo Māori in Aotearoa, from its dominance to its gradual decline and the modern day revitalisation efforts.

Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

A modern day take on the classic bard tale - with Silver as a movie producer.

Wena, a Māori princess, is told by a sorceress that "she will marry a white man, tall and handsome, with eyes as fair as the sky and a fair beard". Chadwick a trapper who was hunting in the bush is captured and brought to the pa to be burnt at the stake to provide "white mans meat". Wena recognises Chadwick as that man, but the young chief Te Heuheu arrives to court her. She helps Chadwick escape and they swear eternal love. Chadwick goes through the geysers to his hut on the lake, but they are discovered there by Te Heuheu. Chadwick is threatened with death, so she returns to the tribe. But when she is near death from pining for him her father the chief relents. Chadwick is made a chief, she recovers and the tribe celebrates with a feast.

Alien Weaponry are a thrash metal band which often sings in te reo Māori. This Vice documentary meets them as they prepare to tour Europe, and take the metal world by storm. The quiet lives of the members — Lewis de Jong and Ethan Trembath attend different high schools, while Henry de Jong is an apprentice mechanic — are contrasted with a high intensity performance (at the Auckland release show for the band's debut album Tū). The de Jong parents share stories about their two sons, and the band travel to Lake Rotoiti, to reconnect with their whakapapa.

The men of the The 28th (Māori) Battalion are seen returning to Wellington Harbour from WWII aboard the ship Dominion Monarch after their time spent serving in WW2. Their families wait to greet them with pōwhiri and hākari, whilst those men never to return are also remembered.

This 1972 documentary explores the world of a dying generation of Māori female elders or kuia — “the last of the Māori women with tattooed chins”. Narrator Selwyn Muru extols the place of the kuia in Māori culture, and of wahine tā moko. Among those on screen are 105-year old Ngahuia Hona, who cooks in hot pools, rolls a cigarette, and eats with whānau, and “the oldest Māori” Nga Kahikatea Wirihana, who remembers the Battle of Ōrākau during the land wars, and has outlived four husbands. Into Antiquity was an early documentary from veteran Wayne Tourell.

TO LOVE A MAORI tells the story of Tama and Riki, two young men who leave their country marae for Auckland and the racial discrimination they face once they arrive in the city.

One hundred and ten members of the Maori Mormon Choir present chorals and action songs in the form of a stage production.

The installation of an ornate carving opens a conversation revealing how many Māori traditions, cultures and crafts have connections with Asia.

The Romance of Maoriland was a 1930 New Zealand film, intended to be New Zealand's first "talkie" film with Ted Coubray’s Coubraytone sound system, though also having intertitles. The film was registered with the Chief Censor on 14 August 1930, but was never released.

Crown Lynn, A Māori Story is a riveting slice of New Zealand history telling the iconic story of Crown Lynn pottery and the generations of Māori families that worked there. For almost 50 years Crown Lynn was the biggest ceramics factory in the southern hemisphere. Situated in West Auckland, it was a melting pot of rich culture in a post war era when hundreds of Māori migrated to the city to find work. Crown Lynn, A Māori Story reveals the incredible stories behind this locally made pottery and its charismatic founder, Sir Tom Clark.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

Munro, a soldier turned lay preacher, comes to New Zealand to minister to the first British colonists, but he is converted by the powerful chief Maianui to serve a different purpose.

A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

Boy, an 11-year-old child and devout Michael Jackson fan who lives on the east coast of New Zealand in 1984, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.

An intimate story set during the 1860s in which a young Irish woman Sarah and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonization of New Zealand.

In a violent relationship, it takes a mother’s strength to save herself and her children from the man she loved. Once Were Warriors is a violent love story set against a contemporary urban backdrop.

Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.

Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie's daughter, Marguerite, and William fall in love. Marguerite's sister, Marianne, also loves William. Timothy, a lowly carpenter, secretly loves Marianne. He kills a man in a fight, and Edmund helps him flee to New Zealand. William deserts inadvertently from the navy, and also flees in disgrace to New Zealand, where he and Timothy start a profitable business. One night, drunk, William writes Octavius, demanding his daughter's hand; but, being drunk, he asks for the wrong sister.

The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.

a group of British pioneers seek a new life in New Zealand.

Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.

American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.

A psychological drama of a family in crisis. Kawa, a successful Māori businessman in Auckland, New Zealand, is forced to reveal his lifelong secret - that he is gay.

Lucy Lawless stars in this short which predated her rise to fame as Xena Princess Warrior. Sal is in a relationship going nowhere with Mog, a layabout who shows her no respect. A chance encounter with an easy-going female truck driver (Lawless) encourages Sal to take more chances in her life, symbolized by the purchase of a tasty but out-of-season peach.

At the end of the 18th century, hundreds of Indian sailors, known as lascars, worked amongst European settlers in Aotearoa New Zealand - often under the gruesome working conditions of seal hunting gangs. The story follows a lascar, Dasa, who has been abandoned on the coast of Aotearoa NZ by the East India Company, alongside his sealing gang. When Dasa finds himself in the middle of a conflict between his abusive British superior and two Māori traders, he is faced with a choice: bend the knee or take a stand.

Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.

A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two Maori, Rewi and Peter, decide it's time for ancient grievances to be put right. Both men are in Berlin where the carvings are stored in a museum. Plans go awry when a group that Peter has assembled breaks into the museum. Rewi persuades the others to let him put his own, more daring plan into action. Tensions build and international media interest broadens when a sniper's bullet hits Peter.

Sam, a fearless young girl raised outside of her Māori culture, is determined to fulfill her mission of connecting with her mountain. She hopes it can heal her from the cancer she is battling. Along the way, she meets some misfits and new kids in town, and together they journey through a difficult route, discovering the true spirit of adventure and the magic of friendship.

A guerilla fighter from the South African Boer war called Arjan (Winstone) takes on a manhunt in New Zealand for Maori seaman Kereama (Morrison), who is accused of murdering a British soldier. What follows is a cat and mouse pursuit through the varied landscape of New Zealand with both hunter and huntee testing their bushcraft and wits against that of the other. Gradually they grow to know and respect one another but a posse, led by the British Commanding officer is close behind and his sole intention is to see the Maori hang.

Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.

Jonko runs a group of high school girls involved in paid dating. Raku is a street dancer. Togo was brought up in the US, and after being back in Japan for one year, wants to escape to New York. Their contact with the world of talent scouts and yakuza places them in danger over the span of one day and night in the Shibuya district of Tokyo.

A teenage boy is a virgin at high school. He has never had a girlfriend so females are a mystery to him. He focuses on his courses, male friends and club activities instead. When a new girl transfers to his new school he, like every other boy, falls for her. They get to know each other.

High school boy and girl are dating. Given her looks, thin body and hair she is popular at school. There is a cheerleader who used to be the most popular girl and is not happy to be runner-up. She wants her popularity back. She tries to trick the other girl. The president of the students' union join the fight.

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Hara's new film 「焼け跡クロニクル」 is a documentary film about Hara's attempt to rebuild his life from scratch after his house burned down in 2018 and he lost all his household goods and film equipment. Co-produced with Maori Hara, his partner in both public and private life, the film combines 8mm film salvaged from the ruins of the fire with digital footage shot on an iPhone to tell the story of his recovery from the fire.

Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.

Scene Not Heard features interviews with some of the originators of hip-hop such as Lady B, Schoolly D, Monie Love and Rennie Harris, with vanguards chiming in including Bahamadia and Ursula Rucker, and presents current talents such as the Jazzyfatnastees, Ms. Jade, and Lady Alma, and emerging talents such as Versus, Keen of Subliminal Orphans and Michele Byrd-McPhee of Montäzh, as well as scholars, critics and local promoters.

In ancient China, a little dragon who can't breath fire will fight to overcome his weakness in order to take part in the New Year's celebration.

Dom Barbudo, a pioneer in the São Paulo gay and BDSM community and elected first Mister Leather Brasil in 2017, prepares to pass on the mantle to one of the four contestants in the second edition of the contest.

A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.

After his classmate and crush is diagnosed with a pancreatic disease, an average high schooler sets out to make the most of her final days.

The time is UC 1926. The Imperial Army's 203rd Air Mage Battalion led by Major Tanya Degurechaff has won the battle to the south against the Republic's stragglers. They expected to be given a vacation after returning victorious, but instead receive special orders from Staff HQ as soon as they get home. They are told that there were signs of a large-scale deployment near the Empire-Federation border. Faced with the prospect of a new major enemy, the desperate Empire fans the flame of war. Meanwhile, an international volunteer army spearheaded by the Commonwealth set foot in Federation territory. As they say, the enemy of an enemy is your friend. They suffer through misfortune purely out of national interest, and among them is a young girl. She is Warrant Officer Mary Sue, and she takes up arms hoping to bring the Empire, who killed her father, to justice.

Written and directed by Tearepa Kahi (Mt Zion) and starring Maaka Pohatu (The Modern Maori Quartet, Two Little Boys) the film tells the story of musician Dalvanius Prime and the origin of the song “Poi E”, a ground-breaking fusion of 1980s pop and traditional Māori music. “Poi E”, composed by Dalvanius and Ngoingoi Pēwhairangi and performed by the Patea Māori Club, remains the only song in Te Reo Māori to reach No 1 in the charts, over 30 years since its 1984 release.

Six college students from different universities around the country are selected to participate in Econo Air's annual, company internship competition. Each student has dire reasons why they need to land this position that comes with pay and free tuition. For these reasons, and others, they cannot see the craziness that's going on all around them in the company.

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A young girl goes through an identity crisis

Gabriel and Rita, a trans girl, have been friends since childhood. But a weekend trip to Chapada dos Guimarães could reveal the romance they insist on denying.

In present-day Los Angeles, controversial stand-up comedian Henry McHenry and internationally renowned opera singer Ann Defrasnoux form the façade of a happy couple in the spotlight. Ann gives birth to a baby girl named Annette, who possesses an exceptional gift that will change all of their lives forever.

The true story of fraudulent Washington, D.C. journalist Stephen Glass, who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at The New Republic for three years. Looking for a short cut to fame, Glass concocted sources, quotes and even entire stories, but his deception did not go unnoticed forever, and eventually, his world came crumbling down.

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

Marion and Andi thought they were happily divorced until their old love unexpectedly reignites during a family vacation with their son Milan.

A group of close friends celebrate parties over an extended period of time. They experience a lot of fun together, but also tragic moments that prove that love and friendship are the most important gifts of all our lives.