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A quartet of international gay short films, the latest in its popular The Male Gaze collection. These films explore faith and passion. Forgive them, father, for these boys have sinned. Witness how the power of God works in mysterious ways, from sexual tension high up in the Spanish mountains to the castles of medieval France and the gossip-filled side streets of Abidjan in West Africa. Religion can be a man’s prison, but sometimes it can set him free.

Male Gaze is a comedy. This short film uses female gaze and queer feminist optics to showcase machismo that exists in cis-male-gays.

Are we destined to make the same mistakes in life? Is my teacher attracted to me? Is this more than just a one-night stand? Will my family forgive me? What does the future hold? For these lost souls around the world questioning their paths in life, there are a multitude of answers.

Bad behavior travels from the bedroom to the classroom to the beach in these six short films from Spain, France, Germany, Australia and Afghanistan that follow wayward boys and men for whom mischief and sexuality go hand in hand.

Witness how human nature can reveal that there are forces within us that are either challenged by - or reflected in - the people and environments that surround us in these five short films from around the world that take a closer look at the gay experience.

Lust follows desire as sure as night follows day, but in these five stories from France, Switzerland, Brazil and Romania, reality takes an unexpected detour, and things turn out a little differently when sunrise comes.

A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).

Whether it's finding the strength to speak truth to power, making a decision that will mark you as an outsider, or taking a risk that will expose a secret - these men and boys prove that sometimes courage is not learned. It is an instinct.

Take a trip on the wild side with these six daring short films from Mexico, Portugal, Brazil, Spain and France that uncover the power of nature and mysticism, family ties that bond yet suffocate, the vagaries of same sex attraction, the pain of memory, the thrill of what's to come. The 6 short films are: Memory of An Afternoon On the Roof [Recuerdo de una tarde en la azotea] (2022); Afternoon Sun [À Tarde, Sob o Sol] (2020); Sweet Water [Água Doce] (2023); Cor Petit (2023); Haiku (2022); The Boy Who Wanted to Fly [El niño que quería volar] (2018).

Four countries, four men - and four encounters that will call into question everything about themselves they thought they were sure of. Just when you thought things couldn't get any more complicated, along comes a boy to add a fresh perspective. The 4 short films are: Billy Boy (2021); Summer [Verano] (2022); Fabiu (2023); Czechoslovakia [Checoslovaquia] (2022).

The Male Gaze is a new series of releases from New Queer Visions that showcases short LGBTQ films from across the world. The first instalment, First Kiss, brings together five shorts that are based around men experiencing romantic and/or sexual interaction with other men for the first time. It takes in films from Sweden, Indonesia, USA, Australia and France giving a rounded look at how similar experiences are depicted across the world. The films are: Naked [Naken] (2013); Pria (2017); Walk With Me (2018), One Night Only (2018); Michel's Mouse [Tapette] (2016).

A love left unsaid on the football field, a third invite to a high-rise tête-à-tête, a fast-approaching farewell and a friendship that evolves into something complicated. Lose yourself in these five stories from France that are handled with grace, maturity and a tender touch. The 5 short films are: 9th Floor to the Right [9ème étage droite] (2022); Hugo: 6:30 [Hugo : 18h30] (2020); Cary & James (2023); For the Love of the Game [Pour l'amour du jeu] (2023); Youssou & Malek [Youssou et Malek] (2022).

The director dreams of making a 16mm masturbation film guided by her grandmother - according to an old recipe. With great displeasure she has to realize that her subconscious makes use of a male gaze and old gender roles.

Strap yourself in for an exhilarating journey into darkness with these five award-winning short films from across the globe that delve into heart-pumping escapades varying from the intensely erotic to the ultra-violent to the warm-inside feels. The night has never looked so inviting. Segments: After Dawn [Passée l'aube] (2017), Poof (2018), Spiral (2018), Night of Love (2018), Floating Melon [浮果] (2015).

Work up a sweat from the soccer field to the locker room in these drama-fueled four films from Germany, France and the UK that explore how rivalry between teams can spill over into teacher-pupil relationships, high school crushes and brotherly compassion. The short films are: Islands [Inseln] (2018); Play It Like a Man [Un été viril] (2018); Colours (2015); Through the Fields [Passer les champs] (2015).

Embark on a journey through celluloid from 1985 to present day in these freshly digitized cinematic pearls from around the world that explore an array of gay encounters from years gone by. The 7 short films are: Just Out of Reach (1998); Toto Forever (2010); Men Don't Cry [Οι άντρες δεν κλαίνε] (2001); Alger la blanche (1986); Unconfessions [Inconfissões] (2018); Same Difference (2002); Boychick (2001).

There exists a line between resistance and satisfaction, faith and sin, pleasure and danger. These six short films explore how in all our lives, there exists the temptation to cross that line.

A stranger by the lake with a valuable possession. A journey home after serving time in jail. A friendship evolving from childhood to adulthood. Discover five risky situations where men and young boys take the plunge. The 5 short films are: A King, Gazing at the Sea [Le roi qui contemplait la mer] (2022); A Drowning Man (2017); Reo (2016); Summer Friends [L'amie de l'été] (2021); Summer Memories [Souvenir d'une après-midi d'été] (2021).

Escaping school bullies in Jerusalem, reconnecting with Dad in Indonesia, a missing baby at a drag show in Taiwan. All around the world, the language of telling lies and keeping secrets is common practice, but sometimes people's reasons for doing so may surprise you.

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

In a bar, Pauline writes to a man she does not know. Between desire, art, and projection, reality eventually begins to crack the story she has invented for herself.

A young nurse begins her shift at an old city hospital. After a strange apparition one of the oldest nurse tells her that a patient, Mr. Moore, entered the hospital a few years ago. His body was completely burned after a fire. Mr. Moore was operated urgently by the doctors. But no one wanted to assist him. The pain and drugs had driven him mad... One night one of the nurses went to his room but his bed was empty ... Nothing was heard from him anymore. A bell interrupts the story. The call comes from Mr. Moore´s room…

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

Based on the mass murder spree of Richard Speck in 1966, a young man who broke into a nurses’ home in Chicago, mutilating and killing several of the inmates, Wakamatsu’s film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

Dottie, a lonely and bored woman becomes obsessed with James, a new employee at the vintage store where she works. When Dottie discovers a spell that can turn a person into a doll, she decides to cast it on James, believing it will make him hers forever.

After a night out, a young woman chooses to walk home alone, turning an ordinary journey into a tense confrontation with the fear many women experience daily.

After surviving a vicious attack, the body of a rigorous ballerina threatens to decay unless she placates a “certain hunger” to supplement her rotting flesh.

On an Italian beach a father leaves his wife and child to reignite an old acquaintance. In London an app hookup leads to more than just a fling. Meanwhile Slovak lovers Dominik and Adam have their relationship put to the test when secrets come to the fore. Popular with children across the globe, hiding and seeking is a game we never seem to stop playing - well into our adult years. The short films are: Lolo (2019); The Den [La tana] (2015); Stanley (2017); If Only You Were Mine [Keby si bol môj] (2017); No Strings (2015).

A modern Azerbaijani woman’s life is non stop all day as she juggles traditional and secular roles, her life subsumed by service for others while rarely getting the respect she deserves. Throughout the film we see how things are changing in progressive Azerbaijan, and how some things don’t change; like her, it is a country at a crossroads of seeming contradictions. This is the story of "a" woman, elements of whom are universal.

No description available for this movie.

No description available for this movie.

The cinema depicts the daily sexual harassment of a woman by speech, physical and gaze and the resulting emotional strain on her personal and professional life. In a patriarchal society, women themselves along with men participate in the attitude towards women, thus depicting the fact that even though she is a woman, she is carrying the seeds of patriarchy. As the psychological introspection of a model, actress, self-reliant, independent woman in her personal life will come up in this movie, so will her own experience about the subject matter of this cinema.

An 18 years old innocent aspiring writer tries to fight her loneliness, feel affection and be sexually relieved through lapses of moments created by an anti-conformist guy.

The dilation of the “I” as an individual, demonstrating this through intimacy and human senses, accompanying Gabriela, in her conscious and subconscious.

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A young woman drifts through a series of intimate encounters while writing in her diary about loneliness and her need to be seen.

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who's lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda's own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.

No description available for this movie.