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Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
A harmless game of "Truth or Dare" among friends turns deadly when someone—or something—begins to punish those who tell a lie—or refuse the dare.
Powell Davidson and his magician friends summon a spirit in an abandoned pueblo outside of town, unwittingly unleashing a murderous Civil War Major, who is out to kill the descendants of every person who condemned him to death in 1875.
Joe is an ugly loser, incapable of picking up women. But when he’s taught a magical power, capable of transforming him into anyone he pleases and then back to his normal self, he decides to use it to live out his perverse fantasies. Initially content just watching them shower, Joe soon tires of mindless nudity and gears up to take his ultimate revenge against womankind: luring them to his shabby apartment, violently killing, and even eating them!
John, a new student at an exclusive private school, is having trouble with a group of bullying jocks who are jealous of his friendship with beautiful classmate Mary. He's intrigued, then, when enigmatic misfit Luc offers him a chance to get back at them using witchcraft - but doesn't realise that the price of his new-found power may be his life.
In 10th century Norway, a young shaman is forced to hunt down her outlaw sister.
A man undergoes a ritual in which he is possessed by three lustful, witchy women of decidedly supernatural pedigree. After his acclaimed Thanatomorphose, genre filmmaker Éric Falardeau is both behind and before the camera in this sensory extravaganza, somewhere between an occult hallucination and a self-portrait of conflicted masculinity, that serves up a heady mix of horror, poetry and unbridled eroticism. A tribute to the magic of Méliès, the early American avant-garde and underground film (think: Kenneth Anger), Asmodeus renders bodies and fluids transcendent through its use of textured black-and-white Super 8 and in-camera special effects. A cinematic memento mori that’s at once carnal and otherworldly.
A short film about self-love and self-discovery.
Walking in her home, Evelia experiences the past, the present and the future at the same time. In the symbolic life she leads, governed by the god Janus, everything around her seems to speak to her, until random visions are born poetic. Through the trance state that awakens the inner gaze, Evelia's anima connects with the anima mundi. Simonetta's eyes is about the memory that a person will leave behind; Evelia tells the viewer, with the language of the gaze: "one day, we will only be memory".
A ritual shot on black and white Super 8 film. A witch summons various goddesses and mythological figures until the Queen of women shunned by patriarchy—Lilith—breaks through.
Streamed exclusively on her Instagram stories, film maker Janne Elens takes us on a short and intimate journey to her family's abandoned house to reflect on her past and communicate with her deceased grandmother's spirit.
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Five young friends are hanging out in the woods and discussing their different views on love. There’s Mary who is happily in love with Toby, Toby who is sort of indifferent about Mary, Joby who has a secret crush on Toby, Caty who is single and satisfied and Freddy, the gang’s own enthusiastic nerd. Freddy tells his friends about an ancient greek myth which suggests that humanity used to consist of people who were literally stuck together with their true loves. He then suggests that they should all pray to the old god Zeus so that Mary and Toby are reunited in their true form. Caty finds this suggestion repulsive but to her horror the others consider it to be a charming idea. The ritual works… but maybe not in the way they intended.
Dottie, a lonely and bored woman becomes obsessed with James, a new employee at the vintage store where she works. When Dottie discovers a spell that can turn a person into a doll, she decides to cast it on James, believing it will make him hers forever.