Search Results for "maghreb"

Italian documentary short about the victorious battle for the conquest of Mergheb.

Through a fusion of animation and real images, queer individuals from the Maghreb share their stories, from their homeland to various parts of the rest of the world. These individuals have fiercely broken societal taboos around gender and sexuality, defying social, legal and familial pressures, even among those who have chosen to break away from their families.

A three part story of the North African immigration to France.

A name : Taouss Zahira, at the bottom of a letter mailed in Settat, Maroc. 
A date : 24 January 1990. 
Recipient : Charles Bordes, living in Montpellier with his family since the exile of the Pieds Noirs (name given to French nationals born in Algeria) in 1962. He hid the letter in his safe-deposit box at the bank. 
Upon his death, the letter surfaced, provoking quite a stir in the family. Why did Charles not destroy the letter, carrying his secret to the grave?
Who is the person who signed the letter?

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MAGHREB FLAMENCO is the first short documentary by Flamenco Biënnale NL made in 2008. With Cherifa Kersit (1967), the 'Cheikha' - the grande dame - of the singing tradition of the Berbers from the Moroccan Middle Atlas Mountains and guitarist Niño Josele (1974), protégé of Paco de Lucía, a descendant of a gipsy dynasty from the South Spanish Almería. The flamenco guitar mingles with the lotar, the Berber lute; and the raw Berber songs alternate with the "Cante Jondo", deep flamenco song. Together they built musical bridges, or rather, restored the old connections across the Strait of Gibraltar.

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No description available for this movie.

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Long quest for a director specializing in commissioned films, who after a depression rediscovers his loved ones, his Casbah district, himself. Taken in hand, for a while, by his Islamist neighbor, it is above all the meeting with an old projectionist giving him a censored history of cinema and Algeria, which helps him to change, and to accept his own fantasies, embodied by Marilyn Monroe and the Andalusian.

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Ommi Traki is an elderly woman who is active and involved in everything, organizing everything in her family and neighborhood. Surrounding her are her husband Salah, who contentedly observes the results of his wife's interventions with a mocking air; her spoiled son Ali, a young man she still considers a child; the maid Zouzou; and others. The film is inspired by the famous Tunisian television series of the same name from the 1970s.

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).

1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?

A young Arab boy, a teenager "Yaouled", who lives on the streets and scrapes by doing odd jobs: shoe shining, street vending, etc. The film tells the story of a group of yaouleds from the Bab-el-Oued neighborhood, caught in the crossfire between the French settlers on one side and the Algerians on the other during the events of July 1962 in Algeria.

"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.

A filmmaker witnesses an act of racist police violence in Paris. He discusses with a friend whether and how he should make a film out of this.

Hell Train is a French film based on a true story. One evening at a ball in a small town, a fight breaks out in an atmosphere tinged with racism. Three of the ringleaders end up at the police station. The next day, November 14, 1983, on the Bordeaux-Ventimiglia train, the three men who were candidates for enlistment in the Foreign Legion beat Habib Grimzi, a 26-year-old Algerian, before throwing him out of a window. A young woman, who witnessed the murder, alerted the police. The investigation begins in a climate of extreme tension. In the city, provocations and attacks are increasing...

This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.

Karim, a student from Syria, lives peacefully in Hamburg with Lilly, his pregnant girlfriend. One day, he hears that his brother is imprisoned in the infamous jail in Aleppo. He leaves for Syria to find his brother.

A homeless refugee looks for a fresh start at a European multinational temp agency - but they have very different plans for him.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

In 1880, in colonized Algeria, it was decided that the Algerian peasants of the Ouarsenis mountains would see their lands dispossessed in favor of the French colonists. Two methods were used to achieve this, either by sheer force or by a ploy forcing the fellahs to pay fines too high to be paid. The uprooted must then leave for the cities, swelling the mass of proletarians in the slums ...

Thanks to the magical powers of an antique pocket watch, Saad relives a mysterious episode of his youth – a time during the 1930s when he nearly lost his father, but also found the love of his life. In recalling this period, ‘Clockwise’ relates the folktale of how fijiri, the entrancing music of Khaleeji pearl divers, came to be. Atique adopts Saad when they are the lone survivors of a tragic boat wreck, and the two lead a humble life in a village by the sea. One night, Atique happens upon a group of jinn as he seeks out the source of an enchanting melody in a nearby ruin; their leader, Adsaan, agrees to teach Atique this fijiri music, but only if he vows not to share it with anyone else. Adsaan’s one condition proves very challenging to Atique, who becomes eager to celebrate the art of fijiri with a wider audience. Saad, meanwhile, falls in love with Jeena, a renegade jinni who, as it turns out, just might hold the key to his father’s salvation.

No description available for this movie.

No description available for this movie.

Raï Story is a musical journey in search of the Raï legend, Cheikha Remitti, in Oran, Algeria, where the Raï musical tradition began. In 1923, the first Raï singers performed behind screens during ceremonies to protect their identity. It was only when the music of singer Cheikha Remitti began to gain popularity among the general public that Raï music was made public, in the 1940s. Cheikha Remitti, who lives between Paris and Oran, is nowhere to be found, the filmmakers then decide to meet producers, musicians, singers like Cheba Dalila or Cheba Djenet, for whom Remitti created a wake. The opportunity, through these unique stories, illustrated with archive images, to retrace the important place of women in this musical tradition and the transformation of Raï music from the 1960s to 2000.