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Olga, who was taken to the West by Hitler's invaders, works as a switchman at a railway station. Echelons with prisoners of war - convicts - pass by her every day. Olga gets acquainted with the machinist Fyodor and with his help organizes the escape of her camp mates. But the plan fails, and the escapees are shot. Fyodor, who miraculously survived, gets to the homeland. And after the war, chance again brings him together with Olga, when the hero with severe burns after an accident falls into the hospital...

Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.

Teleplay based on the play by Murray Schisgal.

"In factories, everyone has their place. Western industrial production is a site of magical thinking: an old history that will never return, an idealized construction that never really was. It's impossible to know what the true costs would be if it were to return - societal, environmental, and psychological – and yet, entire political campaigns are built around this. This piece speculates on re-industrialization, and is a sequel to my 2013 video, Safety First (Bad, Don’t Touch, Mercy!). Like its prequel, it posits a non-specific future populated by female factory workers. The geometric aesthetics of power and the romance of industrial-era alienation, are paired with theoretical and fictional texts about alternate social economies. Video footage was shot in Ohio, animation and soundtrack by the artist. Voiceover text sources include Industrial supply catalogs, OSHA safety manuals, Monique Wittig’s Les Guerilleres, and Adorno’s Minima Moralia." -Taken from Jen Liu's Vimeo page.

Documentary about the making of the movie: "The Machinist"

During the troubled shooting of several movies, David, the prop man's assistant, meets an aspiring actress who tries to find work in the studio. Things get messy when the stagehands decide to go on strike.

When a hard-working machinist loses a promotion to a Polish-born worker, he is seduced into joining the secretive Black Legion, which intimidates foreigners through violence.

A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

Getting away, that's the only thing that's real. For Manue, here there's nothing to hope for, whereas in America everything is possible. On the next pier, a container ship is heading for Massachusetts and they're looking for sailors. Gaffia agrees to hold Manue's hand for the long voyage.