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Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.

This DVD set have all The Ultraman pre-release lost films, recorded in 8mm, and release officialy in 2005 with a photobook.

They are travelogues in photographic fact and in the mind. Unable to afford printing them, I had stuck them in a drawer. The first was made in 1991, the second through sixth in 1992, seven and eight in '93, and the ninth in '92.

About the adventures of a stray dog Tishka, who became an experienced detective in Lost and Found.

A basket of eggs arrives at the lost and found office. The dog sets off in search of the mother bird, who turns out to be a crocodile.

About how the Lost and Found Bureau staff found the items that had gone missing from the Bureau and discovered the culprit behind these disappearances—a thieving magpie.

This documentary short takes you inside the fascinating world of film preservation and restoration.

Luíza documents the relocation of the collection of film documents at the Cinemateca do MAM (RJ). However, things start to get strange when the staff show mysterious behaviour.

Documentary about F.W. Murnau's "Herr Tartüff (1925)".

The magpie that stole Tishka the dog's medal organized a school of “magpie sciences,” where it decided to teach first graders the “art” of deception. But Tishka and his friend the parrot tracked her down.

Eduardo, a middle-aged man finds images from his childhood. He tries to rebuild the memory of his own past in order to tell the story to his son. In his walk down memory lane he will face death, pain, and separation.

He is considered by many the greatest film director the medium has ever known. Yet in a 45-year career, Stanley Kubrick's films number only a dozen. That he strove for perfection is well established. What is less known is that he lavished years of energy on several films that never saw the flickering light of the silver screen. Through interviews and abundant archival materials, this documentary examines these "lost" films in depth to discover what drew Kubrick to these projects, the work he did to prepare them for production, and why they ultimately were abandoned.

The first Filipino silent, horror and science fiction movie. From the imagination of Khavn.

No description available for this movie.

Stories about the past often revolved around lost manuscripts and rare books.

The grim woes that surrounded famed director Peter Bogdanovich and his film, "They All Laughed."

An interview of George A. Romero discussing his two "lost" films, There's Always Vanilla and Season of the Witch.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

In the early 1970s, a band of regional New England filmmakers and locals came together to create and release what is now considered a lost holy grail Bigfoot horror film called, SASQUA. The film experienced a brief run in theaters and drive-ins in both New England and in the Southern USA, before ultimately disappearing. Through rare photographs and footage, as well as interviews with those sharing their personal stories about the production for the very first time, Sasqua: The Lost Bigfoot Film of Massachusetts will take viewers back into the New England woods in the hope of understanding what happened to this nearly 50-year old lost monster movie.

More than one third of the works made during the 120 years of Hungarian film history are considered lost, ruined or deliberately destroyed. But how did all this happen?

The story of two feuding Irish immigrant families living in a tenement.

The coming "champ" decides he is so good he can go around a Dub like a Cooper around a Barrel.

When her husband Jim strikes it rich, Grace, who has had a lifelong fear of poverty, strictly raises her daughter Florence to accept only luxury. When Florence is old enough to have suitors, she quickly rejects penniless artist Durland and marries rich playboy Alfred Griffin, but soon learns that he is an unfaithful spendthrift, so they soon become bitter enemies. In a final effort to ruin Florence's life, Alfred neatly arranges evidence to make her look like his murderer, then commits suicide, but the butler saw everything and is able to clear Florence of this charge; afterward she rushes to Durland and they plan to get married.

Rumored to have been lost, Antrum appears as a cursed film from the 1970s. Viewers are warned to proceed with caution. It’s said to be a story about a young boy and girl who enter the forest in an attempt to save the soul of their recently deceased pet. They journey to “The Antrum,” the very spot the devil landed after being cast out of heaven. There, the children begin to dig a hole to hell.

Through a forged will, a crook assumes control of a valuable estate. He poses as the brother of a dead man, and endeavors to dispose of the deceased man's two daughters, one of whom is in love with the forger's son.

Returning home from a matinee, Ralph Brent, a poor actor, finds his step-child dead. The child's mother returns intoxicated, having purchased drink instead of medicine for the child, with the money he had given her. He accuses her of causing the little one's death, and snatching the bottle of liquor from which she is about to drink, throws it away. Infuriated, she springs at her husband with a bread knife, stumbles and accidentally kills herself. Fearing that he will be suspected of murder. Brent hastily makes up in the disguise of an old man and leaves the house.

A cult of Hindu tiger worshippers and a gang of Western outlaws try to cheat a young woman out of rich mines that belong to her.

Horace Wadsworth (played by Guy Oliver), one of a gang of criminals also planning a bank robbery in New York, steals the titular prayer rug from its Baghdad mosque. He sells the carpet to antique dealer George Jones (Wheeler Oakman) to fund the robbery scheme. But the theft places both men and Fortune Chedsoye (Kathlyn Williams), the innocent daughter of another conspirator, in danger from the carpet's guardian.

The Legion's mascot, Cigarette falls for an Englishman, Bertie Cecil (Herbert Heyes), and when he is sentenced to a firing squad, she heroically takes the bullet herself.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Just before a big bout, Jimmie, a New York prize fighter, gets a lucky medal from his friend Billy. Herman Marlex, a chronic teller of tall tales informs Jimmie that the medal is really a royal one, worn by the infant Prince of Magonia when he was kidnapped years before. Then, on fight night, Jimmie is knocked senseless. On his way home, Magonian emissaries see him wearing the medal, and so haul him back to the "homeland." Despite his insisting that he is merely a boxer, Jimmie is hailed as the returning prince.

Tom, a young man in a small town, wants to marry his sweetheart Jane, but Jane's father won't allow it until Tom proves he can support her. Tom heads to New York City to make his fortune and prove to Jane's father that he has what it takes, but he meets and falls in love with Amy, a chorus girl who already has a wealthy suitor. Complications ensue.

Tom Whitney, well connected but a social derelict because of his weakness for drink, is released from the draft because of an old football Injury, but a policeman persuades him that he can still do his bit in the shipyards. He takes a job in the yard owned by the man to whose daughter he was engaged in happier times. Three German propagandists seek to foment a strike to delay the work, and largely through Tom's efforts the plan goes amiss and the strike is called off. Rehabilitated by work, the launching of The Liberty is a forecast of his own rebirth.

The story begins as Tom Mills (Tom Mix) rides off to fight in WWI. Leaving his ranch in the care of his sister Ellen (Carmelita Geraghty) and her husband Ed (Carl Miller) Mills returns from the battlefield two years later to find that his brother-in-law has deserted, and the ranch is in a state of ruin and disrepair. Even worse, Ed is now top man in a vicious outlaw gang.

Jack Robbins is a gentleman bandit. For months he has been hunted in vain by Bob Ford, the sheriff. Mary Gray, a young lady physician, comes west; Robbins befriends her and, not knowing him to be a bandit, she admires him. One day the sheriff gets close enough to Robbins to seriously wound him and he is in desperate straits. By accident Dr. Gray finds him and he becomes her patient.

Spoiled rich boy Johnny Bromley, goaded by the sneering laughter of the cheap Dot and by his father's open contempt, retires to a prizefighters' training camp for rehabilitation. There he meets Jenny Killian, daughter of the camp owner whose encouragement and love help him overcome the unpleasant memories of Dot's accusations of cowardice. When at last he is a success, he wins the hand of Jenny in marriage and his parent's forgiveness; upon meeting his former rival (The Broker) with Dot, he surprises him with a swift punch in the jaw.

Hampton, a broker, employs a detective to investigate Stella, a show girl, with whom his younger brother Dick is in love. As a result of the detective's discoveries, Dick breaks his engagement with Stella. The woman calls at Dick's office late that afternoon. Hampton leaves the two alone. Unable to alter Dick's decision, Stella seizes a knife and threatens suicide. Dick tries to wrest the weapon from her and is accidentally killed.

A reporter is related the tale of a girl from an isolated colony descended from the English survivors of a shipwreck.

Song and Dance Man was based on the play of the same name by George M. Cohan. Tom Moore plays vaudevillian Happy Farrell, who gives up show biz to take a "civilian" job. Finding success in the business world, Happy tries to go back on stage, only to find that it isn't quite so easy the second time around. Meanwhile, our hero's former vaude partner Leola Lane (Bessie Love), now a headliner at the Palace, gives it all up to become the bride of artist Joseph Murdock

After his wife/model has died of starvation with her portrait unfinished, an impoverished artist meets another woman with a striking resemblance to her.