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Karma, a Tibetan filmmaker from New York, goes to Dharamsala, the Dalai Lama's exile headquarters in northern India, to make a documentary about former political prisoners who have escaped from Tibet. She wants to reconnect with her roots but is also escaping a deteriorating relationship back home.One of Karma's interviewees is Dhondup, an enigmatic ex-monk who has just escaped from Tibet. He confides in her that his real reason for coming to India is to fulfill his dying mother's last wish, to deliver a charm box to a long-missing resistance fighter. Karma finds herself unwittingly falling in love with Dhondup even as she is sucked into the passion of his quest, which becomes a journey into Tibet's fractured past and a voyage of self-discovery

Independent documentary by Jiang Yue. Excerpted from production notes: "At the foot of Petal Place, there was once a large stretch of vacant ground called "Snow." The Buddhist pilgrims and beggars from all parts of Tibet gathered together in this place. Later, after the liberation, there were gradually some permanent dwellers here, so the "Snow" neighborhood Committee came into being. Today this neighborhood has several households, totally over one thousand "dwellers." But it is said that a large-scale demolishing of their houses in order to move to a new place has already begun; the former square will be restored here, The old people on "Snow" ground sigh with emotion about it."

Beijing to Lhasa, 5400km by bicycle and horseback on the trail of Evariste Huc (1813-1860).

Documentary on Tibet co-directed by Chen Zhen and Li Ying.

Lhasa Blues is the first Tibetan heist/crime thriller ever made. This experimental short film was written in three days and shot in four days. It features first-time actors and was written, produced, and directed by Shenpenn Khymsar.

Tripping Towards Lhasa is a visually meditative tale of travel along the high road to Lhasa, Tibet. It is a vivid chronicle of an overland adventure through a fading culture and landscape that is distinctly sacred and spiritually inspiring. Taking the road trip documentary into contemplative territory, viewers venture over 1000 kilometers through the land kingdom alongside prostrating pilgrims, debating monks, and towering Buddhas. Through Western eyes, glimpses of Tibet from the road provide simple and elegant insights into a unique way of life at the turn of the millennium. The moving images provide a meditation in motion about the Shangri-La of the high plateau, capturing a soon-to-be-forgotten way of life. Tripping Towards Lhasa is an inward and outward ride through one of the world’s last great cultures.

In 1938 Nazi leader Heinrich Himmler sponsored an expedition to Tibet lead by several Nazi SS scientists to study the regions flora and fauna, and to take scientific measurements of the Earths magnetic fields. The expedition was also sent to find traces of the orgins of the "Aryan" race in Tibet which was where Himmler thought evidence of could be found. This film is a Nazi era documentary of that expedition.

Austrian mountaineer Heinrich Harrer journeys to the Himalayas without his family to head an expedition in 1939. But when World War II breaks out, the arrogant Harrer falls into Allied forces' hands as a prisoner of war. He escapes with a fellow detainee and makes his way to Lhasa, Tibet, where he meets the 14-year-old Dalai Lama, whose friendship ultimately transforms his outlook on life.

The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since.

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Follows three young Tibetans faced with moral dilemmas: a rising pop star asked by her Chinese official boyfriend to sing pro-government songs; her brother, an embittered drunk; and their cousin, a Buddhist nun savagely beaten after shouting anti-Chinese slogans.

Traditional games, dancing and music among the people of Sikkim - in vivid colour.

A 52-year-old cab driver drives stolen cars to taxi his clients through the streets of Barcelona.

Malo has separated from his wife and a divorce is in the works. His children leave with his wife on holiday, and he is lonely and depressed. His friend Rémi drags him to a party in the country, and driving back they see by chance a notice of a house being sold at auction by creditors. The low reserve price surprises them and they go round to have a look. Finding the door open, Malo picks up a letter from a little girl to her father saying she misses him - moved by the resonance with his own daughter, Malo accidentally takes the note with him when they leave in a hurry. He then resolves to return the note to the now grown-up little girl Cloé, but of course it's awkward to explain how he got it. He learns that she really doesn't want to sell the house, which is all that remains of her childhood. The relationship between them develops, and emotions run high at the auction. Ultimately the film explores whether Malo can give both or either Cloé and his daughter what they want/need,

The film is about the heroic struggle of the Kazakh people against the hordes of bloodthirsty Dzungars and the victory over the Dzungars (XVIII century).

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