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An aimless New Yorker visits her landlord to tell her she's moving out of her building.

Looks back 20 years into the past of an elderly woman who died of heatstroke and paints a picture of a solitary woman's genuine despair.

Sau-chen goes out with the tenant Wong Chun-ching over the protests of her class-conscious parents Eighth Uncle and his wife. To foot the medical bills of his mother, Sau-chen works as a promoter at the Products Expo for Lung Wah Pharmacy and attracts the unwanted attention of the boss Chin Hoi-ngan. Chin desires the woman as a concubine. Acting on the advice of his subordinate Chiu Chik, the boss invents a phantom son and proposes marriage with the offer of a handsome dowry. The employee Wong, short of cash and needs money fast, is drafted as his saviour to meet the parents when the plot is duly exposed. Teaming up with his tenants, Eighth Uncle invites the henpecked husband's termagant wife along and causes a scene. In gratitude of their efforts, the landlord and his wife give blessings to their daughter and her lover.

Seventh in the Ekimae series, detailing the exploits of the landladies around Ryogoku Station in Tokyo, and their sumo clientele.

Dong-woo enters the boarding house per his friend Tae-hoon's introduction. The landlady, Yeong-joo and her daughter, So-hyeon accepts Dong-woo warmly and had a welcome dinner together. After a few days, So-hyeon finds Dong-woo unpacking his stuff as she enters his room...

A landlady is taunted by neighborhood kids.

An American junior diplomat in London rents a house from, and falls in love with, a woman suspected of murder.

During a cannibalistic bath salts epidemic in Hemet, California, a tyrannical landlady lords it over her tenants, pitting them against each other in a web of paranoia spun for deadly results.

Melanie decides that one of her tenants would be perfect as her husband and decides to eliminate everyone who might interfere in her plans.

The unnamed Landlady (Siobhan McKenna) is the titular main villainess from "The Landlady", episode 1.05 of Tales of The Unexpected (airdate April 21, 1979), based on the Roald Dahl short story of the same name. The episode begins with Billy Weaver (The main protagonist), arriving in Bath as part of a work trip. While there, he looks for accomdation, and sees a bed and breakfast sign in the window of a house. The unnamed woman then invites him in, claiming that a hotel he had been planning to stay at was booked out. Although finding the landlady's overly friendly demeanour off-putting, Billy decides to spend the night.

The Landlady is a short horror film in the tradition of the Amicus/Hammer films of the sixties and seventies. It stars screen legend Caroline Munro as the mysterious housekeeper who insists that tenants obey her "four simple rules."

In Israel, in a rural village (Moshav), Adam (13) and Nimrod (6) see their neighbor Ida (85) as an enemy who wants to destroy their cabin and enjoy annoying her. Ori, their 9-year-old sister, is intrigued and touched by the old woman's whimsical side...

After disbanding the trio, entertainer Kenichi was working part-time at a cleaning company. On the other hand, Nami, who was Kenichi's ex-girlfriend, formed a new combination with Yusuke and was working hard at training, but her material was boring and she relied on Kenichi. Meanwhile, Kenichi and Kazuyo naturally have a physical relationship, but she finds out that Kazuyo was actually the wife of the late Kantaro Namiki, whom Kenichi admired.

A fun-loving little boy's magic lantern show exposes some indiscreet moments between his landlady mother and her star boarder.

Sun-gyu was looking for a house when ends up living in Ji-won's house. One day, Ji-won is having phone sex with her boyfriend in the living room and Sun-gyu dreams of having sex with her. In the end, he gets a call girl to fullfill his needs but it's not enough. Meanwhile, Ji-won is looking for her missing underwear when Sun-gyu comes home and she approaches him...

Precariat meets high snobiety: With no-budget charm and wit, sophisticated characters, pointed dialogues, satirical social commentary and bitter plot twists, Sebastian Brauneis tells the story of a tenancy relationship in which law does not always mean justice, set against the backdrop of the Austrian housing market.

In the winter of 1959, a single mother and her young daughter arrive in a rural French town, where they open an unusual chocolate shop that disrupts the moral fiber of the strictly Catholic townsfolk and mayor.

Olga and Maks are 15 years away. She is a successful woman with an established position, the mother of an adult daughter, he is a handsome young man who enjoys his life in a handful and lives only in the moment. It might seem that these two different worlds will never meet, and yet fate put them in the way.

Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.

While Peggy deeply falls in love with Jimmy, her best friend Millie becomes increasingly frustrated with men and very jealous with Peggy, so she tries everything to destroy the new love.

A young woman suspects foul play when her cat comes home wearing a wristwatch. Convincing the FBI, though, and catching the bad guys is tougher than she imagined.

When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.

Janet Holman is suspicious of her fiancé, Allen Wells, after he kisses her best friend Gwen when the lights are turned out during a party. Allen leaves early, purportedly for business reasons, but in reality, he is going to visit his secret girl friend, seventeen-year-old Ruth Jarrett. When Ruth's neighbor and landlady, Mrs. Humphries, overhears her talking to Allen on the phone, she becomes morally outraged and calls the police. Ruth is taken away to juvenile hall, and when Ruth's older brother Nick comes home to celebrate Ruth's birthday, Mrs. Humphries explains that Ruth has been seeing an older, wealthy man who has been leading her astray, and that she sent her away for her own good. Nick is saddened that he has failed to keep Ruth on the right track, and when he returns to his apartment, he becomes enraged to see Allen there. When Allen claims ignorance of Ruth's age, Nick hits him, and they engage in a brawl.

In World War I London, Myra is an American out-of-work chorus girl making ends meet by picking up men on Waterloo Bridge. During a Zeppelin air raid she meets Roy, a naive young American who enlisted in the Canadian army. After they fall for each other, Roy tricks Myra into visiting his family, who live in a country estate outside London, his mother having remarried to a retired British Major. Myra is reluctant to continue the relationship with Roy, he not aware of her past.

A barber owes a lot of money to his landlady, who shows great patience and understanding, hoping that one day he will convince him to marry her.

In Victorian era London, the inhabitants of a family home with rented rooms upstairs fear the new lodger is Jack the Ripper.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Based on a stage play of the same name by the one of the biggest names in the history of Latvian literature Rainis, "Put, vejini" tells a story of an unconventional love that blossoms between the handsome, wealthy and impetuous merchant Uldis and the timid, humble and clear-hearted orphan Baiba.

Rubber-legged comedian Leon Errol made his talkie starring bow in Paramount's Only Saps Work. Based on a play by Owen Davis Sr., the film casts Errol as James Wilson, a kleptomaniac who starts with picking pockets and ends up robbing a bank. Wilson's friend Lawrence Payne (Richard Arlen) inadvertently aids our hero during one of his heists, ending up in deep doo-doo with the law. Before Wilson is able to extricate Payne from his dilemma for the sake of heroine Barbara Tanner (Mary Brian), he pauses long enough to pose as a private eye -- and even gives bellboy Oscar (Stu Erwin) tips on how to spot a crook! If only all of Leon Errol's feature films had been as consistently hilarious as Only Saps Work.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver.

Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.

Jane is young, French, pregnant and unmarried. Bucking convention, she is uninterested in settling with her baby's father or getting an abortion. After renting a room in a dingy London boarding house, Jane befriends the odd group of inhabitants and starts an affair with one boarder, Toby. As Jane's pregnancy threatens her new relationship, and the reality of single motherhood approaches, she is forced to decide what to do about both her baby and her budding romance.

A lonely, unhappy owner of a Beverly Hills boarding house reflects on her lonely, unhappy life and the lonely, unhappy man she once loved.