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Shot in Barranquilla on the Caribbean coast in Colombia, The First Part of King Henry IV of Double V Shakespeare: An Analogy (1972) testifies to a dream experience of "Living Theater" a lived analogy of The First Part of King Henry IV of Shakespeare. In an Elizabethan decor of white colonnades, ruined and sumptuous, the street characters imagine themselves in an open-air play. Inspired by the pages of the book Absolutely Necessary: ​​The Emergency Book, a nomadic album in graphic poetry published" by Joëlle de La Casinière in 1973 at Éditions de Minuit, the film embodies the idea, already germinating at the time, of the work: multimedia, which combines the written word, image and sound.

Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed 'Hotspur'). Henry's son Hal, the Prince of Wales, has thrown over life at court in favour of heavy drinking and petty theft in the company of a debauched elderly knight, Sir John Falstaff. Hal must extricate himself from some legal problems, regain his father's good opinions and help suppress the uprising.

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

In the days of King Henry IV, stalwart young Myles and his sister Meg have been raised as peasants, without any knowledge of who their father really was. But one day, they journey to Macworth Castle. There, Myles falls in love with Lady Anne Macworth, makes friends and enemies, and learns to be a knight.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

2015 Takarazuka Revue production of "Sanctuary," a dramatization of the early days of marriage between King Henri VI of France and Margot de Valois, filmed for television.