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A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.

60 years after its first appearance on the screen, Godzilla continues fascinating moviegoers and Hollywood producers alike. The techniques developed by its creator Eiji Tsuburaya, including the use of full-body suits on carefully crafted miniature sets, are of particular interest at a time when computer graphics reign supreme. Hideaki Anno, best known for his animated series Neon Genesis Evangelion, and Shinji Higuchi, director of Attack on Titan, discuss the magic of Japanese Tokusatsu (special effects).

The life of Eiji Tsuburaya, pioneer of Japanese special effects.

Red Kid abducts Monk Tripitaka to turn his flesh into a feast to treat his mother Princess Iron Fan. Monkey King is subdued. Red Kid is taken as a disciple of the Goddess of Mercy. As Monk Tripitaka and his disciples reach the Flaming Mountain, they are unable to pass through it. The monk sends Monkey to borrow the princess's magic fan to disperse the fire. But the Princess still bears a grudge over her son’s destiny, wielding her fan to slap Monkey away. Monkey transforms into a bug, landing in her tea and hitting her stomach. In pain, the Princess answers his request, but she lends him a fake fan. With his request turned down by Ox King, Monkey disguises as Ox to beguile the wife and get the fan. Ox King transforms into Pigsy to snatch back the fan. Taoist God Pagoda arrives to subdue Ox in the company of Red Kid. Ox finally relents and yields the fan, which extinguishes the flames and sees the monk and his disciples safely off to a new phase of their journey.