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Inundation is a non-representational film that submerges the viewer in the ephemeral interplay of light and shadow. Employing cyanotype and eco-coloring techniques, the piece captures fleeting impressions and refractions, where illumination emerges only to be swallowed again by darkness. As much about erasure as it is about presence, Inundation meditates on the impermanence of light—its ability to imprint, dissolve, and transform the cinematic surface into a shifting, alchemical space. This piece was made in collaboration with Alberto Sanchez.

A poem illustrated with moving images documents the filmmaker's personal experience with flooding caused by Hurricane Helene.

At the beginning of the People's Revolution of 1921, it tells about the friendship between Bold, a herdsman, and Mikhail, a Russian boatman, who live on the banks of a river near the border. Two old men who took part in the revolution will be killed by the enemy, but their children will live on. Shows the continuation of the holy friendship of their ancestors.

After their village was flooded because of the dam construction, some of its inhabitants refused to leave. They are spending their final days by the reservoir.

In a time of rising seas and intensifying storms, one of the world’s wealthiest, most-educated cities made a fateful decision to spend billions of dollars erecting a new district along its coast — on landfill, at sea level. Unlike other places imperiled by climate change, this neighborhood of glass towers housing some of the world’s largest companies was built well after scientists began warning of the threats, including many at its renowned universities. The city, which already has more high-tide flooding than nearly any other in the United States, called its new quarter the Innovation District. But with seas rising inexorably, and at an accelerating rate, others are calling the neighborhood by a different name: Inundation District.

An American traveler meditates upon the unsettling discovery that climate change has transformed rivers, towns, and roads of the Northeast into floodlands.

After the Germans flooded large parts of The Netherlands towards the end of WWII, the Brouwer family find themselves trapped in their attic surrounded by water. With their rations dwindling, tensions arise within the household.