Search Results for "installation"

Annalise Valentine was once a rising star in the art world, but years of rejection, obscurity, and inner torment have left her broken. Convinced that her only chance to leave a lasting mark is through one final, unforgettable act, she conceives The Installation.

Katya and Sasha love each other, but everyone has a business of his life. He is a doctor, she is a modern artist. Katya begins to move away from Sasha and be ashamed of his ignorance. He feels out of place among the artistic environment of his wife, but he cannot leave.

An installation guy comes to a girl's apartment and wants her to treat him as a guest. When she refuses, he turns into a psycho.

An installation centred around Rachel Maclean's newest video work, DUCK, framed in a highly synthetic environment with walls of a particularly familiar green colour.

“Forever Prisoner”, mixed media

“Mr. Tsuguö Yanaï makes paper objects. He installs these objects in a gallery in Tokyo. The camera was also installed in the gallery. It filmed all of the time of installation and its preparation…. Yet the film is not the documentary of an installation, but of installation time.” - Yo Ota

The earth never sleeps. The duo Semiconductor distils research data on earth movements and animates them in a five-channel installation. In a dark hall, visitors to the Sónar Barcelona 2016 festival are captivated by a huge, luminous band of ceaselessly morphing layers of colours and strange sounds, experiencing a cut through both landscape and time.

Married to a wealthy meat dealer, Mojca (45) is worshiper of fine art and mother of two grown-up kids. Desperate for love and passion, she becomes an object of video installation which her ex-lover and now renown conceptual artist Milos is completing with a help of her daughter Nika. Mojca’s hunt for love becomes a wild journey for everyone involved in this film, including the crew shooting the film Installation of Love…

In the early days of the internet, cyberspace was primarily defined by men. This work by designer and tech expert Mindy Seu brings to light the origins and extensive legacy of cyberfeminism, not by defining it, but by showing and celebrating it.

The French agricultural sector is in crisis. Every day, more than 200 farms disappear because they cannot find anyone willing to take them over and face the hard work and difficult conditions involved. And for future farmers who have chosen to take up the challenge, the imminent end of the agrochemical model established in the 1950s and the environmental emergency are raising many questions. How can we produce better and in a sustainable way? How can we reinvent this tough and demanding profession? Audrey and Lauriane, two city dwellers who have decided to change their lives to devote themselves to farming, are among these farmers of tomorrow. They are taking over Kervily, a dairy farm in central Brittany that Jean-Yves and Babeth have built up over the last thirty years.

Three monitors played Mini DV footage that had been edited specifically for the Installation. Broken down into three elements: Landscape, People and Animals, it was then edited into three separate vhs time lines and presented on three separate monitors within the Gallery space.

A VHS tape instructing employees how to convert ShowBiz Pizza Place locations into Chuck-E-Cheese locations.

20 years ago a Hollywood extra met a budding filmmaker. She honed her directorial skills and he practised lines. Years later, a film which was never supposed to be had already been shot. Neither reality nor fiction, but both at the same time.

Director and Star Connor Sickles walks the viewers through the needed mods and such for Gadnis Craft.

Film installation in a park, as part of "Film Installation Workshop 2015". It's a 20 seconds film looping forever. Shot on 8mm film, hand processed, and projected on the screen between tree branches.

1+8 is a dynamic eight-screen video installation about Turkey and her eight neighbors based on the feature film of the same name directed by Cynthia Madansky and Angelika Brudniak. Each screen features life on both sides of the border, from Armenia, Bulgaria, Georgia, Greece, Iran, Iraq, Nakchivan [Autonomous Republic of Azerbaijan] to Syria.

Yamaguchi writes, "In April 1969, Image Modulator was shown at the Sony Building exhibition Electromagica '69, using three Trinitron color TV monitors behind a glass that created an optical effect. The glass acted as a literal filter, adding a mosaic effect to the video images."

The documentary video for the installation version of the short film “1976: Search for Life” takes us to Mars. There – between huge boulders and in the red light of our sibling planet – we find a small television set. With headphones and in an intimate atmosphere, Tess Martin shares a very personal memory of an important historical event with us.

The perception of moral values by modern Russian youth on the example of the meanings, plots and themes of two main "Moscow" paintings by the classic of Russian cinema Marlene Khutsiev "Zastava Ilyicha" ("I am 20 years old") and "July Rain". There are three chapters in the film: "Love and Character", "Generations and Epoch" and "Delusions and Hopes". The peers of the heroes of these films talk about the importance for them and the current relevance of the problems and issues raised by Khutsiev.

The director returns to the frontline mining town of Novogrodivka, where she spent her childhood, to shoot her first film. However, instead of the planned social drama about miners, the result is a tragicomedy about a mining family whose members, despite their different political preferences, make endless compromises every day to keep peace in the family.

As a huge electrical storm sweeps towards Texas, lineman Beau Ginner is haunted by memories of his brother's death by lightning years earlier. Since that tragic day, he has raised his niece Bailey and risen to foreman of a lineman team. However, there is friction when Bailey's on-off boyfriend Duncan joins the crew, while another new recruit is hiding PTSD symptoms. Beau and his team are soon putting their lives at risk in a race to replace miles of power cables to keep the electrical grid running before the deadly lightning storm strikes. Based on a true story; this film is a tribute to the heroes who risk it all to keep us safe.

A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.

Philipp Fleischmann develops special cameras designed to formulate specific relations between the material of the footage (16 or 35 mm film) and the object of the recording. For instance, in his 2013 project “Main Hall,” he deconstructs the main exhibition hall of the Viennese Secession, filming the exhibition architecture with 19 individual cameras and thus creating images that show the view of the exhibition space onto itself. Fleischmann’s recent work, “Untitled (Generali Foundation Vienna)" identifies the film camera as a spacial object-form by itself. Correlating with the history of artistic interventions on site, the object is placed in the former exhibition space of the Generali Foundation at Wiedner Hauptstrasse 15, Vienna, and provided with a cinematographic view.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

HEMISPHERE is an artificial space created by 5 high definition beamers projecting onto a suspended cupola.

The inhabited world is a constructed environment: a space that has been defined, created, and scaled for the sustenance and privilege of the human species alone. Humans have created a language that we cannot see beyond, one based on capital that hurdles us towards social and climate collapse. Contours reveals this position while also meditating on what it would mean to move away from this language in order to privilege not only the human but the other than human as well.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Following in the great tradition of his classic "How To" animated shorts of the 1940's, Goofy makes his return to the big screen in "How to Hook Up Your Home Theater". When Goofy is desperate to watch the Big Game, he heads to his local electronics store to tackle every consumer's nightmare - selecting the perfect home theater system and worse, trying to hook it all up.

A journey through the history of capitalism and greed. Populated by surreal characters and animals, a dystopian New York serves as the backdrop for a hypnotizing trip deep into the complexity of human nature at its best and worst.

REkOGNIZE is a three-channel video installation and a meditation on photography, memory, and movement. Artist and Academy Award-nominated cinematographer Bradford Young (Selma, Arrival) finds inspiration in Pittsburgh’s Hill District neighborhood, a site of the early 20th-century Great Migration. During this time, millions of African Americans moved from the rural southern United States to cities in the north and west. The Hill District saw a flourishing of culture during these years and was a site of artistic development for luminaries such as August Wilson, Charles “Teenie” Harris, Errol Garner, and many others. REkOGNIZE takes its visual cues from the Pittsburgh landscape, especially the city’s tunnels, which serve not only as literal entry points into the city, but also as metaphors for this movement of people and culture.

The camera hovers above the Mir diamond mine in Sakha, northeastern Siberia, one of Earth's largest kimberlite pipes. This colossal crater spans a continuum of Soviet and Russian resource politics from Stalin to Putin, where technology and ideology inscribe military and economic imperatives into a landscape transformed by radioactive residues and industrial toxicity. Dark earth is excavated and transported, the images governed by extraction processes that sustained the Soviet Union through Sakha's mineral wealth. Out of dense nocturnal fog, debris and dimly lit industrial plants slowly crystallize, apocalyptic scenery alternating with undulating earthworks evoking folds of velvet. The observational camera remains still, registering rather than narrating, while a finely arranged soundscape transmits the ceaseless whirring of machines. Finally, the camera descends into the open pit, its contours dissolving into darkness, like an infinitely slow fall into bottomless depths.

A Study of a human figure in a room.

The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.

Video installation (loop) EMCA 2010.

Inspired by Edogawa Ranpo’s novel, A Brute’s Love. The visual direction of this film is heavily influenced by Salvador Dalí, along with lots of other painters the director admired over the years. In many ways, this film is a reflection of personal artistic evolution.

An audiovisual work that consists of 6593 frames of dust collected and scanned over a 2 month process by Nan Wang into an animated work combined with digital footage.

In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.

A video to accompany 19 minutes of music from John and Yoko's Two Virgins album. We see Lennon's and Ono's faces superimposed upon each other's, then John and Yoko touching each other, hugging, and kissing. They are clothed, unlike on the Two Virgins album cover.

2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett

Short experimental film by Nan Wang

After witnessing a traumatising road safety film, Peter, an extremely anxious young man late for an important date, struggles to leave his home due to being plagued by visions of past traumas he seems to have forgotten.

When Ryan Cracker looses his Mother to a terrible cutlery based accident, he meets Good Samaritan Ben Plank. Together they work to bring Ryan's Mother's recipes to those around them through various unorthodox methods.