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In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.

A boy is raised by a village chieftain after his mother loses him in the woods. As time passes and he grows up, he falls in love with a princess who is under the spell of a witch and decides to save her

Every year, we create our God, mould him with love, call him our child, worship him inside our homes, and then, on a chosen day, carry the idol out to be immersed. This act is so normalized that it no longer feels like a question. AANA JAANA asks that question. The film is told through the perspective of the SEA, the final witness. The sea does not celebrate. It does not chant. It only receives. Thousands of idols arrive at its shore every year, all carrying the same promise of devotion and the same fate of disappearance. For the sea, there is no festival! Only arrival and departure. Coming and going. Birth and immersion. Aana. Jaana.