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A personal exploration of memory, identity and the human bond, told through a visually extraordinary narrative.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

The life of workers and their families in a construction site of a highway in 1965.

Shows how experiments with ducklings led to the concept of imprinting as a link between instinctive and learned behavior.

Russia and Poland. The history of the two countries has been filled with conflicts and political intrigues for centuries. Periods of war alternated with years of truce. From the film, the viewer will learn what historical events and figures were behind the centuries-old confrontation between the two Slavic peoples. What role did the struggle against the Mongol conquerors play in relations between the Slavs. How the divisions of Poland between other countries led to its disappearance. How Poland was reborn from oblivion, what role did the Russian rulers play in this.

A César nominated short animation that satirises the pressures of social conformity.

An animation with Gopo's Little Man.

Is the seed of happiness planted during childhood? The early years of our lives, the ones we no longer remember, leave a deep imprint on us. But is that imprint permanent? Or does it perhaps evolve? This is the voyage to that place forgotten by the memory, a journey from the mother I have become today to the baby I once was.

From archival photographs that testify to years of political violence in Peru, the film builds an analytical narrative that combines the artist’s memory and that of José Pablo Baraybar, head of the Peruvian team of forensic medicine.

A depiction of five people's life-changing events where each body carries a life-changing story. With a careful and sincere exploration of memories, the movement picks up where words are not enough.

An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public. The camera, as a device for recording and recollection, goes beyond evoking the past to become a tool for the appearance and exorcism of spectres.

A wooden printing block that has been reduced to an objet d’art, longs to be dipped in ink and leave its mark on the world.

No description available for this movie.

An afternoon exercise of piecing together minimal details for safekeeping: my grandmother's garden, her music, recipes for well-being.

The mother and the girlfriend of the dead soldier are going through a difficult path together, from grief and mutual hatred to forgiveness and acceptance, trying to find the meaning of life without a loved one.

Set in the backdrop of a Valluvanadan hamlet in Kerala, the film depicts the three different types of hunger of human life: that of body, spirit, and mind.

Set in the backdrop of a Valluvanadan hamlet in Kerala, the film depicts the three different types of hunger of human life: that of body, spirit, and mind.

After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.