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Brasília, 1999. An impeachment request is filed by the opposition. She accuses President Fernando Henrique Cardoso of having committed a crime of responsibility. Loyal government deputies fine-tune their arguments, while the opposition promises not to budge.

What can 1868 teach us about 2020? Going to the Devil: The Impeachment of 1868, the first-time-ever original narrative documentary from The Great Courses, is a unique retelling of the turbulent events leading up to and through the impeachment of President Andrew Johnson. With back-stabbings, acts of violence, and a cult of personalities, experience the history of this case unfolding like fiction.

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Thaddeus Stevens leads the attempt to impeach President Andrew Johnson in 1868.

Few if any presidents in American history have been as mired in controversy and debate as American President Donald J. Trump. Trump The Impeachment looks at the facts and the accusations leveled at America's 45th President as ongoing investigations surround White House.

After finding themselves ensnared in a death trap, seven disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts.

A documentary exploring Lev Parnas' involvement in the Trump-Ukraine scandal that resulted in the former president's impeachment, detailing Parnas' unexpected entanglement with Trump and Giuliani, leading to his incarceration.

The Final Days concerns itself with the final months of the Richard Nixon presidency.

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

During 2016, a film crew embeds inside the Brazilian Congress while lawmakers plot to overthrow the country's elected president, Dilma Rousseff.