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This movie depicts the two years that young Stendhal spent in Italy. Stendhal, that time still known simply as Henri Beyle, is living the life of a wanderer, looking for a direction in his life, meeting famous Rossini and falling in love with young widow Giuseppina. A story of love, betrayal and an analysis of women and men's minds and souls.

Two lonely foragers are called to meet for tea when nature begins to stand still. Inspired by the book 'Essays in Idleness' by Kenko and Chomei.

“Essays in Idleness” is a reimagining of the ‘Tsurezuregusa’, a classic 14th-century text by Zen monk and poet Yoshida Kenko who wrote 243 short entries on the aesthetic beauty of nature, social rules, Zen Buddhism, and the concept of impermanence.

Love in Idleness it is a short animated film exploring the fleeting delusional love relationship between Titania and Bottom. The film focuses on the transformation and transfiguration of the two characters in the act of a frantic lovemaking. Scratchy animated lines, morphed body parts, fragments of flesh intersect and crash together into the rhythmical act performed by the deluded donkey and the tricked woman. There is no story, no time and no roles: only raw emotions and sensations. The film is made with charcoal on paper; the images are a series of drawings constantly erased and retraced. Funded by Film London Artists’ Moving Image Network and King’s College London in association with Film Club Productions.

Fully AI generated title imagining a futuristic world in which only 1% of humanity still works, while the rest of the population lives in freedom.

Gibbs Chapman’s Push Button is a dryly funny exposé of the effects of automation on twenty-first-century humans.

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A mismatched couple's marital problems come to the surface when the husband develops an interest in their pretty boarder.